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Jeff Beck|Rough And Ready

Rough And Ready

Jeff Beck Group

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Recouping after a car crash and faced with the loss of Rod Stewart and Ron Wood, Jeff Beck redefined what the Jeff Beck Group was about, deciding to tone down the bluesy bombast, adding keyboardist Max Middleton for a jazz edge, then having Bob Tench sing to give it an overblown early-'70s AOR edge. As expected, these two sides are in conflict and Tench can be a little overbearing, but there are moments here that bring out the best in Beck. Namely, these are the times when the group ventures into extended, funk-inflected, reflective jazzy instrumental sections. These are the moments that point the way toward the success of Blow by Blow, yet this remains an unabashed rock record of its time, and it falls prey to many of its era's excesses, particularly lack of focus. Still, there are moments that are as fine as anything Beck played here.

© Stephen Thomas Erlewine /TiVo

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Rough And Ready

Jeff Beck

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1
Got the Feeling (Album Version)
Jeff Beck Group
00:04:49

Jeff Beck, Producer - Jeff Beck, Composer - Jeff Beck, Lyricist - Jeff Beck, Guitar - Clive Chaman, Bass - Bob Tench, Vocal - Jack Ashkinazy, Mastering Engineer - Jeff Beck Group, Performer - Max Middleton, Piano - Cozy Powell, Drums

Originally released 1971. All rights reserved by Epic Records, a division of Sony Music Entertainment

2
Situation (Album Version)
Jeff Beck Group
00:05:28

Jeff Beck, Producer - Jeff Beck, Composer - Jeff Beck, Lyricist - Jeff Beck, Guitar - Clive Chaman, Bass - Bob Tench, Vocal - Jack Ashkinazy, Mastering Engineer - Jeff Beck Group, Performer - Max Middleton, Piano - Cozy Powell, Drums

Originally released 1971. All rights reserved by Epic Records, a division of Sony Music Entertainment

3
Short Business (Album Version)
Jeff Beck Group
00:02:35

Jeff Beck, Producer - Jeff Beck, Composer - Jeff Beck, Lyricist - Jeff Beck, Guitar - Clive Chaman, Bass - Bob Tench, Vocal - Jack Ashkinazy, Mastering Engineer - Jeff Beck Group, Performer - Max Middleton, Piano - Cozy Powell, Drums

Originally released 1971. All rights reserved by Epic Records, a division of Sony Music Entertainment

4
Max's Tune (Album Version)
Jeff Beck Group
00:08:27

Jeff Beck, Producer - Jeff Beck, Guitar - Clive Chaman, Bass - Jack Ashkinazy, Mastering Engineer - Jeff Beck Group, Performer - Max Middleton, Composer - Max Middleton, Lyricist - Max Middleton, Piano - Cozy Powell, Drums

Originally released 1971. All rights reserved by Epic Records, a division of Sony Music Entertainment

5
I've Been Used (Album Version)
Jeff Beck Group
00:03:42

Jeff Beck, Producer - Jeff Beck, Composer - Jeff Beck, Lyricist - Jeff Beck, Guitar - Clive Chaman, Bass - Bob Tench, Vocal - Jack Ashkinazy, Mastering Engineer - Jeff Beck Group, Performer - Max Middleton, Piano - Cozy Powell, Drums

Originally released 1971. All rights reserved by Epic Records, a division of Sony Music Entertainment

6
New Ways / Train Train (Album Version)
Jeff Beck Group
00:05:53

Jeff Beck, Producer - J. Beck, Composer - J. Beck, Lyricist - Jeff Beck Group, Performer

(P) 1989 Epic Records, a division of Sony Music Entertainment

7
Jody (Album Version)
Jeff Beck Group
00:06:06

Jeff Beck, Producer - Jeff Beck, Composer - Jeff Beck, Guitar - Jeff Beck, Lyricist - Clive Chaman, Bass - Bob Tench, Vocal - Jack Ashkinazy, Mastering Engineer - Brian Short, Composer - Brian Short, Lyricist - Jeff Beck Group, Performer - Max Middleton, Piano - Cozy Powell, Drums

Originally released 1971. All rights reserved by Epic Records, a division of Sony Music Entertainment

Album review

Recouping after a car crash and faced with the loss of Rod Stewart and Ron Wood, Jeff Beck redefined what the Jeff Beck Group was about, deciding to tone down the bluesy bombast, adding keyboardist Max Middleton for a jazz edge, then having Bob Tench sing to give it an overblown early-'70s AOR edge. As expected, these two sides are in conflict and Tench can be a little overbearing, but there are moments here that bring out the best in Beck. Namely, these are the times when the group ventures into extended, funk-inflected, reflective jazzy instrumental sections. These are the moments that point the way toward the success of Blow by Blow, yet this remains an unabashed rock record of its time, and it falls prey to many of its era's excesses, particularly lack of focus. Still, there are moments that are as fine as anything Beck played here.

© Stephen Thomas Erlewine /TiVo

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