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Ennio Morricone|Metti una sera a cena (Gold Tracks)

Metti una sera a cena (Gold Tracks)

Ennio Morricone

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For a late-'60s Morricone soundtrack this is a little on the bland, easy listening side. But it's at the very least pleasant, and there are the occasional streaks of eccentricity to be heard here and there. The majority of the tracks are dainty and sunny, if lushly orchestrated, sometimes decorated with Edda Dell'Orso's female vocal scatting, as if to suggest the dawning of a new romance as the curtains are raised on a sparkling Mediterranean day. Some oddball stuttering organ pokes its head out on "Terrazza Vuota," and "Alla Luce Del Giorno" sounds like generic go-go party music, with callow, innocuous, wordless harmonies. "Ric Happening" takes a left turn into faux Indian-Asian ambient sounds; "Nina" has light jazz ballad colors. This is one for the Morricone completist rather than the listener collecting highlights of his massive discography.

© Richie Unterberger /TiVo

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Metti una sera a cena (Gold Tracks)

Ennio Morricone

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1
Metti una sera a cena (Originale)
Ennio Morricone
00:04:30

Bruno Nicolai, Performer - Ennio Morricone, Composer - Giuseppe Patroni Griffi, Composer

2006 Cinevox 2006 Cinevox

2
Sauna (Originale)
Ennio Morricone
00:04:55

Bruno Nicolai, Performer - Ennio Morricone, Composer

2006 Cinevox 2006 Cinevox

3
Terrazza vuota (Originale)
Ennio Morricone
00:03:10

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

4
Alla luce del giorno (Originale)
Ennio Morricone
00:03:04

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

5
Croce d'amore (Originale)
Ennio Morricone
00:02:28

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

6
Uno che grida amore (Originale)
Ennio Morricone
00:04:32

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

7
Ric Happening (Originale)
Ennio Morricone
00:03:23

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

8
Ti prego amami (Originale)
Ennio Morricone
00:02:19

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

9
Nina (Originale)
Ennio Morricone
00:04:48

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

10
Metti una sera a cena (Uncut Version)
Ennio Morricone
00:04:54

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

11
Uno che grida amore (Main Titles)
Ennio Morricone
00:02:47

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

12
Terrazza vuota (Film Version Suite 1)
Ennio Morricone
00:01:43

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

13
Nina (Alternate Version)
Ennio Morricone
00:04:45

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

14
Uno che grida amore (Film Version)
Ennio Morricone
00:01:27

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

15
Metti una sera a cena (Reprise)
Ennio Morricone
00:01:59

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

16
Ric Happening (Film Version)
Ennio Morricone
00:01:21

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

17
Ti prego amami (Film Version)
Ennio Morricone
00:02:16

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

18
Metti una sera a cena (Reprise 2)
Ennio Morricone
00:01:26

Ennio Morricone, Performer, Composer

2006 Cinevox 2006 Cinevox

19
Hurry to Me (Originale)
The Sandpipers
00:04:02

The Sandpipers, Performer

2006 Cinevox 2006 Cinevox

Album review

For a late-'60s Morricone soundtrack this is a little on the bland, easy listening side. But it's at the very least pleasant, and there are the occasional streaks of eccentricity to be heard here and there. The majority of the tracks are dainty and sunny, if lushly orchestrated, sometimes decorated with Edda Dell'Orso's female vocal scatting, as if to suggest the dawning of a new romance as the curtains are raised on a sparkling Mediterranean day. Some oddball stuttering organ pokes its head out on "Terrazza Vuota," and "Alla Luce Del Giorno" sounds like generic go-go party music, with callow, innocuous, wordless harmonies. "Ric Happening" takes a left turn into faux Indian-Asian ambient sounds; "Nina" has light jazz ballad colors. This is one for the Morricone completist rather than the listener collecting highlights of his massive discography.

© Richie Unterberger /TiVo

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