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Manic Street Preachers|Lipstick Traces: A Secret History of Manic Street Preachers

Lipstick Traces: A Secret History of Manic Street Preachers

Manic Street Preachers

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Everything wrong with the Manic Street Preachers boils down to this: they took the name of their B-sides and rarities collection, Lipstick Traces, not from Benny Spellman's classic New Orleans R&B single, but from Greil Marcus' academic book on punk rock, which borrowed the title from Spellman. In other words, they come from the head, not the heart; they're beholden to platitudes and the texts that are traded between earnest college freshman and sophomores as they realize that the world is so much larger than what they've known before. Of course, this doomed romanticism has an appeal, even for those who have outgrown it, and at their best, the Manics embodied that spirit: the fleeting moment when all possibilities were endless but also tragic, every choice theoretical, not practical. This can be heard in the band's music, but not too clearly on Lipstick Traces, even if it's billed as a "Secret History of the Manic Street Preachers." The problem is, the Manics put so much energy into their albums -- which were always conceptual expressions of emotion and theory, always tied together by similar musical themes -- they didn't have many interesting songs left over for the B-sides. They had a few noteworthy flip sides -- "4 Ever Delayed," for instance, which leant its title for their hits collection, along with "Prologue to History" and "Democracy Coma" -- but by and large, their rarities sounded like outtakes and rejects. As the first disc of Lipstick Traces shows, these are pleasant enough if you wanted an extension of the album, even if the songs just aren't as good. The second disc of Lipstick Traces is a little more interesting since it's devoted to nothing but covers. These illustrate that the Manics, like any well-read college kid, have excellent taste but can't quite turn that into something original. Nowhere is that better heard than on their didactic version of "Rock & Roll Music," which, due to its plodding beat and ham-fisted vocals, is quite possibly the worst Chuck Berry cover ever. It's plagued by their earnestness, as are many other covers here -- face it, "Take the Skinheads Bowling" may have some slyly serious sentiments, but it was never meant to be performed seriously. The Manics don't fare well when they try to be faithful, as on a version of the Rolling Stones' "Out of Time," which mimics the arrangement and sounds stilted, nor do they do much better when they try to be inventive, as when they turn Nirvana's "Been a Son" into a bottleneck blues; both are hampered by their ambitions, which are written on their sleeve and never ingrained in the music. The list goes on: "Wrote for Luck" lacks the dangerous hedonism of the Happy Mondays, "Raindrops Keep Falling on My Head" is achingly oversincere, "Didn't My Lord Deliver Daniel" is a theoretical exercise that never should have been executed. All this floundering makes for interesting listening, and it's worth digging through this disc to hear the Manics when they do connect. The two Clash covers ("What's My Name," "Train in Vain") are impassioned, since the band absorbed all of Strummer and Jones' lessons, Guns n' Roses' "It's So Easy" is charmingly reckless, and their take on Wham!'s "Last Christmas" is the one time that they effectively capture the sentiment that is an undercurrent in their work. So, Lipstick Traces is uneven, but any die-hard fan willing to explore a "secret history" will know that collections like this are by their nature usually inconsistent. Some of the Manics' peers did deliver consistently on their B-sides -- Suede and Oasis have B-sides collections every bit as good as their proper albums -- but they themselves didn't. And that's fine -- this collection was put out for the sake of completeness, and for completists, it's a good buy. But less dedicated fans can pass it by.

© Stephen Thomas Erlewine /TiVo

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Lipstick Traces: A Secret History of Manic Street Preachers

Manic Street Preachers

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1
Prologue To History (Album Version)
00:04:44

Dave Eringa, Producer - Nick Jones., Lyricist - Howard Grey, Producer - Manic Street Preachers, Performer - James Dean Bradfield, Composer - Sean Moore, Composer

(P) 1998 Sony Music Entertainment UK Limited

2
4 Ever Delayed (Album Version)
00:03:36

Nick Jones, Lyricist - Manic Street Preachers, Performer - Steve Osborne, Producer - James Dean Bradfield, Composer - Sean Moore, Composer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

3
Sorrow 16 (Album Version)
00:03:43

Robin Evans, Producer - Robin Evans, Engineer - Nick Jones, Lyricist - Dave Eringa, 2nd Engineer - Manic Street Preachers, Performer - Richey Edwards, Lyricist - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Lyricist - Sean Moore, Composer

(P) 1992 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

4
Judge Yr'self (Album Version)
00:03:00

Nick Jones, Composer - Nick Jones, Lyricist - Dave Eringa, Producer - Manic Street Preachers, Performer - Richey Edwards, Composer - Richey Edwards, Lyricist - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Composer - Sean Moore, Lyricist

(P) 2003 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

5
Socialist Serenade (Album Version)
00:04:12

Dave Eringa, Producer - Nick Jones., Lyricist - Manic Street Preachers, Performer - James Dean Bradfield, Composer - Sean Moore, Composer

(P) 1998 Sony Music Entertainment UK Limited

6
Donkeys (Album Version)
00:03:10

Nick Jones, Composer - Nick Jones, Lyricist - Alex Silva, Producer - Manic Street Preachers, Performer - Richey Edwards, Composer - Richey Edwards, Lyricist - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Composer - Sean Moore, Lyricist

(P) 1993 Sony Music Entertainment UK Limited

7
Comfort Comes (Album Version)
00:03:27

Nick Jones, Lyricist - Nick Jones, Composer - Dave Eringa, Producer - Manic Street Preachers, Performer - Richey Edwards, Lyricist - Richey Edwards, Composer - James Dean Bradfield, Lyricist - James Dean Bradfield, Composer - Sean Moore, Composer - Sean Moore, Lyricist

(P) 1993 Sony Music Entertainment UK Limited

8
Mr. Carbohydrate (Album Version)
00:04:14

Mike Hedges, Producer - Nick Jones, Lyricist - Dave Eringa, Producer - Manic Street Preachers, Performer - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Lyricist - Sean Moore, Composer

(P) 1996 Sony Music Entertainment UK Limited

9
Dead Trees and Traffic Islands (Album Version)
00:03:44

Nick Jones, Lyricist - Dave Eringa, Producer - Manic Street Preachers, Performer - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Lyricist - Sean Moore, Composer

(P) 1996 Sony Music Entertainment UK Limited

10
Horses Under Starlight (Album Version)
00:03:08

Nick Jones, Composer - Nick Jones, Lyricist - Alex Silva, Producer - Manic Street Preachers, Performer - James Dean Bradfield, Lyricist - James Dean Bradfield, Composer - Sean Moore, Lyricist - Sean Moore, Composer

(P) 1996 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

11
Sepia (Album Version)
00:03:54

Nick Jones, Lyricist - Nick Jones, Composer - Manic Street Preachers, Performer - Alex Silva, Producer - James Dean Bradfield, Lyricist - James Dean Bradfield, Composer - Sean Moore, Composer - Sean Moore, Lyricist

(P) 1996 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

12
Sculpture of Man (Album Version)
00:01:53

Richey James, Lyricist - Richey James, Composer - Nick Jones, Lyricist - Nick Jones, Composer - Dave Eringa, Producer - Alex Silva, Producer - Manic Street Preachers, Performer - James Dean Bradfield, Lyricist - James Dean Bradfield, Composer - Sean Moore, Composer - Sean Moore, Lyricist

(P) 1994 Sony Music Entertainment UK Limited

13
Spectators Of Suicide (Album Version)
00:05:03

Robin Evans, Producer - Dave Eringa, Piano - Nicky Wire, Bass - Manic Street Preachers, Performer - Sean Moore, Background Vocal - Sean Moore, Composer - Sean Moore, Percussion - Sean Moore, Lyricist - Sean Moore, Drums - Steve Brown, Mixing Engineer - Marc Williams, Mixing Engineer - James Dean Bradfield, Composer - James Dean Bradfield, Vocal - James Dean Bradfield, Guitar - James Dean Bradfield, Lyricist - Richey Edwards, Lyricist - Owen Davies, Mixing Engineer - Nick Jones, Lyricist

(P) 1991 Sony Music Entertainment UK Limited

14
Democracy Coma (Album Version)
00:03:42

Matt Olivier, Producer - Matt Ollivier, Engineer - Nick Jones, Lyricist - Steve Brown, Recorder - Steve Brown, Mixing Engineer - Manic Street Preachers, Performer - Richey Edwards, Lyricist - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Composer - Sean Moore, Lyricist

(P) 1992 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

15
Strip It Down (Live)
00:02:40

Nick Jones, Lyricist - Nick Jones, Composer - Manic Street Preachers, Performer - Unknown, Producer - Richey Edwards, Composer - Richey Edwards, Lyricist - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Lyricist - Sean Moore, Composer

(P) 2003 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

16
Bored Out Of My Mind (Album Version)
00:02:55

Kevin Key, Engineer - Nick Jones, Lyricist - Steve Brown, Mixing Engineer - Unknown, Producer - Manic Street Preachers, Performer - Richey Edwards, Lyricist - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Composer - Sean Moore, Lyricist

(P) 1992 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

17
Just A Kid (Album Version)
00:03:33

Lee Butler, Engineer - Nick Jones, Lyricist - Dave Eringa, Engineer - Dave Eringa, Mixing Engineer - Dave Eringa, Producer - Manic Street Preachers, Performer - James Dean Bradfield, Composer - Sean Moore, Composer

(P) 2001 Sony Music Entertainment UK Limited

18
Close My Eyes (Album Version)
00:04:26

Nick Jones, Lyricist - Dave Eringa, Producer - Manic Street Preachers, Performer - James Dean Bradfield, Composer - Sean Moore, Composer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

19
Valley Boy (Album Version)
00:05:08

Dave Eringa, Producer - Manic Street Preachers, Performer - Nick Jones., Lyricist - James Dean Bradfield, Composer - Sean Moore, Composer

(P) 1998 Sony Music Entertainment UK Limited

20
We Her Majesty's Prisoners (Album Version)
00:05:20

Robin Evans, Engineer - Robin Evans, Producer - Nick Jones, Lyricist - Dave Eringa, 2nd Engineer - Manic Street Preachers, Performer - Richey Edwards, Lyricist - James Dean Bradfield, Composer - James Dean Bradfield, Lyricist - Sean Moore, Composer - Sean Moore, Lyricist

(P) 1992 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

DISC 2

1
We Are All Bourgeois Now (Album Version)
00:04:33

Gary Baker, Composer - Gary Baker, Lyricist - Dave Eringa, Producer - John Williamson, Composer - John Williamson, Lyricist - Manic Street Preachers, Performer - Malcolm Eden, Composer - Malcolm Eden, Lyricist - Timothy Gane, Composer - Timothy Gane, Lyricist

(P) 2001 Sony Music Entertainment UK Limited

2
Rock And Roll Music (Album Version)
00:02:52

Dave Eringa, Producer - Chuck Berry, Lyricist - Chuck Berry, Composer - Manic Street Preachers, Performer

(P) 2000 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

3
It's So Easy (Live)
00:02:51

Izzy Stradlin, Composer - Izzy Stradlin, Lyricist - Manic Street Preachers, Performer - Unknown, Producer - McKagan, Lyricist - McKagan, Composer - Arkeen, Composer - Arkeen, Lyricist - ROSE, Lyricist - ROSE, Composer - Adler, Lyricist - Adler, Composer - Slash, Lyricist - Slash, Composer

(P) 1992 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

4
Take the Skinheads Bowling (Album Version)
00:02:28

Victor Krummenacher, Lyricist - Victor Krummenacher, Composer - David Lowery, Composer - David Lowery, Lyricist - Chris Molla, Lyricist - Chris Molla, Composer - Jonathan Segel, Composer - Jonathan Segel, Lyricist - Alex Silva, Producer - Manic Street Preachers, Performer - Sean Genockey, Producer - Sean Genockey, Mixing Engineer

(P) 1996 Sony Music Entertainment UK Limited

5
Been A Son (Album Version)
00:02:26

Kurt Cobain, Lyricist - Kurt Cobain, Composer - Dave Eringa, Producer - Manic Street Preachers, Performer

(P) 2003 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

6
Out of Time (Album Version)
00:03:32

Mick Jagger, Lyricist - Mick Jagger, Composer - Dave Eringa, Producer - Keith Richards, Composer - Keith Richards, Lyricist - Manic Street Preachers, Performer

(P) 2002 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

7
Raindrops Keep Fallin' on My Head (Warchild Version)
00:02:55

Mike Hedges, Producer - Burt Bacharach, Lyricist - Burt Bacharach, Composer - Manic Street Preachers, Performer - Hal David, Composer - Hal David, Lyricist

(P) 1995 SONY BMG MUSIC ENTERTAINMENT (UK) Limited

8
Bright Eyes (Live)
00:03:13

M. BATT, Lyricist - M. BATT, Composer - Manic Street Preachers, Performer - Sean Genockey, Producer

(P) 1996 Sony Music Entertanment UK Limited

9
Train In Vain (Live)
00:03:14

Joe Strummer, Composer - Joe Strummer, Lyricist - Mick Jones, Lyricist - Mick Jones, Composer - Dave Eringa, Producer - Manic Street Preachers, Performer

(P) 1999 Sony Music Entertainment UK Limited

10
Wrote For Luck (Album Version)
00:02:41

Paul Ryder, Lyricist - Paul Ryder, Composer - Paul Davis, Lyricist - Paul Davis, Composer - Gary Whelan, Composer - Gary Whelan, Lyricist - Dave Eringa, Producer - Dave Eringa, Engineer - Shaun Ryder, Composer - Shaun Ryder, Lyricist - Manic Street Preachers, Performer - Mark Day, Lyricist - Mark Day, Composer - Silva, Engineer

(P) 1993 Sony Music Entertainment UK Limited

11
What's My Name (Live)
00:01:43

Joe Strummer, Composer - Mick Jones, Composer - Manic Street Preachers, Performer - Unknown, Producer

(P) 1993 Sony Music Entertainment UK Limited

12
Velocity Girl (Album Version)
00:01:39

Robert Gillespie, Composer - Robert Gillespie, Lyricist - Manic Street Preachers, Performer - James Beattie, Composer - James Beattie, Lyricist - Silva, Producer

(P) 1996 Sony Music Entertainment UK Limited

13
Can't Take My Eyes Off You (Album Version)
00:03:12

Robert Gaudio, Lyricist - Robert Gaudio, Composer - Dave Eringa, Producer - Bob Crewe, Composer - Bob Crewe, Lyricist - Manic Street Preachers, Performer

(P) 1996 Sony Music Entertainment UK Limited

14
Didn't My Lord Deliver Daniel (Album Version)
00:02:05

Greg Haver, Producer - Manic Street Preachers, Performer - Traditional, Lyricist - Traditional, Composer

(P) 2001 Sony Music Entertainment UK Limited

15
Last Christmas (TFI Friday Performance)
00:02:05

George Michael, Lyricist - George Michael, Composer - Manic Street Preachers, Performer

(P) 1996 Ginger Television / Scottish Television Ltd.

Album review

Everything wrong with the Manic Street Preachers boils down to this: they took the name of their B-sides and rarities collection, Lipstick Traces, not from Benny Spellman's classic New Orleans R&B single, but from Greil Marcus' academic book on punk rock, which borrowed the title from Spellman. In other words, they come from the head, not the heart; they're beholden to platitudes and the texts that are traded between earnest college freshman and sophomores as they realize that the world is so much larger than what they've known before. Of course, this doomed romanticism has an appeal, even for those who have outgrown it, and at their best, the Manics embodied that spirit: the fleeting moment when all possibilities were endless but also tragic, every choice theoretical, not practical. This can be heard in the band's music, but not too clearly on Lipstick Traces, even if it's billed as a "Secret History of the Manic Street Preachers." The problem is, the Manics put so much energy into their albums -- which were always conceptual expressions of emotion and theory, always tied together by similar musical themes -- they didn't have many interesting songs left over for the B-sides. They had a few noteworthy flip sides -- "4 Ever Delayed," for instance, which leant its title for their hits collection, along with "Prologue to History" and "Democracy Coma" -- but by and large, their rarities sounded like outtakes and rejects. As the first disc of Lipstick Traces shows, these are pleasant enough if you wanted an extension of the album, even if the songs just aren't as good. The second disc of Lipstick Traces is a little more interesting since it's devoted to nothing but covers. These illustrate that the Manics, like any well-read college kid, have excellent taste but can't quite turn that into something original. Nowhere is that better heard than on their didactic version of "Rock & Roll Music," which, due to its plodding beat and ham-fisted vocals, is quite possibly the worst Chuck Berry cover ever. It's plagued by their earnestness, as are many other covers here -- face it, "Take the Skinheads Bowling" may have some slyly serious sentiments, but it was never meant to be performed seriously. The Manics don't fare well when they try to be faithful, as on a version of the Rolling Stones' "Out of Time," which mimics the arrangement and sounds stilted, nor do they do much better when they try to be inventive, as when they turn Nirvana's "Been a Son" into a bottleneck blues; both are hampered by their ambitions, which are written on their sleeve and never ingrained in the music. The list goes on: "Wrote for Luck" lacks the dangerous hedonism of the Happy Mondays, "Raindrops Keep Falling on My Head" is achingly oversincere, "Didn't My Lord Deliver Daniel" is a theoretical exercise that never should have been executed. All this floundering makes for interesting listening, and it's worth digging through this disc to hear the Manics when they do connect. The two Clash covers ("What's My Name," "Train in Vain") are impassioned, since the band absorbed all of Strummer and Jones' lessons, Guns n' Roses' "It's So Easy" is charmingly reckless, and their take on Wham!'s "Last Christmas" is the one time that they effectively capture the sentiment that is an undercurrent in their work. So, Lipstick Traces is uneven, but any die-hard fan willing to explore a "secret history" will know that collections like this are by their nature usually inconsistent. Some of the Manics' peers did deliver consistently on their B-sides -- Suede and Oasis have B-sides collections every bit as good as their proper albums -- but they themselves didn't. And that's fine -- this collection was put out for the sake of completeness, and for completists, it's a good buy. But less dedicated fans can pass it by.

© Stephen Thomas Erlewine /TiVo

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