Categories:
Cart 0

Your cart is empty

The Cranberries - In the End

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

In the End

The Cranberries

Available in
logo Hi-Res
24 bits / 44.1 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Digital Download

Select Audio Quality

To be elegible for this price, subscribe to Sublime+

The story of this album’s genesis is both a sad and beautiful one. Sad because it is the band’s 8th and final album (in their initial line-up at least), but beautiful because we get the pleasure of hearing the voice of Dolores O'Riordan once more, who died suddenly on 15th January 2018. It’s thanks to demos recorded a few weeks before her passing that this musical resurrection has been possible: Noel Hogan, The Cranberries’ guitarist, had started working on the tracks in May 2017 while on tour, before recording eleven demos with the singer a few months later. It’s with the support of the O’Riordan family that the bandmembers came back together once more to complete the songs.


Strangely, the titles and lyrics are often about loss and endings in these songs that pack significant emotional impact, not only because of the tragedy that surrounds them, but also because the melodies and arrangements are often intrinsically melancholic. The strings that surround the finale of a piece like Lost, or the litanic piano of Catch Me If You Can, only reinforce the chills that flow through the listener when listening to In the End. But as they have often demonstrated over the past three decades, this Irish band never loses sight of a certain hope and energy; the lyrical melodies of Got It (with its overwhelming bass), and Summer Song are here to prove it. The ballads Illusion and In the End have a kind of twilight quality, but of the softest and most benevolent sunset there is. With this album recorded in London by producer Stephen Street (having already been at the helm of Everybody Else Is Doing It, So Why Can't We? in 1993 and No Need to Argue in 1994), The Cranberries bow out with elegance and modesty. © Nicolas Magenham/Qobuz

More info

In the End

The Cranberries

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app
Listen on Webplayer

Copy the following link to share it

You are currently listening to samples.

Listen to over 40 million songs with an unlimited streaming plan.

Listen to this album and more than 40 million songs with your unlimited streaming plans.

1 month free, then £9.99 / month

1
All Over Now 00:04:16

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer, Marimba - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Composer, Writer, Lead Guitar, Synthesizer - The Cranberries, MainArtist - George Apsion, Engineer - Fergal Lawler, Drums, Percussion - Oleg Koretsky, Synthesizer - Johanna Cranitch, Backing Vocals

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

2
Lost 00:03:59

Louisa Fuller, Violin - John Metcalfe, Viola - Ian Belton, Violin - Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer, Keyboards, Strings - Sophie Harris, Cello - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Stefan Baumann, Bass Clarinet - Dan Brodbeck, Guitar - Fergal Lawler, Drums - Johanna Cranitch, Backing Vocals

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

3
Wake Me When It's Over 00:04:11

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Dan Brodbeck, Acoustic Guitar - Fergal Lawler, Drums, Percussion

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

4
A Place I Know 00:04:26

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Composer, Acoustic Guitar, Electric Guitar, Writer - The Cranberries, MainArtist - George Apsion, Engineer - Stefan Baumann, Bass Clarinet - Fergal Lawler, Drums, Percussion - Oleg Koretsky, Synthesizer - Johanna Cranitch, Backing Vocals

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

5
Catch Me If You Can 00:04:38

Louisa Fuller, Violin - John Metcalfe, Viola - Ian Belton, Violin - Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer - Sophie Harris, Cello - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Lead Vocals - The Cranberries, MainArtist - George Apsion, Engineer - Stefan Baumann, Bass Clarinet - Dan Brodbeck, Guitar, Piano, Strings - Fergal Lawler, Drums, Percussion

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

6
Got It 00:04:02

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Dan Brodbeck, Guitar - Fergal Lawler, Drums - Johanna Cranitch, Backing Vocals

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

7
Illusion 00:04:07

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer, Keyboards - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Composer, Writer, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Fergal Lawler, Drums, Percussion - Johanna Cranitch, Backing Vocals

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

8
Crazy Heart 00:03:25

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer, Organ - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Composer, Writer, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Fergal Lawler, Drums, Percussion - Johanna Cranitch, Backing Vocals

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 The Cranberries under exclusive licence to BMG Rights Management (UK) Limited

9
Summer Song 00:03:34

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Dan Brodbeck, Composer, Guitar, Acoustic Guitar, Writer, Synthesizer - Fergal Lawler, Drums, Percussion

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

10
The Pressure 00:03:21

Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Composer, Writer, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Dan Brodbeck, Guitar - Fergal Lawler, Drums, Percussion - Johanna Cranitch, Backing Vocals

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited

11
In the End 00:02:56

Louisa Fuller, Violin - John Metcalfe, Viola - Ian Belton, Violin - Mark Knight, Engineer - John Davis, Engineer - STEPHEN STREET, Producer, Engineer - Sophie Harris, Cello - Dolores O'Riordan, Composer, Lead Vocals, Writer - Mike Hogan, Bass Guitar - Noel Hogan, Composer, Mandolin, Writer, Lead Guitar - The Cranberries, MainArtist - George Apsion, Engineer - Stefan Baumann, Bass Clarinet - Fergal Lawler, Drums

2019 Curtain Call Limited and Juztol Limited under exclusive licence to BMG Rights Management (UK) Limited 2019 The Cranberries under exclusive licence to BMG Rights Management (UK) Limited

Album Description

The story of this album’s genesis is both a sad and beautiful one. Sad because it is the band’s 8th and final album (in their initial line-up at least), but beautiful because we get the pleasure of hearing the voice of Dolores O'Riordan once more, who died suddenly on 15th January 2018. It’s thanks to demos recorded a few weeks before her passing that this musical resurrection has been possible: Noel Hogan, The Cranberries’ guitarist, had started working on the tracks in May 2017 while on tour, before recording eleven demos with the singer a few months later. It’s with the support of the O’Riordan family that the bandmembers came back together once more to complete the songs.


Strangely, the titles and lyrics are often about loss and endings in these songs that pack significant emotional impact, not only because of the tragedy that surrounds them, but also because the melodies and arrangements are often intrinsically melancholic. The strings that surround the finale of a piece like Lost, or the litanic piano of Catch Me If You Can, only reinforce the chills that flow through the listener when listening to In the End. But as they have often demonstrated over the past three decades, this Irish band never loses sight of a certain hope and energy; the lyrical melodies of Got It (with its overwhelming bass), and Summer Song are here to prove it. The ballads Illusion and In the End have a kind of twilight quality, but of the softest and most benevolent sunset there is. With this album recorded in London by producer Stephen Street (having already been at the helm of Everybody Else Is Doing It, So Why Can't We? in 1993 and No Need to Argue in 1994), The Cranberries bow out with elegance and modesty. © Nicolas Magenham/Qobuz

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...
More on Qobuz
By The Cranberries
No Need To Argue The Cranberries Stream or Buy for
Something Else The Cranberries Stream or Buy for
In the End The Cranberries Stream or Buy for
All Over Now (Edit) The Cranberries Stream or Buy for

Playlists

You may also like...
In your panoramas...
Tuareg Blues: The Rock Oasis

Since the Tuareg group Tinariwen released their first official album in 2002, entitled “The Radio Tisdas Sessions”, their guitar-soaked electric music has become a category of rock - one that is recognised and respected from Bamako to Los Angeles. This international success has allowed many musicians from the Sahara to get their music heard. And Western rockers have often been attracted to this poetic music emanating from the sand dunes and rocky expanses.

Americana, America Through its Roots

The title may sound like a nebulous marketing ploy, and yet for about twenty years, Americana had been summarizing this blend of rock, country, blues and rhythm ‘n’ blues. And like in every big family, you’ll find almost every type of person: the rebellious daughter, the cultivated uncle, the agitated father, the driven cousin, etc.

Trip Hop in 10 Albums

At the dawn of the 90s the trip hop wave flooded Great Britain with electro influenced by Jamaican music and rap beats. With dreamy rhythms and oppressive atmospheres, Massive Attack, Portishead, Tricky, Morcheeba and various others invented a futuristic kind of dark soul music which was sometimes very cinematographic. Time to zoom in on 10 albums from a genre with a fuzzy outline but a very clear influence.

In the news...