Freiburg Philharmonic Orchestra - Fabrice Bollon Karl Goldmark : Die Königin von Saba, Op. 27

Karl Goldmark : Die Königin von Saba, Op. 27

Freiburg Philharmonic Orchestra - Fabrice Bollon

Includes: 1 Digital booklet

Released on June 3, 2016 by CPO

Main artist: Fabrice Bollon

Genre: Classical > Opera > Full Operas

Distinctions: Gramophone Award (September 2017) - 5 de Diapason (September 2016)

Choose your download
Add to basket
Improve this album page

Streaming quality

MP3 (CBR at 320 kbps)

FLAC (16-bit/44.1 kHz)

1.45

Web Player
Display track details

Album : 3 disks - 34 tracks Total length : 03:07:58

    DISC 1
    Die Königin von Saba, Op. 27, Act I (Karl Goldmark)
  1. 1 Die Königin von Saba, Op. 27, Act I: Act I: Overture

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  2. 2 Die Königin von Saba, Op. 27, Act I: Act I Scene 1: Öffnet euch, Tore (Chorus)

    Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  3. 3 Die Königin von Saba, Op. 27, Act I: Act I Scene 2: Tritt ohne Zagen ein (High Priest)

    Jin Seok Lee, Bass (High Priest) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  4. 4 Die Königin von Saba, Op. 27, Act I: Act I Scene 3: Mein Assad kehrt zurück! (Sulamith, Chorus)

    Irma Mihelič, Sopran (Daughter of the High Priest) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  5. 5 Die Königin von Saba, Op. 27, Act I: Act I Scene 4: Dem König Heil! (Assad, High Priest, Sulamith, Baal-Hanan, Chorus)

    Nuttaporn Thammathi, Tenor (Assad) - Jin Seok Lee, Bass (High Priest) - Irma Mihelič, Sopran (Daughter of the High Priest) - Kevin Moreno, Bariton (Baal-Haanan) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  6. 6 Die Königin von Saba, Op. 27, Act I: Act I Scene 5: Mein Blick gewahrt Befremden ringsherum (Solomon)

    Károly Szemerédy, Bassbariton (King Salomon) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  7. 7 Die Königin von Saba, Op. 27, Act I: Act I Scene 6: Ich les' auf deinem bleichen Munde (Solomon, Assad)

    Károly Szemerédy, Bassbariton (King Salomon) - Nuttaporn Thammathi, Tenor (Assad) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  8. 8 Die Königin von Saba, Op. 27, Act I: Act I Scene 6: The Entrance of the Queen of Sheba: March

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  9. 9 Die Königin von Saba, Op. 27, Act I: Act I Scene 7: Heil! Heil! der Königin Heil! (Chorus, Solomon, Queen, Assad)

    Károly Szemerédy, Bassbariton (King Salomon) - Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Nuttaporn Thammathi, Tenor (Assad) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  10. 10 Die Königin von Saba, Op. 27, Act I: Act I Scene 7: Dieses Auge, diese Züge (All)

    Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Nuttaporn Thammathi, Tenor (Assad) - Irma Mihelič, Sopran (Daughter of the High Priest) - Károly Szemerédy, Bassbariton (King Salomon) - Kim-Lillian Strebel, Sopran (Astaroth - Jin Seok Lee, Bass (High Priest) - Kevin Moreno, Bariton (Baal-Haanan) - Andrei Yvan, Bass (Voice of the Temple Guardian) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  11. DISC 2
    Die Königin von Saba, Op. 27, Act II
  12. 1 Act II: Night Piece and Festal Music

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  13. 2 Die Königin von Saba, Op. 27, Act II: Act II Scene 1: Aus des Jubels Festgepränge … (Queen)

    Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  14. 3 Die Königin von Saba, Op. 27, Act II: Act II Scene 2: Süße Herrin! (Astaroth, Queen)

    Kim-Lillian Strebel, Sopran (Astaroth) - Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  15. 4 Die Königin von Saba, Op. 27, Act II: Act II Scene 3: Magische Töne, berauschender Duft (Assad)

    Nuttaporn Thammathi, Tenor (Assad) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  16. 5 Die Königin von Saba, Op. 27, Act II: Act II Scene 3: Assad! (Queen)

    Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  17. 6 Die Königin von Saba, Op. 27, Act II: Act II Scene 3: Morgendämmerung

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  18. 7 Die Königin von Saba, Op. 27, Act II: Act II Scene 4: Die Sonne steigt aus des Morgens Schoß (Baal-Hanan, Chorus, Assad)

    Kevin Moreno, Bariton (Baal-Haanan) - Nuttaporn Thammathi, Tenor (Assad) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  19. 8 Die Königin von Saba, Op. 27, Act II: Act II Scene 5: Danket dem Herrn, denn er ist freundlich (High Priest, Chorus)

    Jin Seok Lee, Bass (High Priest) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  20. 9 Die Königin von Saba, Op. 27, Act II: Act II Scene 6: Wie auf das Saatkorn dein Segen taut (Chorus, Sulamith)

    Irma Mihelič, Sopran (Sulamith) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  21. 10 Die Königin von Saba, Op. 27, Act II: Act II Scene 7: Aria: Blick empor zu jenen Räumen! (All)

    Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Nuttaporn Thammathi, Tenor (Assad) - Irma Mihelič, Sopran (Sulamith) - Károly Szemerédy, Bassbariton (King Salomon) - Jin Seok Lee, Bass (High Priest) - Kim-Lillian Strebel, Sopran (Astaroth) - Kevin Moreno, Bariton (Baal-Haanan) - Andrei Yvan, Bass (Voice of the Temple Guardian) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  22. 11 Die Königin von Saba, Op. 27, Act II: Act II Scene 8: Weh mir, wer naht sich mir! (All)

    Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Nuttaporn Thammathi, Tenor (Assad) - Irma Mihelič, Sopran (Sulamith) - Károly Szemerédy, Bassbariton (King Salomon) - Jin Seok Lee, Bass (High Priest) - Kim-Lillian Strebel, Sopran (Astaroth) - Kevin Moreno, Bariton (Baal-Haanan) - Andrei Yvan, Bass (Voice of the Temple Guardian) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  23. DISC 3
    Die Königin von Saba, Op. 27, Act III
  24. 1 Die Königin von Saba, Op. 27, Act III: Act III: Prelude

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  25. 2 Die Königin von Saba, Op. 27, Act III: Act III Scene 1: Ballet I

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  26. 3 Die Königin von Saba, Op. 27, Act III: Act III Scene 1: Ballet: Bienentanz der Almeen

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  27. 4 Die Königin von Saba, Op. 27, Act III: Act III Scene 1: Ballet II

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  28. 5 Die Königin von Saba, Op. 27, Act III: Act III Scene 1: Ballet III

    Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  29. 6 Die Königin von Saba, Op. 27, Act III: Act III Scene 1: Rauschet, rauschet durch die Lüfte (Chorus)

    Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  30. 7 Die Königin von Saba, Op. 27, Act III: Act III Scene 2: Vom Mahle brichst du auf (Solomon, Queen)

    Károly Szemerédy, Bassbariton (King Salomon) - Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  31. 8 Die Königin von Saba, Op. 27, Act III: Act III Scene 3: Entlarvt hat sich dein Herz (Solomon, Baal-Hanan, Chorus)

    Károly Szemerédy, Bassbariton (King Salomon) - Kevin Moreno, Bariton (Baal-Haanan) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  32. 9 Die Königin von Saba, Op. 27, Act III: Act III Scene 4: Wie Jephthas Tochter zieht sie … (Chorus, Solomon, Sulamith)

    Károly Szemerédy, Bassbariton (King Salomon) - Irma Mihelič, Sopran (Sulamith) - Vokalensemble der Hochschule für Musik Freiburg - Extrachor des Theater Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  33. Die Königin von Saba, Op. 27, Act IV
  34. 10 Die Königin von Saba, Op. 27, Act IV: Act IV Scene 1: Wohin lenk' ich die müden Schritte? (Assad)

    Nuttaporn Thammathi, Tenor (Assad) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  35. 11 Die Königin von Saba, Op. 27, Act IV: Act IV Scene 2: Assad! (Queen, Assad)

    Katerina Hebelková, Mezzosopran (Queen of the Sheba) - Nuttaporn Thammathi, Tenor (Assad) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  36. 12 Die Königin von Saba, Op. 27, Act IV: Act IV Scene 3: Komm, Tod, geendet sind die Qualen (Assad)

    Nuttaporn Thammathi, Tenor (Assad) - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

  37. 13 Die Königin von Saba, Op. 27, Act IV: Act IV Scene 4: Uns're Tränen tau'n auf deinen Schritt (Chorus, Assad, Sulamith)

    Nuttaporn Thammathi, Tenor (Assad) - Irma Mihelič, Sopran (Sulamith) - Extrachor des Theater Freiburg - Vokalensemble der Hochschule für Musik Freiburg - Philharmonisches Orchester Freiburg - Fabrice Bollon, Conductor - Salomon Hermann von Mosenthal, Lyricist - Karl Goldmark, Composer Copyright : 2016 CPO

About

Details of original recording:

Recording : Konzerthaus Freiburg, Rolf Böhme Saal, May 4-7, June 9 & July 28, 2015

Karl Goldmark (1830–1915)

Die Königin von Saba (The Queen of Sheba), Op. 27, an opera in four acts. Libretto : Salomon Hermann von Mosenthal, based on the First Book of Kings (chapter 10)

Katerina Hebelková, Mezzosopran (Königin von Saba / Queen of the Sheba)
Nuttaporn Thammathi, Tenor (Assad, ein Botschafter am Hof ​​von Solomon / an ambassador at the court of Solomon)
Irma Mihelič, Sopran (Sulamith, Tochter des Hohepriesters / Daughter of the High Priest)
Károly Szemerédy, Bassbariton (König Salomon / King Salomon)
Kim-Lillian Strebel, Sopran (Astaroth, Sklavin der Königin / Slave of the Queen)
Jin Seok Lee, Bass (Hohepriester/ High Priest)
Kevin Moreno, Bariton (Baal-Haanan, Palastaufseher / Palace guard)
Andrei Yvan, Bass (Stimme des Tempelwächters / Voice of the Temple Guardian)

Opern-und Extrachor des Theater Freiburg (Bernhard Moncado)
Vokalensemble der Hochschule für Musik Freiburg
Philharmonisches Orchester Freiburg
Fabrice Bollon, Conductor

To discover

On the same theme

Label

CPO

Founded in 1986 by Georg Ortmann, CPO (Classic Produktion Osnabrück) remains one of the most exciting operators in the field of conventional recording companies. Its main vocation is to bring unsung parts of the pre-twentieth century baroque repertoire to the attention of music lovers and audiophiles. CPO uncovers both forgotten and totally unknown composers in order to better understand the mode of creativity operating in an era, and this is often because less publicized composers are the greatest embodiment of an era’s dominant aesthetic. We must admire the tenacity with which the founder of the label has stuck to his sonic explorations, in spite of an increasingly c...

See page CPO Read the article

Genre

Classical in the magazine

More articles

News

  • Mr Electro Mr Electro

    What a long way for the pioneer of French electronic music since his departure from the GRM of Pierre Schaeffer – the father of musique concrète et électroacoustique (concrete and electroacoustic m...

    Read the article
  • Pure country

    When she’s not publishing records under her own name, Dawn Landes has fun with people as varied as Sufjan Stevens, Nico Muhly, Norah Jones, Will Oldham, Andrew Bird and even Laurent Voulzy!

    Read the article
More articles