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The Coral|Butterfly House

Butterfly House

The Coral

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Five albums into their career -- or six, depending on whether or not you count the limited-edition Nightfreak and the Sons of Becker, which the band apparently doesn't -- the Coral find themselves as close as they've ever come to the "mainstream" with Butterfly House. The U.K. psych revivalists' first two albums are winningly quirky outings full of gloriously skewed pop sensibilities, but from 2005's The Invisible Invasion onward, the band has moved toward an increasingly more straightforward approach. It seems likely that the Coral would have continued in that direction even if guitarist Bill Ryder-Jones hadn't departed before the making of Butterfly House, but his exit may have pushed the band even further from the willful weirdness of its past. The trademark ‘60s influences are still present in no uncertain terms, but instead of drawing inspiration from the druggy, trippy side of that era's sounds, Butterfly House hones in on a more pop-savvy vibe, coming out closer to, say, the Association than Pink Floyd. In the process, the lads have made their most hook-laden and, yes, accessible album to date, full of infectious melodies and indelible riffs. Some champions of the band's early albums may consider this to be some kind of betrayal, but in fact it's simply part of an inevitable maturation process, and considering the results, a very welcome one indeed. And while the Coral's music will probably always have a strong connection to the past, Butterfly House turns out to be the band's most contemporary-sounding album to date, depending as it does on timeless pop values more than psychedelic spelunking.

© J. Allen /TiVo

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Butterfly House

The Coral

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1
More Than a Lover
00:03:07

The Coral, MainArtist - James Skelly, Composer - Ian Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer - Dan Austin, MixingEngineer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

2
Roving Jewel
00:03:17

The Coral, MainArtist - James Skelly, Composer - Ian Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

3
Walking in the Winter
00:03:08

The Coral, MainArtist - James Skelly, Composer - Lee Southall, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

4
Sandhills
00:03:41

The Coral, MainArtist - James Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

5
Butterfly House
00:03:21

The Coral, MainArtist - James Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer - Nick Power, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

6
Green Is the Colour
00:03:22

The Coral, MainArtist - James Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer - Nick Power, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

7
Falling All Around You
00:03:25

The Coral, MainArtist - James Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer - Nick Power, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

8
Two Faces
00:02:38

The Coral, MainArtist - James Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

9
She's Comin' Around
00:03:26

The Coral, MainArtist - James Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

10
1000 Years
00:02:52

The Coral, MainArtist - James Skelly, Composer - Ian Skelly, Composer - Lee Southall, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

11
Coney Island
00:03:23

The Coral, MainArtist - James Skelly, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

12
North Parade
00:06:02

The Coral, MainArtist - James Skelly, Composer - Paul Duffy, Composer - Lee Southall, Composer - Guy Massey, MixingEngineer - JOHN LECKIE, Producer - Dan Austin, MixingEngineer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

13
Into the Sun
00:03:31

The Coral, Producer, MainArtist - James Skelly, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

14
Coming Through the Rye
00:03:24

The Coral, Producer, MainArtist - James Skelly, Composer - Lee Southall, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

15
Dream in August
00:04:10

The Coral, Producer, MainArtist - James Skelly, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

16
Another Way
00:03:40

The Coral, Producer, MainArtist - Lee Southall, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

17
Circles
00:05:10

The Coral, Producer, MainArtist - James Skelly, Composer - Ian Skelly, Composer - Paul Duffy, Composer - Lee Southall, Composer - Nick Power, Composer

2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd 2010 Deltasonic Records Ltd., under exclusive license to Cooperative Music/V2 Records Intl Ltd

Album review

Five albums into their career -- or six, depending on whether or not you count the limited-edition Nightfreak and the Sons of Becker, which the band apparently doesn't -- the Coral find themselves as close as they've ever come to the "mainstream" with Butterfly House. The U.K. psych revivalists' first two albums are winningly quirky outings full of gloriously skewed pop sensibilities, but from 2005's The Invisible Invasion onward, the band has moved toward an increasingly more straightforward approach. It seems likely that the Coral would have continued in that direction even if guitarist Bill Ryder-Jones hadn't departed before the making of Butterfly House, but his exit may have pushed the band even further from the willful weirdness of its past. The trademark ‘60s influences are still present in no uncertain terms, but instead of drawing inspiration from the druggy, trippy side of that era's sounds, Butterfly House hones in on a more pop-savvy vibe, coming out closer to, say, the Association than Pink Floyd. In the process, the lads have made their most hook-laden and, yes, accessible album to date, full of infectious melodies and indelible riffs. Some champions of the band's early albums may consider this to be some kind of betrayal, but in fact it's simply part of an inevitable maturation process, and considering the results, a very welcome one indeed. And while the Coral's music will probably always have a strong connection to the past, Butterfly House turns out to be the band's most contemporary-sounding album to date, depending as it does on timeless pop values more than psychedelic spelunking.

© J. Allen /TiVo

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