Unlimited Streaming
Listen to this album in high quality now on our apps
Start my trial period and start listening to this albumEnjoy this album on Qobuz apps with your subscription
SubscribeEnjoy this album on Qobuz apps with your subscription
Digital Download
Purchase and download this album in a wide variety of formats depending on your needs.
The new album from Pierre Hantaï, who is momentarily moving away from his dear Scarlatti, is a veritable gem! The French harpsichordist opens this masterful recital recorded in January 2020 in Haarlem (Netherlands) by Nicolas Bartholomée's team and dedicated to four suites by Georg Friedrich Haendel through one of the least known, HWV 426, the first issue of Book I of 1720. Immediately, his fingers immerse this eclectic, cosmopolitan world, where neighbouring Italy and France collide seamlessly, in a resplendent sunshine. Once again, the phrasing dazzles as much as the science that the worthy heir of Gustav Leonhardt displays in grasping the diversity of character as he does in painting landscapes in changing light.
Here, the Suite in F major, HWV 427 is a miracle. It is a moving, opening Adagio, with an unheard-of melancholy fullness, in which the "art of touching the harpsichord", of singing, of making polyphony shine, is carried high. So much so that the perpetual movement of the Allegro that follows may initially startle you, Pierre Hantaï's metrical regularity is astonishing, even in the more ornate repeats. However, the lines never seem tight, which makes you look at the choreography, undoubtedly reproducing the outlines of an imaginary Gavotte: an unforgettable sensation! The second Adagio is a sort of prelude, before a bugle fugue, not so distant here from the most joyful fugues of J. S. Bach's Well-Tempered Clavier.
The focus of the recital is the spacious and rather sombre Suite in D minor, HWV 428; at first the traditional Präludium, Allemande, Courante, then suddenly, a long Air whose theme is tenderly unfolded, morphing into a strange world of "harmonic" ramblings, as if improvised, launched like rockets by the harpsichordist - a work in its own right!
On all levels, an enthralling recital, to be treasured, which will give many people the opportunity to enjoy Handel's Harpsichord Suites once again. © Pierre-Yves Lascar/Qobuz
More info
You are currently listening to samples.
Listen to over 100 million songs with an unlimited streaming plan.
Listen to this playlist and more than 100 million songs with our unlimited streaming plans.
From £10.83/month
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
George Frideric Handel, Composer - PUBLIC DOMAIN, MusicPublisher - Pierre Hantai, MainArtist, AssociatedPerformer
2020 Mirare 2020 Mirare
Album Description
The new album from Pierre Hantaï, who is momentarily moving away from his dear Scarlatti, is a veritable gem! The French harpsichordist opens this masterful recital recorded in January 2020 in Haarlem (Netherlands) by Nicolas Bartholomée's team and dedicated to four suites by Georg Friedrich Haendel through one of the least known, HWV 426, the first issue of Book I of 1720. Immediately, his fingers immerse this eclectic, cosmopolitan world, where neighbouring Italy and France collide seamlessly, in a resplendent sunshine. Once again, the phrasing dazzles as much as the science that the worthy heir of Gustav Leonhardt displays in grasping the diversity of character as he does in painting landscapes in changing light.
Here, the Suite in F major, HWV 427 is a miracle. It is a moving, opening Adagio, with an unheard-of melancholy fullness, in which the "art of touching the harpsichord", of singing, of making polyphony shine, is carried high. So much so that the perpetual movement of the Allegro that follows may initially startle you, Pierre Hantaï's metrical regularity is astonishing, even in the more ornate repeats. However, the lines never seem tight, which makes you look at the choreography, undoubtedly reproducing the outlines of an imaginary Gavotte: an unforgettable sensation! The second Adagio is a sort of prelude, before a bugle fugue, not so distant here from the most joyful fugues of J. S. Bach's Well-Tempered Clavier.
The focus of the recital is the spacious and rather sombre Suite in D minor, HWV 428; at first the traditional Präludium, Allemande, Courante, then suddenly, a long Air whose theme is tenderly unfolded, morphing into a strange world of "harmonic" ramblings, as if improvised, launched like rockets by the harpsichordist - a work in its own right!
On all levels, an enthralling recital, to be treasured, which will give many people the opportunity to enjoy Handel's Harpsichord Suites once again. © Pierre-Yves Lascar/Qobuz
About the album
- 1 disc(s) - 19 track(s)
- Total length: 01:07:37
- Main artists: Pierre Hantaï
- Composer: Georg Friedrich Händel
- Label: Mirare
- Genre: Classical Chamber Music
2020 Mirare 2020 Mirare
Improve album information
Why buy on Qobuz...
-
Stream or download your music
Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions.
-
Zero DRM
The downloaded files belong to you, without any usage limit. You can download them as many times as you like.
-
Choose the format best suited for you
Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF...) depending on your needs.
-
Listen to your purchases on our apps
Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go.
