Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Noa Wildschut|Mozart: Violin Concerto No. 5, Violin Sonata No. 32 & Adagio

Mozart: Violin Concerto No. 5, Violin Sonata No. 32 & Adagio

Noa Wildschut

Digital booklet

Available in
logo Hi-Res
24-Bit 192.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Purchase and download this album in a wide variety of formats depending on your needs.

The push is on to make 16-year-old Dutch violinist Noa Wildschut the prodigy of the moment, and a brief encounter with her 1714 Grancino violin is enough to hear why: it's a strikingly sharp, almost piercing sound that grabs your attention. Wildschut's sound might be more suited to Romantic music, but that's coming, and one can understand why she might have wanted to start with Mozart. Yet one may also feel that Mozart is not quite her métier. Sample the beginning of the Violin Concerto No. 5 in A major, K. 219 ("Turkish"). Plenty of players take a little beat at the violin's entrance, but Wildschut's is unusually large and arguably destroys the integrity of the tempo. Her cadenzas, too, partly of her own invention, are a bit overdone. Then again, she is in touch with the melodic appeal of the music, and the album does make you want to hear more from her. She does well to include the Adagio in E major for violin and orchestra, K. 261, an alternate slow movement for the A major concerto, and in both these slow movements she has an impressively controlled long line. The Violin Sonata in B flat major, K. 454, works less well: the relationship between violin and piano does not quite seem to sync with the moments when Mozart lets the violin step out in new ways. But again, there is that brilliant violin tone. Recommended, partly for the promise shown.
© TiVo

More info

Mozart: Violin Concerto No. 5, Violin Sonata No. 32 & Adagio

Noa Wildschut

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

You are currently listening to samples.

Listen to over 80 million songs with an unlimited streaming plan.

Listen to this playlist and more than 80 million songs with our unlimited streaming plans.

From £10.83/month

1
Violin Concerto No. 5 in A Major K. 219, "Turkish": I. Allegro aperto
00:11:15

Wolfgang Amadeus Mozart, Composer - Gordan Nikolic, Conductor - Noa Wildschut, Violin, MainArtist - Nederlands Kamer Orkest, Orchestra

© 2017 Parlophone Records Limited, A Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company.

2
Violin Concerto No. 5 in A Major K. 219, "Turkish": II. Adagio
00:12:28

Wolfgang Amadeus Mozart, Composer - Gordan Nikolic, Conductor - Noa Wildschut, Violin, MainArtist - Nederlands Kamer Orkest, Orchestra

© 2017 Parlophone Records Limited, A Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company.

3
Violin Concerto No. 5 in A Major K. 219, "Turkish": III. Rondeau. Tempo di menuetto
00:10:31

Wolfgang Amadeus Mozart, Composer - Gordan Nikolic, Conductor - Noa Wildschut, Violin, MainArtist - Nederlands Kamer Orkest, Orchestra

© 2017 Parlophone Records Limited, A Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company.

4
Adagio for Violin and Orchestra in E Major, K. 261
00:09:17

Wolfgang Amadeus Mozart, Composer - Gordan Nikolic, Conductor - Noa Wildschut, Violin, MainArtist - Nederlands Kamer Orkest, Orchestra

© 2017 Parlophone Records Limited, A Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company.

5
Violin Sonata No. 32 in B-Flat Major, K. 454: I. Largo - Allegro
00:07:35

Wolfgang Amadeus Mozart, Composer - Yoram Ish-Hurwitz, Piano - Noa Wildschut, Violin, MainArtist

© 2017 Parlophone Records Limited, A Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company.

6
Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante
00:09:06

Wolfgang Amadeus Mozart, Composer - Yoram Ish-Hurwitz, Piano - Noa Wildschut, Violin, MainArtist

© 2017 Parlophone Records Limited, A Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company.

7
Violin Sonata No. 32 in B-Flat Major, K. 454: III. Allegretto
00:06:59

Wolfgang Amadeus Mozart, Composer - Yoram Ish-Hurwitz, Piano - Noa Wildschut, Violin, MainArtist

© 2017 Parlophone Records Limited, A Warner Music Group Company ℗ 2017 Parlophone Records Limited, a Warner Music Group Company.

Album Description

The push is on to make 16-year-old Dutch violinist Noa Wildschut the prodigy of the moment, and a brief encounter with her 1714 Grancino violin is enough to hear why: it's a strikingly sharp, almost piercing sound that grabs your attention. Wildschut's sound might be more suited to Romantic music, but that's coming, and one can understand why she might have wanted to start with Mozart. Yet one may also feel that Mozart is not quite her métier. Sample the beginning of the Violin Concerto No. 5 in A major, K. 219 ("Turkish"). Plenty of players take a little beat at the violin's entrance, but Wildschut's is unusually large and arguably destroys the integrity of the tempo. Her cadenzas, too, partly of her own invention, are a bit overdone. Then again, she is in touch with the melodic appeal of the music, and the album does make you want to hear more from her. She does well to include the Adagio in E major for violin and orchestra, K. 261, an alternate slow movement for the A major concerto, and in both these slow movements she has an impressively controlled long line. The Violin Sonata in B flat major, K. 454, works less well: the relationship between violin and piano does not quite seem to sync with the moments when Mozart lets the violin step out in new ways. But again, there is that brilliant violin tone. Recommended, partly for the promise shown.
© TiVo

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...

Beethoven : 9 Symphonies (1963)

Herbert von Karajan

Beethoven : 9 Symphonies (1963) Herbert von Karajan

Florence Price: Symphonies Nos. 1 & 3

Yannick Nézet-Séguin

Florence Price: Symphonies Nos. 1 & 3 Yannick Nézet-Séguin

John Williams in Vienna

John Williams

John Williams in Vienna John Williams

I Dream Of Christmas

Norah Jones

I Dream Of Christmas Norah Jones
More on Qobuz
By Noa Wildschut

Mozart: Violin Concerto No. 5, Violin Sonata No. 32 & Adagio

Noa Wildschut

Playlists

You may also like...

Sibelius: Complete Symphonies

Klaus Mäkelä

BD Music Presents Erik Satie

Various Artists

Exiles

Max Richter

Exiles Max Richter

Old Friends New Friends

Nils Frahm

Nightscapes

Magdalena Hoffmann

Nightscapes Magdalena Hoffmann
In your panoramas...
8 Great Women of Electronic

From the pioneers of musique concrete to the stars of 21st century clubbing, Qobuz is celebrating eight women who have left their own distinct marks on electronic music over the past fifty years.

Undervalued: a Look Back on Female Composers

From Sappho of Mytilene to Kaija Saariaho and Clara Schumann, several women have managed to break through the macho codes of the milieu and become composers. While the classical music landscape has been largely dominated by men in recent centuries, the work of their female colleagues, whether pioneers or contemporaries, is just as fascinating. Here we put eleven undervalued figures of female composition in the spotlight.

Scriabin's Flamboyant Raptures

Somewhat overshadowed today by his compatriots Rimsky-Korsakov, Stravinsky and Rachmaninov, Alexander Scriabin is nonetheless a key figure in Russian music. At the beginning of the 20th century, the composer and virtuoso pianist broke away from the Romantic legacy to offer a unique and innovative musical language which no one would follow. His work, deeply influenced by mystical philosophy and synaesthesia, would undergo a dazzling evolution in barely two decades, interrupted by his premature death at the age of 43.

In the news...