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Vanessa Carlton - Rabbits On The Run

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Rabbits On The Run

Vanessa Carlton

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Shifting to indie Razor & Tie after a four-year hiatus following her 2007 album, Heroes & Thieves, Vanessa Carlton turns inward on her fourth album, Rabbits on the Run. Embracing all the spectral elements that ran underneath the surface of her music, Carlton avoids any of the surging orchestrations or any suggestions of cheer, spending long stretches of the album alone with her piano, and when the arrangements are fleshed-out, they’re done so subtly that it often seems as if she’s singing alone in the studio. Even if it has the effect of turning Rabbits on the Run into something of an unintentional Tori Amos homage, it’s an appropriately austere setting for Carlton’s melancholy introspections, ruminations that don’t offer any easy way inside. Unlike “A Thousand Miles” or the two albums that dealt with the repercussions of her initial success, this is music made with no audience in mind: it is strikingly personal, to the extent that it suggests that Carlton needs to get this soul-searching out of her system in order to move forward.
© Stephen Thomas Erlewine /TiVo

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Rabbits On The Run

Vanessa Carlton

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1
Carousel
00:03:16

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, MainArtist, ComposerLyricist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

2
I Don’t Want To Be A Bride
00:04:02

Steve Osborne, Composer, Producer, Recording Producer - Vanessa Carlton, Composer, MainArtist - Ari Ingber, Composer

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

3
London
00:04:16

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, Composer, MainArtist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

4
Fairweather Friend
00:03:55

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, Composer, MainArtist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

5
Hear The Bells
00:03:43

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, MainArtist, ComposerLyricist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

6
Dear California
00:03:18

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, Composer, MainArtist - Ari Ingber, Composer

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

7
Tall Tales For Spring
00:04:29

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, Composer, MainArtist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

8
Get Good
00:03:53

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, Composer, MainArtist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

9
The Marching Line
00:03:30

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, MainArtist, ComposerLyricist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

10
In The End
00:02:52

Steve Osborne, Producer, Recording Producer - Vanessa Carlton, Composer, MainArtist

℗ 2011 Razor & Tie Recordings., Marketed by Razor & Tie Recordings. Distributed by Concord Music Group, Inc.

Album Description

Shifting to indie Razor & Tie after a four-year hiatus following her 2007 album, Heroes & Thieves, Vanessa Carlton turns inward on her fourth album, Rabbits on the Run. Embracing all the spectral elements that ran underneath the surface of her music, Carlton avoids any of the surging orchestrations or any suggestions of cheer, spending long stretches of the album alone with her piano, and when the arrangements are fleshed-out, they’re done so subtly that it often seems as if she’s singing alone in the studio. Even if it has the effect of turning Rabbits on the Run into something of an unintentional Tori Amos homage, it’s an appropriately austere setting for Carlton’s melancholy introspections, ruminations that don’t offer any easy way inside. Unlike “A Thousand Miles” or the two albums that dealt with the repercussions of her initial success, this is music made with no audience in mind: it is strikingly personal, to the extent that it suggests that Carlton needs to get this soul-searching out of her system in order to move forward.
© Stephen Thomas Erlewine /TiVo

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