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Yehudi Menuhin|Mendelssohn, Lalo, Chausson : Violin Works

Mendelssohn, Lalo, Chausson : Violin Works

Yehudi Menuhin - George Enescu

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The music of Mendelssohn was to run like a leitmotif through Menuhin’s life. It was he, for example, who made the early Concerto in D minor popular, recording it three times. Altogether he recorded the E minor Concerto four times, the version reproduced here made when Menuhin was at the peak of his technical powers, did not do so well in the market-place as the 1958 recording, although it was well received. The war limited its distribution and it had strong competition first from Joseph Szigeti’s recording and later from those by Mischa Elman, Heifetz and Milstein. Nevertheless Menuhin always had more to say in this concerto, especially in its moments of introspection and transition, than any of his rivals. In some ways this is the best played of his four versions and it is an essential part of the Menuhin discography. Menuhin’s recording of Lalo's Symphonie espagnole was the first to be made of the complete five-movement work.

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Mendelssohn, Lalo, Chausson : Violin Works

Yehudi Menuhin

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Violin Concerto in E minor, Op. 64, MWV O14 (Felix Mendelssohn)

1
I. Allegro molto appassionato
00:11:46

Yehudi Menuhin, Artist, MainArtist - Felix Mendelssohn, Composer - George Enescu, Conductor - Colonne Concerts Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

2
II. Andante
00:08:11

Yehudi Menuhin, Artist, MainArtist - Felix Mendelssohn, Composer - George Enescu, Conductor - Colonne Concerts Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

3
III. Allegretto non troppo - Allegro molto vivace
00:06:24

Yehudi Menuhin, Artist, MainArtist - Felix Mendelssohn, Composer - George Enescu, Conductor - Colonne Concerts Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

Symphonie espagnole, op. 21 (Édouard Lalo)

4
I. Allegro ma non troppo
00:07:28

Yehudi Menuhin, Artist, MainArtist - Edouard Lalo, Composer - George Enescu, Conductor - Les Concerts de Paris Symphony Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

5
II. Adagio molto
00:04:06

Yehudi Menuhin, Artist, MainArtist - Edouard Lalo, Composer - George Enescu, Conductor - Les Concerts de Paris Symphony Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

6
III. Intermezzo. Allegretto non troppo
00:06:10

Yehudi Menuhin, Artist, MainArtist - Edouard Lalo, Composer - George Enescu, Conductor - Les Concerts de Paris Symphony Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

7
IV. Andante
00:07:10

Yehudi Menuhin, Artist, MainArtist - Edouard Lalo, Composer - George Enescu, Conductor - Les Concerts de Paris Symphony Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

8
V. Rondo. Allegro
00:07:52

Yehudi Menuhin, Artist, MainArtist - Edouard Lalo, Composer - George Enescu, Conductor - Les Concerts de Paris Symphony Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

Poème, op. 25 (Ernest Chausson)

9
Poeme, Op. 25
00:15:57

Yehudi Menuhin, Artist, MainArtist - Ernest Chausson, Composer - George Enescu, Conductor - Les Concerts de Paris Symphony Orchestra, Orchestra

(C) 2002 Naxos (P) 2002 Naxos

Album review

The music of Mendelssohn was to run like a leitmotif through Menuhin’s life. It was he, for example, who made the early Concerto in D minor popular, recording it three times. Altogether he recorded the E minor Concerto four times, the version reproduced here made when Menuhin was at the peak of his technical powers, did not do so well in the market-place as the 1958 recording, although it was well received. The war limited its distribution and it had strong competition first from Joseph Szigeti’s recording and later from those by Mischa Elman, Heifetz and Milstein. Nevertheless Menuhin always had more to say in this concerto, especially in its moments of introspection and transition, than any of his rivals. In some ways this is the best played of his four versions and it is an essential part of the Menuhin discography. Menuhin’s recording of Lalo's Symphonie espagnole was the first to be made of the complete five-movement work.

Details of original recording : Recorded at Studio Albert, Paris, 21 June 1933 (Chausson), 20 June 1933 (Lalo) ; in Paris, 2 May 1938 by HMV (Mendelssohn)

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