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Sarah Vaughan - Sarah Vaughan

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Sarah Vaughan

Sarah Vaughan with Clifford Brown

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This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan is one of the most important jazz-meets-vocal sessions ever recorded. © John Bush /TiVo

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Sarah Vaughan

Sarah Vaughan

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1
Lullaby Of Birdland
00:04:01

Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - GEORGE DAVID WEISS, ComposerLyricist - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - George Shearing, Composer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

2
April In Paris
00:06:20

Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - E.Y. HARBURG, Author - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Vernon Duke, Composer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

3
He's My Guy
00:04:12

Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Gene DePaul, ComposerLyricist - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Don Raye, ComposerLyricist - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

4
Jim
00:05:53

Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer - Milton Samuels, ComposerLyricist - Caesar Petrillo, ComposerLyricist - Nelson Shawn, ComposerLyricist

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

5
You're Not The Kind
00:04:43

Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Irving Mills, ComposerLyricist - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Will Hudson, ComposerLyricist - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

6
Embraceable You
00:04:50

Joe Benjamin, Double Bass, AssociatedPerformer - George Gershwin, Composer - Ira Gershwin, Author - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

7
I'm Glad There Is You
00:05:10

Paul Madeira, ComposerLyricist - Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Dorsey, ComposerLyricist - Jimmy Jones, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

8
September Song
00:05:45

Kurt Weill, ComposerLyricist - Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Maxwell Anderson, ComposerLyricist - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

9
It's Crazy
00:04:54

Joe Benjamin, Double Bass, AssociatedPerformer - Ernie Wilkins, Conductor, Recording Arranger, AssociatedPerformer - Herbie Mann, Flute, AssociatedPerformer - Paul Quinichette, Saxophone, AssociatedPerformer - Sarah Vaughan, Vocals, MainArtist, AssociatedPerformer - Clifford Brown, Trumpet, FeaturedArtist, AssociatedPerformer - Bob Shad, Producer - Roy Haynes, Drums, AssociatedPerformer - Jimmy Jones, Piano, AssociatedPerformer - Timmy Rogers, ComposerLyricist - Al Fields, ComposerLyricist

A Verve Label Group Release; ℗ 1955 UMG Recordings, Inc.

Album Description

This 1954 studio date, a self-titled album recorded for Emarcy, was later reissued as Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day. Vaughan sings nine intimate standards with a band including Brown on trumpet, Herbie Mann on flute, and Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark). Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards "April in Paris," "Jim," and "Lullaby of Birdland." As touching as Vaughan is, however, Brown almost equals her with his solos on "Lullaby of Birdland," "Jim," and "September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices. Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for Vaughan's voice. Ironically though, neither Brown nor Quinichette or Mann appear on the album's highlight, "Embraceable You," which Vaughan performs with close accompaniment from the rhythm section: Jimmy Jones on piano, Joe Benjamin on bass, and Roy Haynes on drums. Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued, Sarah Vaughan is one of the most important jazz-meets-vocal sessions ever recorded. © John Bush /TiVo

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