Odhecaton - Paolo Da Col A. Scarlatti: Missa defunctorum, Magnificat, Miserere...

A. Scarlatti: Missa defunctorum, Magnificat, Miserere...

Odhecaton - Paolo Da Col

Hi-Res 24-bit – 88.20 kHz

Includes: 1 Digital booklet

Released on September 2, 2016 by Arcana

Main artist: Odhecaton

Genre: Classical > Sacred Vocal Music

Distinctions: Choc de Classica (October 2016) - 5 de Diapason (January 2017) - Gramophone Editor's Choice (January 2017)

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Album : 1 disk - 19 tracks Total length : 01:16:23

  1. 1 Missa defunctorum: Introitus

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  2. 2 Missa defunctorum: Kyrie

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  3. 3 Missa defunctorum: Graduale

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  4. 4 Missa defunctorum: Sequentia (Dies irae)

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  5. 5 Missa defunctorum: Sequentia (Lacrimosa)

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  6. 6 Missa defunctorum: Offertorium

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  7. 7 Missa defunctorum: Sanctus

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  8. 8 Missa defunctorum: Agnus Dei

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  9. 9 Missa defunctorum: Communio

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  10. 10 Salve Regina

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Vincenzo Di Donato, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  11. 11 Miserere

    Odhecaton, Performer - Paolo da Col, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  12. 12 Magnificat: Magnificat

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  13. 13 Magnificat: Quia respexit

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  14. 14 Magnificat: Quia fecit

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  15. 15 Magnificat: Fecit potentiam

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  16. 16 Magnificat: Deposuit potentes

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  17. 17 Magnificat: Esurientes implevit bonis

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  18. 18 Magnificat: Sicut locutus est

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

  19. 19 Magnificat: Gloria patri

    Odhecaton, Performer - Paolo da Col, Performer - Alena Dantcheva, Performer - Jennifer Schittino, Performer - Alessandro Carmignani, Performer - Andrea Arrivabene, Performer - Alberto Allegrezza, Performer - Gianluca Ferrarini, Performer - Enrico Bava, Performer - Alessandro Scarlatti, Composer Copyright : Outhere Music France Outhere Music France

About

This recording is a discovery of Alessandro Scarlatti’s heretofore unknown sacred music, where Renaissance tradition meets Baroque sensibility for a unique and compelling recording. At the core of Odhecaton’s latest offering is the Missa defunctorum for four voices and basso continuo. It is in this magnificent score – recorded for the first time using the critical edition of Luca Della Libera – that primarily contrapuntal writing gives way to Scarlatti’s stylistic choices of great expressivity and rhetorical force, such as in the case of the astonishing Lacrimosa. The Miserere is also recorded for the first time. Written for nine voices for the Sistine Chapel, the score follows Allegri’s model only outwardly; Scarlatti, in fact, moves steadily away from it through his harmonic originality, formal richness, and expressivity. The Magnificat displays a unique synthesis of the Palestrinian model and the expressive language of the eighteenth century. In this score, Scarlatti exploits the great wealth and variety of the Marian text, particularly in the relationship between words and the emotional and descriptive spheres.

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