Categories:
Cart 0

Your cart is empty

Christoph Prégardien - Bach/Telemann: Cantatas for Baritone

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Bach/Telemann: Cantatas for Baritone

Christoph Prégardien

Digital booklet

Available in
logo Hi-Res
24-Bit 48.0 kHz - Stereo

Unlimited Streaming

Listen to this album in high quality now on our apps

Enjoy this album on Qobuz apps with your subscription

Digital Download

Select Audio Quality

To be elegible for this price, subscribe to Sublime+

Two cantatas by Telemann – logically unknown, as he wrote some 1,700 of them − only one by Bach – but one that reached cult status: Ich will den Kreuzstab gerne tragen (I will gladly carry the Cross) −, here’s what’s on offer by tenor Christoph Prégardien (of German origin despite the “é”), and… Wait a second: even though we don’t exactly know for whom Telemann’s cantatas were originally written, Ich will den Kreuzstab was designed for a baritone, not a tenor, and there is no version transposed by Bach himself. But Christoph Prégardien, who’s now over sixty years old, opted to play it humble (or safe) and work with a much deeper range than Tamino or Ottavio, knowing that tenors can very well experience a loss in quality. A commendable decision that allows him to add some beautiful years to an already long and successful career as well as a change in repertoire. His very lyrical interpretation of these three cantatas demonstrates his commitment to the opera, as these cantatas are real dramatic scenes. Telemann, in particular, appears astonishing as ever with his unreal imagination and constant elegance that never gets in the way of profound emotion. For the overture, exit music and intermissions, the Vox Orchester offers some purely orchestral pages from Handel, Hasse and Telemann. © SM/Qobuz

More info

Bach/Telemann: Cantatas for Baritone

Christoph Prégardien

launch qobuz app I already downloaded Qobuz for Windows / MacOS Open

download qobuz app I have not downloaded Qobuz for Windows / MacOS yet Download the Qobuz app
Listen on Webplayer

Copy the following link to share it

You are currently listening to samples.

Listen to over 40 million songs with an unlimited streaming plan.

Listen to this album and more than 40 million songs with your unlimited streaming plans.

1
Ouverture-Suite in G Minor, FaWV K:g2: I. Ouverture 00:10:19

Johann Friedrich Fasch, Composer - Vox Orchester, MainArtist, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

13
Ouverture-Suite in D Minor, TWV 55:d3 00:07:46

Georg Philipp Telemann, Composer - Vox Orchester, MainArtist, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

Was gibst du denn, o meine Seele, TWV 1:1510 (Georg Philipp Telemann)

2
I. Choral 00:01:04

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

3
II. Recitativo 00:00:53

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

4
III. Aria 00:04:18

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

5
IV. Recitativo 00:02:10

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

6
V. Aria 00:01:01

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

7
VI. Choral 00:01:48

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

Jesus liegt in letzten Zugen, TWV 1:983 (Georg Philipp Telemann)

8
I. Aria 00:05:54

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

9
II. Recitativo 00:01:19

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

10
III. Aria 00:04:40

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

11
IV. Recitativo 00:00:42

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

12
V. Aria 00:02:38

Georg Philipp Telemann, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

Ich will den Kreuzstab gerne tragen, BWV 56 (Johann Sebastian Bach)

14
I. Ich will den Kreuzstab gerne tragen (Aria) 00:07:04

Johann Sebastian Bach, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

15
II. Mein Wandel auf der Welt (Recitativo) 00:01:45

Johann Sebastian Bach, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

16
III. Endlich, endlich wird mein Joch (Aria) 00:06:24

Johann Sebastian Bach, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

17
IV. Ich stehe fertig und bereit (Recitativo) 00:01:48

Johann Sebastian Bach, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

18
V. Komm, o Tod, du Schlafes Bruder (Choral) 00:01:53

Johann Sebastian Bach, Composer - Christoph Prégardien, Baritone, MainArtist - Vox Orchester, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

Concerto Grosso in E Minor (Georg Friedrich Händel)

19
Concerto grosso Op. 6, No. 4: I. Larghetto 00:03:39

Georg Friedrich Händel, Composer - Vox Orchester, MainArtist, AssociatedPerformer - Lorenzo Ghirlanda, Conductor

(P) 2018 Sony Music Entertainment Switzerland GmbH

Album Description

Two cantatas by Telemann – logically unknown, as he wrote some 1,700 of them − only one by Bach – but one that reached cult status: Ich will den Kreuzstab gerne tragen (I will gladly carry the Cross) −, here’s what’s on offer by tenor Christoph Prégardien (of German origin despite the “é”), and… Wait a second: even though we don’t exactly know for whom Telemann’s cantatas were originally written, Ich will den Kreuzstab was designed for a baritone, not a tenor, and there is no version transposed by Bach himself. But Christoph Prégardien, who’s now over sixty years old, opted to play it humble (or safe) and work with a much deeper range than Tamino or Ottavio, knowing that tenors can very well experience a loss in quality. A commendable decision that allows him to add some beautiful years to an already long and successful career as well as a change in repertoire. His very lyrical interpretation of these three cantatas demonstrates his commitment to the opera, as these cantatas are real dramatic scenes. Telemann, in particular, appears astonishing as ever with his unreal imagination and constant elegance that never gets in the way of profound emotion. For the overture, exit music and intermissions, the Vox Orchester offers some purely orchestral pages from Handel, Hasse and Telemann. © SM/Qobuz

About the album

Improve this page

Qobuz logo Why buy on Qobuz...

On sale now...
More on Qobuz
By Christoph Prégardien

Playlists

You may also like...
In your panoramas...
The British Blues Boom, Chronicle of a Revolution

If Joe Bonamassa has come back with British Blues Explosion, a year after the Rolling Stones’ Blue And Lonesome, it has cemented the fact that the British Blues Boom was more than just a trend. More than a simple musical trend, it was the interest of a younger generation for the great American blues idols that had been ignored in their country, which led to a real revolution, with three major agitators leading the charge, Eric Clapton, Jeff Beck and Jimmy Page, considered in the UK as the “Holy Trinity” of rock and guitar. If they were far from being the only musicians involved, it is through their respective careers that we have discovered that blues, far from being an outdated musical genre, is some kind of getaway to other musical areas and has allowed for endless innovations.

Neoclassicism: The New World Between Classical Music and Electro

Ólafur Arnalds, Nils Frahm, Max Richter, Poppy Ackroyd, Peter Broderick, Joana Gama... In recent years, these popular names have all been grouped under the vast and imprecise label "neoclassical". In truth, this "scene" looks more like a motley crew of curious artists who mix classical instruments with electronic production. Drawing influence from American minimalism, these musicians tantalise the senses and expand horizons on both sides of the musical spectrum.

The Golden Age of Hollywood Musicals

Alongside westerns and gangster films, musicals are one of the most iconic types of Hollywood classicism. With their heyday spanning from the ‘30s to the ‘60s, these glamorous and colourful musical films are often less superficial than they might initially appear.

In the news...