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Blue Heron|Johannes Ockeghem: Complete Songs, Vol. 1

Johannes Ockeghem: Complete Songs, Vol. 1

Scott Metcalfe, Blue Heron

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One of the major figures among 15th century Franco-Flemish composers, Johannes Ockeghem, was maestro di cappella in the royal courts of Charles VII and Louis XI, as well as a cleric at Notre Dame de Paris, and he was widely admired for his fourteen Masses, including the celebrated Requiem. Scholarly attention has been beneficial to Ockeghem's choral music, which thrives on modern recordings, though his songs have often been relegated to second-class status, and recordings of the chansons have been few and far between. Blue Heron's project to record the roughly two dozen extant songs is the first such effort since the 1980s, and this first of two volumes promises that it will be the set to beat for some time to come. Led by Scott Metcalfe, this small vocal ensemble with spare instrumental accompaniment of vielles and harp provides the intimacy and variety to make the program attractive to newcomers, but also to ears attuned to the unusual contours and harmonies of Renaissance vocal music. While Ockeghem's songs resemble the pure sonorities and canonic intricacies of his church music, his treatment of the vernacular lyrics allows for a more florid style that is, at times, reminiscent of medieval music, particularly in the elaborate intertwining of lines and archaic-sounding cadences. Released on the group's own label, this album was made in the rather echoic Church of the Redeemer, Chestnut Hill, Massachusetts, though the rather close-up recording is well-balanced with the reverberant acoustics.
© TiVo

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Johannes Ockeghem: Complete Songs, Vol. 1

Blue Heron

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Aultre Vénus estes sans faille (Johannes Ockeghem)

1
Aultre Venus estes sans faille
00:05:02

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Blue Heron, Ensemble, MainArtist - Aaron Sheehan, Artist - Margot Rood, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Quant de vous seul (Johannes Ockeghem)

2
Quant de vous seul
00:05:44

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Jason McStoots, Artist - Blue Heron, Ensemble, MainArtist - Kim Leeds, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

En atendant vostre venue

3
En atendant vostre venue
00:03:40

Scott Metcalfe, Conductor - Blue Heron, Ensemble, MainArtist - Owen McIntosh, Artist - Margot Rood, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Ma maistresse (Johannes Ockeghem)

4
Ma maistresse
00:07:29

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Jason McStoots, Artist - Blue Heron, Ensemble, MainArtist - Martin Near, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Au travail suis

5
Au travail suis
00:04:48

Scott Metcalfe, Conductor - Blue Heron, Ensemble, MainArtist - Margot Rood, Artist - Stefan Reed, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

S’elle m’amera (Johannes Ockeghem)

6
S’elle m’amera
00:03:49

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - David McFerrin, Artist - Blue Heron, Ensemble, MainArtist - Martin Near, Artist - Owen McIntosh, Artist - Stefan Reed, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Mort, tu as navré (Johannes Ockeghem)

7
Mort, tu as navré
00:08:58

Paul Guttry, Artist - Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Blue Heron, Ensemble, MainArtist - Aaron Sheehan, Artist - Owen McIntosh, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

O rosa bella (Johannes Ockeghem)

8
O rosa bella
00:02:09

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Laura Jeppesen, Artist - Blue Heron, Ensemble, MainArtist

(C) 2019 Blue Heron (P) 2019 Blue Heron

D’un autre amer (Johannes Ockeghem)

9
D’un autre amer
00:05:33

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Jason McStoots, Artist - Blue Heron, Ensemble, MainArtist - Sophie Michaux, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Fors seullement l’actente (Johannes Ockeghem)

10
Fors seullement l’actente
00:08:31

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Blue Heron, Ensemble, MainArtist - Martin Near, Artist - Megan Chartrand, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Fors seullement contre ce (Johannes Ockeghem)

11
Fors seullement contre ce
00:07:32

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Blue Heron, Ensemble, MainArtist - Martin Near, Artist - Megan Chartrand, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Se vostre cuer eslongne (Johannes Ockeghem)

12
Se vostre cuer eslongne
00:05:51

Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Blue Heron, Ensemble, MainArtist - Martin Near, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Permanent vierge, plus digne que nesune (Johannes Ockeghem)

13
Permanent vierge, plus digne que nesune
00:07:56

Paul Guttry, Artist - Johannes Ockeghem, Composer - Scott Metcalfe, Conductor - Jason McStoots, Artist - David McFerrin, Artist - Blue Heron, Ensemble, MainArtist - Martin Near, Artist - Summer Thompson, Artist

(C) 2019 Blue Heron (P) 2019 Blue Heron

Album review

One of the major figures among 15th century Franco-Flemish composers, Johannes Ockeghem, was maestro di cappella in the royal courts of Charles VII and Louis XI, as well as a cleric at Notre Dame de Paris, and he was widely admired for his fourteen Masses, including the celebrated Requiem. Scholarly attention has been beneficial to Ockeghem's choral music, which thrives on modern recordings, though his songs have often been relegated to second-class status, and recordings of the chansons have been few and far between. Blue Heron's project to record the roughly two dozen extant songs is the first such effort since the 1980s, and this first of two volumes promises that it will be the set to beat for some time to come. Led by Scott Metcalfe, this small vocal ensemble with spare instrumental accompaniment of vielles and harp provides the intimacy and variety to make the program attractive to newcomers, but also to ears attuned to the unusual contours and harmonies of Renaissance vocal music. While Ockeghem's songs resemble the pure sonorities and canonic intricacies of his church music, his treatment of the vernacular lyrics allows for a more florid style that is, at times, reminiscent of medieval music, particularly in the elaborate intertwining of lines and archaic-sounding cadences. Released on the group's own label, this album was made in the rather echoic Church of the Redeemer, Chestnut Hill, Massachusetts, though the rather close-up recording is well-balanced with the reverberant acoustics.
© TiVo

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