Busch Trio / Maria Milstein / Miguel Da Silva Dvořák: Piano Quintets & BagatellesNew release

Dvořák: Piano Quintets & Bagatelles

Busch Trio / Maria Milstein / Miguel Da Silva

Hi-Res 24-bit – 96.00 kHz

Includes: 1 Digital booklet

Released on June 8, 2018 by Alpha

Main artist: Busch Trio

Genre: Classical > Chamber Music

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Album : 1 disk - 12 tracks Total length : 01:20:34

  1. 1 Piano Quintet No. 1 in A Major, Op. 5: I. Allegro ma non troppo

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  2. 2 Piano Quintet No. 1 in A Major, Op. 5: II. Andante sostenuto

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  3. 3 Piano Quintet No. 1 in A Major, Op. 5: III. Finale (Allegro con brio)

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  4. 4 Bagatelles, Op. 47: I. Allegro scherzando

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  5. 5 Bagatelles, Op. 47: II. Tempo di minuetto - Grazioso

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  6. 6 Bagatelles, Op. 47: III. Allegretto scherzando

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  7. 7 Bagatelles, Op. 47: IV. Canon (Andante con moto)

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  8. 8 Bagatelles, Op. 47: V. Poco allegro

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  9. 9 Piano Quintet No. 2 in A Major, Op. 81: I. Allegro ma non tanto

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  10. 10 Piano Quintet No. 2 in A Major, Op. 81: II. Dumka (Andante con moto)

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  11. 11 Piano Quintet No. 2 in A Major, Op. 81: III. Scherzo - Furiant (Molto vivace poco tranquillo)

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

  12. 12 Piano Quintet No. 2 in A Major, Op. 81: IV. Finale (Allegro)

    Antonín Dvorák, Composer - Miguel da Silva, MainArtist - Maria Milstein, MainArtist - Busch Trio, MainArtist Copyright : Alpha Classics / Outhere Music France Alpha Classics / Outhere Music France

About

The third volume of this four-part series of trios, quartets and quintets for piano by Dvořák is dedicated to two Piano Quintets and Bagatelles, the Trio Busch welcoming French viola player Miguel da Silva – formerly of the Ysaÿe quartet, between 1984 and 2014 – and also the violinist Maria Milstein, an associate of the Queen Elisabeth Music Chapel in Belgium. This ambitious project saw the light of day thanks to the young Busch Trio's arrival as residents at the Music Chapel in September 2014. The First Piano Quintet in A Major, composed in late summer 1872, might have been lost to posterity, as it seems that Dvořák destroyed the manuscript. But a friend made a copy, which allowed the work to survive the composer's hasty judgement. The self-assurance with which the composer deals with the combination of piano and strings is clear; in many places, the score prefigures the famous Second Quintet which closes this album. At this early stage in his career, his influences remain clear, in particular the influence of Schubert. When he looked back on his earlier works, as he would do now and then, Dvořák remembered the quintet of his youth and asked his trusty friend for the copy of the work. As was often the case with him, the reflection on an old work led to the composition of a new one in the same form, in such a way that he wound up creating a new quintet in the space of just six weeks in 1887, when he was approaching the pinnacle of his international fame. Between these two stand-out works for quintet, our musicians have chosen the Bagatelles of 1878, initially written for two violins, cello – not a viola – and harmonium, a household keyboard instrument which was very widespread in those days. Composed at the same time as the first volume of the Slavonic Dances, the Bagatelles share the same national accents. Here they are given not on the harmonium but with the piano, as the original score leaves the performers the choice of the two. © SM/Qobuz

Hi-Res 24-bit – 96.00 kHz

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