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Taylor Swift|Red

Red

Taylor Swift

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Taylor Swift designed her 2012 album Red as her breakthrough into the pop market -- a crossover she pulled off with ease, elevating her to the rarefied air of superstars who can be identified by a single name. Red may not be flawless -- it runs just a shade too long as it sprints along in its quest to be everything to everyone -- but there's an empowering fearlessness in how Swift shakes off her country bona fides. Leaving Nashville behind, she rushes to collaborate with Britney Spears hitmaker Max Martin and Snow Patrol's Gary Lightbody, along with mainstream rock mainstays Dan Wilson and Butch Walker. Appropriately for an album featuring so many producers, Red isn't sequenced like a proper album, it's a buffet, offering every kind of sound or identity a Swift fan could possibly want. Taylor deftly shifts styles, adapting well to the insistent pulse of Martin, easing into a shimmering melancholy reminiscent of Mazzy Star ("Sad Beautiful Tragic"), and coolly riding a chilly new wave pulse ("The Lucky One"). Combined with the unabashed arena rock fanfare of "State of Grace," the dance-pop of "We Are Never Ever Getting Back Together," and the dubstep feint "I Knew You Were Trouble" -- not to mention the cheerfully ludicrous club-filler "22" -- Red barely winks at country, and it's a better album for it. It is, as all pop albums should be, recognizable primarily as the work of Taylor Swift alone: her girlish persona is at its center, allowing her to try on the latest fashions while always sounding like herself. Although she can still seem a little gangly in her lyrical details -- her relationship songs are too on the nose and she has an odd obsession about her perceived persecution by the cool kids -- these details hardly undermine the pristine pop confections surrounding them. If anything, these ungainly, awkward phrasings humanizes this mammoth pop monolith: she's constructed something so precise that its success seems preordained, but underneath it all, Taylor is still twitchy, which makes Red not just catchy but compelling.

© Stephen Thomas Erlewine /TiVo

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Red

Taylor Swift

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1
State Of Grace
00:04:55

Nathan Chapman, Producer, Guitar - Hank Williams, Mastering Engineer - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Eric Darken, Percussion - Matt Rausch, Engineer - Chad Carlson, Engineer - Brian David Willis, Engineer - Nick Buda, Drums - Taylor Swift, Composer, Author, Producer, Vocals, MainArtist - Leland Elliott, Asst. Recording Engineer - Sony/ATV Tree Publishing, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

2
Red
00:03:43

Nathan Chapman, Producer, Guitar - David Huff, Editor - DANN HUFF, Producer, Bouzouki, Electric Guitar - STEVE MARCANTONIO, Engineer - Hank Williams, Mastering Engineer - Paul Franklin, Steel Guitar - Tom Bukovac, Electric Guitar - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Aaron Sterling, Drums - Jonathan Yudkin, Strings - Charlie Judge, Keyboards - Jimmie Sloas, Bass - Seth Morton, Engineer - Taylor Swift, Composer, Author, Producer, Vocals, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - Ilya Toshinskiy, Banjo - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

3
Treacherous
00:04:02

Dan Wilson, Composer, Author, Producer, Bass Guitar, Electric Guitar, Piano, Background Vocalist - Hank Williams, Mastering Engineer - Aaron Sterling, Drums - Chris Galland, Assistant Mixer - Manny Maroquin, Mixer - Eric Robinson, Engineer - Andy Thompson, Engineer, Guitar, Piano, Synthesizer - Taylor Swift, Composer, Author, Vocals, MainArtist - Delbert Bowers, Assistant Mixer - Chrysalis Music, MusicPublisher - Sugar Lake Music, MusicPublisher - Sony/ATV Tree Publishing, MusicPublisher - John Rausch, Engineer - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

4
I Knew You Were Trouble
00:03:39

Max Martin, Composer, Author, Producer, Keyboards - Shellback, Composer, Author, Producer, Acoustic Guitar - Serban Ghenea, Mixer - Tim Roberts, Asst. Recording Engineer - Sam Holland, Engineer - Tom Coyne, Mastering Engineer - Eric Eylands, Asst. Recording Engineer - Michael Ilbert, Engineer - Taylor Swift, Composer, Author, Vocals, MainArtist - Sony / ATV Music Publishing (UK), MusicPublisher - Sony/ATV Tree Publishing, MusicPublisher - Sony/ATV Music Publishing LLC, MusicPublisher - John Haynes, Engineer - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

5
All Too Well
00:05:28

Liz Rose, Composer, Author - Nathan Chapman, Producer, Engineer, Acoustic Guitar - Hank Williams, Mastering Engineer - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Brian David Willis, Asst. Recording Engineer - Taylor Swift, Composer, Author, Producer, Vocals, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - Liz Rose Music (BMI) adm by Kobalt, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

6
22
00:03:52

Max Martin, Composer, Author, Producer, Keyboards - Shellback, Composer, Author, Producer, Acoustic Guitar - Serban Ghenea, Mixer - Tim Roberts, Asst. Recording Engineer - Sam Holland, Engineer - Tom Coyne, Mastering Engineer - Eric Eylands, Asst. Recording Engineer - Michael Ilbert, Engineer - Taylor Swift, Composer, Author, Vocals, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - John Haynes, Engineer - MXM (adm Kobalt), MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

7
I Almost Do
00:04:04

Nathan Chapman, Producer, Engineer, Acoustic Guitar - Hank Williams, Mastering Engineer - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Taylor Swift, Composer, Author, Producer, Vocals, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

8
We Are Never Ever Getting Back Together
00:03:13

Max Martin, Composer, Author, Producer, Keyboards - Shellback, Composer, Author, Producer, Acoustic Guitar - Serban Ghenea, Mixer - Tim Roberts, Asst. Recording Engineer - Sam Holland, Engineer - Tom Coyne, Mastering Engineer - Eric Eylands, Asst. Recording Engineer - Michael Ilbert, Engineer - Taylor Swift, Composer, Author, Vocals, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - John Haynes, Engineer - MXM (adm Kobalt), MusicPublisher - Taylor Swift Music (BMI), MusicPublisher - Greg Fuess, Asst. Recording Engineer

℗ 2012 Big Machine Records, LLC.

9
Stay Stay Stay
00:03:25

Nathan Chapman, Producer, Guitar - Hank Williams, Mastering Engineer - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Eric Darken, Percussion - Matt Rausch, Engineer - Chad Carlson, Engineer - Brian David Willis, Engineer - Nick Buda, Drums - Taylor Swift, Composer, Author, Producer, Vocals, MainArtist - Leland Elliott, Asst. Recording Engineer - Sony/ATV Tree Publishing, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

10
The Last Time
00:04:59

Jamie Muhoberac, Piano - Chris Owens, Asst. Recording Engineer - Hank Williams, Mastering Engineer - Matty Green, Assistant Mixer - Gary Lightbody, Composer, Author, FeaturedArtist - Richard Dodd, Cello - Daphne Chen, Violin - Lauren Chipman, Viola - Eric Gorfain, Violin - MARK STENT, Mixer - Bill Rieflin, Drums - Jacknife Lee, Composer, Author, Producer, Guitar - Sam Bell, Engineer - Rodney Wirtz, Viola - Amy Wickman, Violin - John Krovoza, Cello - Marisa Kuney, Violin - Marcia Dickstein, Harp - Brett Banducci, Viola - Radu Pieptea, Violin - Gina Kronstadt, Violin - Owen Pallett, Conductor - Taylor Swift, Composer, Author, Vocals, MainArtist - Matt Bishop, Editor, Engineer - Neli Nikolaeva, Violin - Peggy Baldwin, Cello - Wes Precourt, Violin - Universal Music Publishing Ltd., MusicPublisher - Sony/ATV Tree Publishing, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher - Besme Music/Biglife Music, MusicPublisher - Simeon Pillich, Upright Bass - Jeff Takiguchi, Upright Bass - Polar Songs Ltd., MusicPublisher

℗ 2012 Big Machine Records, LLC.

11
Holy Ground
00:03:22

Serban Ghenea, Mixer - Tim Roberts, Asst. Recording Engineer - Tom Coyne, Mastering Engineer - Jeff Bhasker, Producer, Bass - Taylor Swift, Composer, Author, Vocals, MainArtist - Pawel Sek, Engineer - Tyler Johnson, Engineer, Background Vocalist - Sony/ATV Tree Publishing, MusicPublisher - John Haynes, Engineer - Anders Mouridsen, Guitar - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

12
Sad Beautiful Tragic
00:04:44

Nathan Chapman, Producer, Engineer, Acoustic Guitar - Hank Williams, Mastering Engineer - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Taylor Swift, Composer, Author, Producer, Vocals, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

13
The Lucky One
00:03:59

Serban Ghenea, Mixer - Tim Roberts, Asst. Recording Engineer - Tom Coyne, Mastering Engineer - Jeff Bhasker, Producer, Bass - Taylor Swift, Composer, Author, Vocals, MainArtist - Pawel Sek, Engineer - Tyler Johnson, Engineer - Sony/ATV Tree Publishing, MusicPublisher - John Haynes, Engineer - Anders Mouridsen, Guitar - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

14
Everything Has Changed
00:04:05

Butch Walker, Producer - Hank Williams, Mastering Engineer - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Jake Sinclair, Engineer - Ed Sheeran, FeaturedArtist - Taylor Swift, Composer, Author, Vocals, MainArtist - Sony/ATV Music Publishing UK Ltd., MusicPublisher - Sony/ATV Tree Publishing, MusicPublisher - Sony/ATV Music Publishing LLC, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

15
Starlight
00:03:40

Nathan Chapman, Producer, Guitar - DANN HUFF, Producer, Electric Guitar - Serban Ghenea, Mixer - Tim Roberts, Asst. Recording Engineer - Tom Coyne, Mastering Engineer - Charlie Judge, Keyboards - Jimmie Sloas, Bass - Taylor Swift, Composer, Author, Producer, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - John Haynes, Engineer - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

16
Begin Again
00:03:59

Nathan Chapman, Producer, Guitar - David Huff, Editor - DANN HUFF, Producer, Electric Guitar - STEVE MARCANTONIO, Engineer - Hank Williams, Mastering Engineer - Paul Franklin, Steel Guitar - Tom Bukovac, Electric Guitar - JUstin Niebank, Mixer - Drew Bollman, Assistant Mixer - Aaron Sterling, Drums - Jonathan Yudkin, Violin - Charlie Judge, Keyboards - Jimmie Sloas, Bass - Seth Morton, Engineer - Caitlin Evanson, Background Vocalist - Taylor Swift, Composer, Author, Producer, Vocals, MainArtist - Sony/ATV Tree Publishing, MusicPublisher - Taylor Swift Music (BMI), MusicPublisher

℗ 2012 Big Machine Records, LLC.

Album review

Taylor Swift designed her 2012 album Red as her breakthrough into the pop market -- a crossover she pulled off with ease, elevating her to the rarefied air of superstars who can be identified by a single name. Red may not be flawless -- it runs just a shade too long as it sprints along in its quest to be everything to everyone -- but there's an empowering fearlessness in how Swift shakes off her country bona fides. Leaving Nashville behind, she rushes to collaborate with Britney Spears hitmaker Max Martin and Snow Patrol's Gary Lightbody, along with mainstream rock mainstays Dan Wilson and Butch Walker. Appropriately for an album featuring so many producers, Red isn't sequenced like a proper album, it's a buffet, offering every kind of sound or identity a Swift fan could possibly want. Taylor deftly shifts styles, adapting well to the insistent pulse of Martin, easing into a shimmering melancholy reminiscent of Mazzy Star ("Sad Beautiful Tragic"), and coolly riding a chilly new wave pulse ("The Lucky One"). Combined with the unabashed arena rock fanfare of "State of Grace," the dance-pop of "We Are Never Ever Getting Back Together," and the dubstep feint "I Knew You Were Trouble" -- not to mention the cheerfully ludicrous club-filler "22" -- Red barely winks at country, and it's a better album for it. It is, as all pop albums should be, recognizable primarily as the work of Taylor Swift alone: her girlish persona is at its center, allowing her to try on the latest fashions while always sounding like herself. Although she can still seem a little gangly in her lyrical details -- her relationship songs are too on the nose and she has an odd obsession about her perceived persecution by the cool kids -- these details hardly undermine the pristine pop confections surrounding them. If anything, these ungainly, awkward phrasings humanizes this mammoth pop monolith: she's constructed something so precise that its success seems preordained, but underneath it all, Taylor is still twitchy, which makes Red not just catchy but compelling.

© Stephen Thomas Erlewine /TiVo

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