Qobuz Store wallpaper
Categories:
Cart 0

Your cart is empty

Diana Krall - Glad Rag Doll (Edition Deluxe)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Glad Rag Doll (Edition Deluxe)

Diana Krall

Available in
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Start my trial period and start listening to this album

Enjoy this album on Qobuz apps with your subscription

Subscribe

Enjoy this album on Qobuz apps with your subscription

Digital Download

Select Audio Quality

To be elegible for this price, subscribe to Sublime+

For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett. He didn't reveal his final selections until they got into the studio. Given their origins, these songs remove the sheen of detached cool that is one of Krall's vocal trademarks. Check the speakeasy feel on opener "We Just Couldn't Say Goodbye," with Marc Ribot's airy chords, Jay Bellerose's loose shuffle, and Dennis Crouch's strolling upright bass. Krall's vocal actually seems to express delight in this loose and informal proceeding -- though her piano playing is, as usual, tight, top-notch. The shimmering sentimental nocturnal balladry there gives way to swing in "Just Like a Butterfly That's Caught in the Rain," which stands out because of the interplay between Ribot's ukulele, a pair of basses, and Bellerose's brushes. Krall's vocal hovers; she lets the melody guide her right through the middle. On the title cut, her only accompanist is Ribot on an acoustic guitar. Being the best-known tune in the bunch, it's easy to compare this reading with many others, but Krall's breathy vocal fully inhabits the lyric and melody and makes them her own. A few tracks stand apart from the album's theme. There's the modern take on Betty James' rockabilly single "I'm a Little Mixed Up," which allows Burnett to indulge himself a little and showcases a rarity: Krall playing rock & roll piano. The atmospheric reading of Doc Pomus' "Lonely Avenue" is somewhat radical, but is among the finest moments here. Burnett gets his obligatory reverb on here, but the weave of his and Ribot's guitars (and the latter's banjo) and the mandola by Howard Coward (Elvis Costello in one of several guest appearances) is arresting. The arrangement also contains an odd yet compelling reference to Miles Davis' "Right Off (Theme from Jack Johnson)"; Krall's piano solo is rife with elliptical, meandering lines and chord voicings. But vocally she gets inside the tune's blues and pulls them out with real authority. Glad Rag Doll is not the sound of Krall reinventing herself so much as it's the comfortable scratching of an old, persistent itch. The warmth, sophistication, humor, and immediacy present on this set make it a welcome addition to her catalog.
© Thom Jurek /TiVo

More info

Glad Rag Doll (Edition Deluxe)

Diana Krall

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app

Copy the following link to share it

You are currently listening to samples.

Listen to over 50 million songs with an unlimited streaming plan.

Listen to this album and more than 50 million songs with your unlimited streaming plans.

1
We Just Couldn't Say Goodbye
00:03:07

Keefus Ciancia, Keyboards, AssociatedPerformer - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Diana Krall, Piano, MainArtist, AssociatedPerformer - Harry M. Woods, ComposerLyricist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

2
There Ain’t No Sweet Man That's Worth The Salt Of My Tears
00:04:29

T-Bone Burnett, Producer - Fred Fisher, ComposerLyricist - Diana Krall, MainArtist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

3
Just Like A Butterfly That's Caught In The Rain
00:03:43

Keefus Ciancia, Keyboards, AssociatedPerformer - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Mort Dixon, ComposerLyricist - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - Marc Ribot, Ukulele, AssociatedPerformer - Diana Krall, Piano, MainArtist, AssociatedPerformer - Harry M. Woods, ComposerLyricist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

4
You Know - I Know Ev'rything's Made For Love
00:03:47

Keefus Ciancia, Keyboards, AssociatedPerformer - Howard E. Johnson, ComposerLyricist - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Bryan Sutton, Acoustic Guitar, AssociatedPerformer - CHARLES TOBIAS, ComposerLyricist - Al Sherman, ComposerLyricist - Diana Krall, Piano, MainArtist, AssociatedPerformer - Howard Coward, Ukulele, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

5
Glad Rag Doll
00:04:34

T-Bone Burnett, Producer - Dougherty, ComposerLyricist - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Milton Ager, Arranger, Work Arranger - Jack Yellen, Author - Diana Krall, MainArtist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

6
I'm A Little Mixed Up
00:04:36

Keefus Ciancia, Keyboards, AssociatedPerformer - Colin Linden, Electric Guitar, AssociatedPerformer - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Diana Krall, Piano, MainArtist, AssociatedPerformer - Edward Johnson, ComposerLyricist - Betty James, ComposerLyricist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

7
Prairie Lullaby
00:04:22

Keefus Ciancia, Keyboards, AssociatedPerformer - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Diana Krall, Piano, MainArtist, AssociatedPerformer - Billy Hill, ComposerLyricist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

8
Here Lies Love
00:05:09

Keefus Ciancia, Keyboards, AssociatedPerformer - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Leo Robin, ComposerLyricist - Ralph Rainger, ComposerLyricist - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Diana Krall, Piano, MainArtist, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

9
I Used To Love You But It's All Over Now
00:02:50

Keefus Ciancia, Keyboards, AssociatedPerformer - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Lew Brown, ComposerLyricist - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Diana Krall, Piano, MainArtist, AssociatedPerformer - Albert Von Tilzer, ComposerLyricist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

10
Let It Rain
00:05:44

Keefus Ciancia, Keyboards, AssociatedPerformer - Hal Dyson, ComposerLyricist - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Marc Ribot, Acoustic Guitar, AssociatedPerformer - James Kendis, ComposerLyricist - Diana Krall, Piano, MainArtist, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

11
Lonely Avenue
00:06:57

Keefus Ciancia, Keyboards, AssociatedPerformer - T-Bone Burnett, Producer, Electric Guitar, AssociatedPerformer - Doc Pomus, ComposerLyricist - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Diana Krall, Piano, MainArtist, AssociatedPerformer - Howard Coward, Mandola, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

12
Wide River To Cross
00:03:51

Keefus Ciancia, Keyboards, AssociatedPerformer - Steven Miller, ComposerLyricist - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Bryan Sutton, Baritone Guitar, AssociatedPerformer - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Julie Miller, ComposerLyricist - Diana Krall, Piano, MainArtist, AssociatedPerformer - Howard Coward, Background Vocalist, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

13
When The Curtain Comes Down
00:04:51

Keefus Ciancia, Mellotron, AssociatedPerformer - Carl Hoefle, ComposerLyricist - T-Bone Burnett, Producer - Dennis Crouch, AssociatedPerformer, Bass (Vocal) - Jay Bellerose, Drums, AssociatedPerformer - Marc Ribot, Acoustic Guitar, AssociatedPerformer - Al Lewis, ComposerLyricist - Al Sherman, ComposerLyricist - Diana Krall, Piano, MainArtist, AssociatedPerformer - Howard Coward, Background Vocalist, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

14
As Long As I Love
00:02:29

Milton Drake, ComposerLyricist - T-Bone Burnett, Producer - Ben Oakland, ComposerLyricist - Diana Krall, Piano, MainArtist, AssociatedPerformer - George Jessel, ComposerLyricist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

15
Glad Rag Doll Alternate Version
00:02:55

Dougherty, ComposerLyricist - Chris Potter, Producer, Engineer, StudioPersonnel - Milton Ager, Arranger, Work Arranger - Jack Yellen, Author - Diana Krall, Producer, Piano, MainArtist, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

16
Garden In The Rain
00:02:55

James Dyrenforth, ComposerLyricist - Chris Potter, Producer, Engineer, StudioPersonnel - Diana Krall, Producer, Piano, MainArtist, AssociatedPerformer - Caroll Gibbons, ComposerLyricist

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

17
There Ain’t No Sweet Man That's Worth The Salt Of My Tears Alternate Version
00:02:06

Fred Fisher, ComposerLyricist - Chris Potter, Producer, Engineer, StudioPersonnel - Diana Krall, Producer, Piano, MainArtist, AssociatedPerformer

℗ 2012 The Verve Music Group, a Division of UMG Recordings, Inc.

Album Description

For only the second time in her career, jazz pianist and vocalist Diana Krall deviates from her tried, true m.o. of covering easily identifiable jazz standards. On Glad Rag Doll she teams with producer T-Bone Burnett and his stable of studio aces. Here the two-time Grammy winner covers mostly vaudeville and jazz tunes written in the 1920s and '30s, some relatively obscure. Most of the music here is from her father's collection of 78-rpm records. Krall picked 35 tunes from that music library and gave sheet music to Burnett. He didn't reveal his final selections until they got into the studio. Given their origins, these songs remove the sheen of detached cool that is one of Krall's vocal trademarks. Check the speakeasy feel on opener "We Just Couldn't Say Goodbye," with Marc Ribot's airy chords, Jay Bellerose's loose shuffle, and Dennis Crouch's strolling upright bass. Krall's vocal actually seems to express delight in this loose and informal proceeding -- though her piano playing is, as usual, tight, top-notch. The shimmering sentimental nocturnal balladry there gives way to swing in "Just Like a Butterfly That's Caught in the Rain," which stands out because of the interplay between Ribot's ukulele, a pair of basses, and Bellerose's brushes. Krall's vocal hovers; she lets the melody guide her right through the middle. On the title cut, her only accompanist is Ribot on an acoustic guitar. Being the best-known tune in the bunch, it's easy to compare this reading with many others, but Krall's breathy vocal fully inhabits the lyric and melody and makes them her own. A few tracks stand apart from the album's theme. There's the modern take on Betty James' rockabilly single "I'm a Little Mixed Up," which allows Burnett to indulge himself a little and showcases a rarity: Krall playing rock & roll piano. The atmospheric reading of Doc Pomus' "Lonely Avenue" is somewhat radical, but is among the finest moments here. Burnett gets his obligatory reverb on here, but the weave of his and Ribot's guitars (and the latter's banjo) and the mandola by Howard Coward (Elvis Costello in one of several guest appearances) is arresting. The arrangement also contains an odd yet compelling reference to Miles Davis' "Right Off (Theme from Jack Johnson)"; Krall's piano solo is rife with elliptical, meandering lines and chord voicings. But vocally she gets inside the tune's blues and pulls them out with real authority. Glad Rag Doll is not the sound of Krall reinventing herself so much as it's the comfortable scratching of an old, persistent itch. The warmth, sophistication, humor, and immediacy present on this set make it a welcome addition to her catalog.
© Thom Jurek /TiVo

About the album

Distinctions:

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...
More on Qobuz
By Diana Krall
Turn Up The Quiet Diana Krall
The Look Of Love Diana Krall
Live In Paris Diana Krall

Playlists

You may also like...
Just Coolin' Art Blakey & The Jazz Messengers
Trapeze Noel Mcghie
Beautiful Vinyl Hunter Ashley Henry
In your panoramas...
The New British Jazz Scene in 10 Albums

Hard bop, hip hop, free jazz, groove, electro, calypso, experimental or Caribbean: the key players of the new British jazz scene are open to everything. They know their classics like the back of their hands though they certainly don’t hold back from exploring all kinds of genres, making for a wonderfully eclectic sound. Here we look back over ten essential albums.

Peter Thomas in Orbit

In Germany they have their own Michel Legrand: his name is Peter Thomas! His eccentric film music left its mark on a whole generation of viewers in the 60s and 70s and since the 90s he has often been cited and sampled by young pop groups. The cult composer passed away on May 17th, 2020. We met him three years earlier, on the dawn of his 92nd birthday.

Chris Connor, a Forgotten Voice

What if she really was the greatest cool jazz singer of them all? Almost a decade after she passed away, Chris Connor remains one of the most sensual voices of her generation. After all, there's more to life than Anita O'Day and June Christy...

In the news...