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Daniil Trifonov's journey around the world of Rachmaninov is at an end. The pianist has arrived safely into the harbour with Yannick Nézet-Seguin's Philadelphia Orchestra. This finale was inspired by the bells which are ubiquitous in the Great Russian soundscape. Alain Corbin explained their importance to the rhythmic and symbolic scansion of everyday life in 19th Century France in his book Village Bells. To the historian's analysis, we can now add the testimony of the pianist – who, like Rachmaninov, grew up in Novgorod. Russian bells leant Russian music its nobility and colouring of folk nostalgia. Daniil Trifonov hasn't forgotten this, as is clear from his piano transcription of the first episode of Les Cloches. He was wise enough to respect the operatic power of the score and the splendour of its orchestration: harp, celesta and flutes are all truly transformed into bells in the hands of a musician who stays true to the aura of disquieting oddness (with its shades of Edgar Allen Poe) which surrounds the first movement. His technique matches his capricious and bubbling imagination. While we might find ourselves yawning a little at the Vocalise, the first and third Concertos move us from thrilling ecstasies to tears of pleasure. A very fine record, in which the orchestra, perhaps a little distant, fulfils its role as a soundbox for the soloist. © Elsa Siffert/Qobuz
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The Bells, Op. 35 (Serge Rachmaninoff)
Daniil Trifonov, Piano - Sergei Rachmaninov, Composer - Christoph Franke, Producer - Sid McLauchlan, Producer, Additional Producer - René Möller, Recording Engineer - Marcus Herzog, Mastering Engineer, Mix Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Piano Concerto No. 1 in F-Sharp Minor, Op. 1 (Serge Rachmaninoff)
Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Vocalise, Op. 34, No. 14 (Serge Rachmaninoff)
Daniil Trifonov, Piano - Sid McLauchlan, Producer - Silas Brown, Recording Engineer - Marcus Herzog, Mastering Engineer, Mix Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Piano Concerto No. 3 in D minor, Op. 30 (Serge Rachmaninoff)
Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Daniil Trifonov, Piano - The Philadelphia Orchestra - Yannick Nézet-Séguin, Conductor - Sergey Rachmaninov, Composer - Sid McLauchlan, Producer - Andrew Mellor, Recording Engineer - Dave Conner, Asst. Recording Engineer - Marcus Herzog, Mastering Engineer
℗ 2019 Deutsche Grammophon GmbH, Berlin
Album Description
Daniil Trifonov's journey around the world of Rachmaninov is at an end. The pianist has arrived safely into the harbour with Yannick Nézet-Seguin's Philadelphia Orchestra. This finale was inspired by the bells which are ubiquitous in the Great Russian soundscape. Alain Corbin explained their importance to the rhythmic and symbolic scansion of everyday life in 19th Century France in his book Village Bells. To the historian's analysis, we can now add the testimony of the pianist – who, like Rachmaninov, grew up in Novgorod. Russian bells leant Russian music its nobility and colouring of folk nostalgia. Daniil Trifonov hasn't forgotten this, as is clear from his piano transcription of the first episode of Les Cloches. He was wise enough to respect the operatic power of the score and the splendour of its orchestration: harp, celesta and flutes are all truly transformed into bells in the hands of a musician who stays true to the aura of disquieting oddness (with its shades of Edgar Allen Poe) which surrounds the first movement. His technique matches his capricious and bubbling imagination. While we might find ourselves yawning a little at the Vocalise, the first and third Concertos move us from thrilling ecstasies to tears of pleasure. A very fine record, in which the orchestra, perhaps a little distant, fulfils its role as a soundbox for the soloist. © Elsa Siffert/Qobuz
About the album
- 1 disc(s) - 8 track(s)
- Total length: 01:21:49
- Main artists: Daniil Trifonov Philadelphia Orchestra Yannick Nézet-Séguin
- Composer: Serge Rachmaninoff
- Label: Deutsche Grammophon (DG)
- Area: Russie
- Genre: Classical
- Period: Post-romantic Music
- Instrument: Piano
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24-Bit 96.0 kHz - Stereo
© 2019 Deutsche Grammophon GmbH, Berlin ℗ 2019 Deutsche Grammophon GmbH, Berlin
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