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Du grunge au rap en passant par le rock indé, la Britpop ou la nu soul, les années 90 furent d'une rare richesse musicale. Embarquement immédiat ! A déguster avec un brin de nostalgie, en blind-test ou karaoké.

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#
Titre Artiste Album Durée
1
Pretty Fly (For A White Guy)
The Offspring Americana 00:03:08

Bryan Keith Holland, ComposerLyricist - Kevin Wasserman, ComposerLyricist - Greg Kriesel, ComposerLyricist - DAVE JERDEN, Producer - The Offspring, MainArtist - Pete Parada, ComposerLyricist

Distributed by Universal Music Enterprises; ℗ 1998 Round Hill Records

2
When I Come Around (Album Version)
Green Day Dookie 00:02:58

Tre Cool, Producer, Drums, Vocals, Writer - Billie Joe Armstrong, Producer, Guitar, Vocals, Writer - Mike Dirnt, Producer, Bass Guitar, Vocals, Writer - Rob Cavallo, Producer, Mixer - Green Day, Producer, Mixer, MainArtist - Jerry Finn, Mixer, Engineer - Neill King, Engineer - Casey McCrankin, Engineer

© 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S. ℗ 1994 Reprise Records for the U.S. and WEA International Inc. for the world outside of the U.S.

3
Wonderwall (Remastered)
Various Artists Rock Clássico 00:04:18

Noel Gallagher, Composer, Lyricist, Producer - Owen Morris, Producer - Ian Cooper, Re-Mastering Engineer - Oasis, MainArtist, AssociatedPerformer

(P) 2014 Big Brother Recordings Limited exclusively licensed to Sony Music Entertainment UK Limited

4
Don't Speak (Album Version)
No Doubt Tragic Kingdom 00:04:23

Tony Kanal, Bass Guitar, Keyboards, AssociatedPerformer - Matthew Wilder, Producer - Eric Stefani, Keyboards, Piano, AssociatedPerformer, ComposerLyricist - Phil Kaffel, Recording Engineer, StudioPersonnel - Tom Dumont, Guitar, Keyboards, AssociatedPerformer - GWEN STEFANI, Vocals, AssociatedPerformer, ComposerLyricist - Paul Palmer, Mixer, StudioPersonnel - No Doubt, MainArtist - Melissa Hasin, Cello, AssociatedPerformer - Adrian Young, Drums, Percussion, AssociatedPerformer - Holman Palmer, Mixer, StudioPersonnel

An Interscope Records Release; ℗ 1995 UMG Recordings, Inc.

5
Killing Me Softly With His Song (Album Version)
Fugees Greatest Hits 00:04:50

Jerry Duplessis, Co-Producer - Fugees, Performer - Prakazrel, Co-Producer - Charles Fox, Composer - Charles Fox, Lyricist - N.Gimble, Composer - N.Gimble, Lyricist - C.Fox, Lyricist - C.Fox, Composer - Lauryn Hill, Background Vocal - Lauryn Hill, Producer - Lauryn Hill, Vocal Arranger - Warren Riker, Engineer - Warren Riker, Recording Engineer - Wyclef Jean, Producer - Wyclef Jean, Recording Engineer - Norman Gimble, Composer - Norman Gimble, Lyricist

(P) 1996 Columbia Records, a division of Sony Music Entertainment

6
Who Am I (What's My Name)?
Snoop Dogg Doggystyle 00:04:06

Snoop Dogg, MainArtist

DEATH ROW DEATH ROW

7
Jeremy (Album Version)
Pearl Jam Ten 00:05:18

Adrian Moore, Engineer - Bob Ludwig, Mastering Engineer - Dave Hills, Engineer - Dave Krusen, Drums - Don Gilmore, Engineer - Eddie Vedder, Composer - Eddie Vedder, Lyricist - Eddie Vedder, Vocal - Jeff Ament, Bass - Jeff Ament, Composer - Jeff Ament, Lyricist - Mike McCready, Guitar - Pearl Jam, Performer - Pearl Jam, Producer - Rick Parashar, Organ - Rick Parashar, Percussion - Rick Parashar, Piano - Rick Parashar, Producer - Stone Gossard, Guitar - Time Palmer, Mixing Engineer - Walter Gray, Acoustic Cello

(P) 1991 Epic Records, a division of Sony Music Entertainment

8
Semi-Charmed Life
Third Eye Blind Third Eye Blind 00:04:28

Third Eye Blind, MainArtist - Arion Salazar, Bass Guitar, Writer - Stephan Jenkins, Producer, Arranger, Guitar, Lead Vocals, Writer, Programming, Brush Drums - Eric Valentine, Engineer, Co-Producer, Programming - Brad Hargreaves, Drums - Kevin Cadogan, Backing Vocals, Writer, Lead Guitar - Ted Jensen, Mastering Engineer

© 1997 Elektra Entertainment ℗ 1997 Elektra Entertainment Group, A Division of Warner Communications Inc. for the United States and WEA International Inc. for the world outside of the United States.

9
Wannabe
Spice Girls Spice 00:02:53

Richard Stannard, Producer, ComposerLyricist - Melanie Brown, Vocals, AssociatedPerformer - Melanie Chisholm, Vocals, AssociatedPerformer, ComposerLyricist - Adrian Bushby, Engineer, StudioPersonnel - Mark 'Spike' Stent, Mixer, StudioPersonnel - Rowe, Keyboards, Programmer, AssociatedPerformer - Stannard, Keyboards, Programmer, AssociatedPerformer - Geri Halliwell, Vocals, AssociatedPerformer, ComposerLyricist - Emma Bunton, Vocals, AssociatedPerformer, ComposerLyricist - Matt Rowe, Producer, ComposerLyricist - Spice Girls, MainArtist - Mel Brown, ComposerLyricist - Victoria Beckham, Vocals, AssociatedPerformer, ComposerLyricist

(C) 1996 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1996 Virgin Records Ltd ℗ 1996 Virgin Records Ltd.

10
Tu m'oublieras
Larusso Simplement 00:03:39

Yves Dessca, Lyricist - Dr Swing, Producer, Arranger - Marc Hillman, Composer - Larusso, Lead Vocals, MainArtist - Luke Le Men, Producer, Arranger

© 1999 Parlophone Music France ℗ 1999 Parlophone / Warner Music France

11
Are You Gonna Go My Way
Lenny Kravitz Are You Gonna Go My Way 00:03:31

Craig Ross, Acoustic Guitar, Electric Guitar, AssociatedPerformer, ComposerLyricist - Liuh-Wen Ting, Viola, AssociatedPerformer - Lenny Kravitz, Producer, Drums, Acoustic Guitar, Bass Guitar, Electric Guitar, Vocals, Mellotron, MainArtist, AssociatedPerformer, ComposerLyricist - Henry Hirsch, Bass Guitar, Piano, Synthesizer, Wurlitzer Organ, AssociatedPerformer - Robert Lawrence, Violin, AssociatedPerformer - Michael Hunter, Flugelhorn, French Horn, AssociatedPerformer - Tony Breit, Bass Guitar, AssociatedPerformer

A Virgin Records release; ℗ 1993 UMG Recordings, Inc.

12
Creep
Radiohead Creep 00:03:56

Colin Greenwood, Composer, AssociatedPerformer - Ed O'Brien, Composer, AssociatedPerformer - Phil Selway, Composer, AssociatedPerformer - Thom Yorke, AssociatedPerformer, ComposerLyricist - Albert Hammond, Composer - Mike Hazlewood, Composer - PAUL KOLDERIE, Mixer, Engineer - SEAN SLADE, Producer, Mixer - Chris Blair, Engineer - RADIOHEAD, MainArtist - Jonny Greenwood, Composer, AssociatedPerformer

1993 XL Recordings Ltd 2016 XL Recordings Ltd

13
All I Wanna Do (Album Version)
Sheryl Crow Tuesday Night Music Club 00:04:32

Kevin Gilbert, Drums, Guitar, Bass Guitar, Keyboards, AssociatedPerformer, ComposerLyricist - Sheryl Crow, Guitar, Piano, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist - BILL BOTTRELL, Producer, Engineer, Guitar, Pedal Steel, AssociatedPerformer, StudioPersonnel, ComposerLyricist - Blair Lamb, Engineer, StudioPersonnel - DAVID BAERWALD, Guitar, AssociatedPerformer, ComposerLyricist - Wyn Cooper, ComposerLyricist

An A&M Records Release; ℗ 1993 UMG Recordings, Inc.

14
Vogue
Madonna The Immaculate Collection 00:05:17

Jeremy Lubbock, Arranger - Shep Pettibone, Producer, Writer - Tony Shimkin, Editor - Curt Frasca, Assistant Engineer - Stephen Marcussen, Masterer - Madonna, Producer, Vocals, Writer, MainArtist - Brian Malouf, Engineer - Goh Hotoda, Mixing Engineer - Niki Harris, Backing Vocals - Alan Friedman, Programmer - Donna Delory, Vocals, Backing Vocals - Craig Kostich, Executive Producer - Ndea Davenport, Backing Vocals

© 1990 Sire Records Company ℗ 1985 Warner Records Inc.

15
Sexy Boy
Air Moon Safari 00:04:58

Nilesh Patel, Mastering Engineer - Marlon, Drums - Jérôme Blondel, Assistant Mixing Engineer, Assistant Recording Engineer - Air, MainArtist - Nicolas Godin, Producer, Guitar, Bass Guitar, Keyboards, Percussion, Tambourine, Writer, Recording Engineer, Synthesizer, Talkbox - Jean-Benoit Dunckel, Writer - Stephane "Alf" Briat, Mixing Engineer, Recording Engineer - JB DUNCKEL, Producer, Keyboards, Vocals, Recording Engineer, Synthesizer

© 1998 - Source/ Parlophone Music, une division de Parlophone Music France. ℗ 1997 Parlophone / Warner Music France, a Warner Music Group Company

Howie Weinberg, Mastering Engineer, StudioPersonnel - Arrested Development, MainArtist, ComposerLyricist - Speech, Producer, Mix Engineer, StudioPersonnel - Alvin Speights, Engineer, StudioPersonnel

(C) 1992 Capitol Records, LLC A Capitol Records Release; ℗ 1992 Capitol Records, LLC

17
Livin' On The Edge
Aerosmith Get A Grip 00:06:21

Mark Hudson, ComposerLyricist - Brendan O'Brien, Mixer, StudioPersonnel - Bruce Fairbairn, Producer - Mike Plotnikoff, Engineer, StudioPersonnel - Steven Tyler, ComposerLyricist - Aerosmith, MainArtist - KEN LOMAS, Recording Engineer, StudioPersonnel - Joseph Perry, ComposerLyricist

A Geffen Records release; ℗ 1993 UMG Recordings, Inc.

18
Velouria
Pixies Death to the Pixies 00:03:40

Black Francis, AssociatedPerformer, ComposerLyricist - Kim Deal, AssociatedPerformer - David Lovering, AssociatedPerformer - Joey Santiago, AssociatedPerformer - Pixies, MainArtist - Robert F Brunner, AssociatedPerformer

1997 4AD Ltd 1997 4AD Ltd

19
Black Hole Sun (Album Version)
Soundgarden Superunknown 00:05:18

Brendan O'Brien, Mixer, StudioPersonnel - Jason Corsaro, Engineer, StudioPersonnel - Chris Cornell, ComposerLyricist - ADAM KASPER, Assistant Mixer, Asst. Recording Engineer, StudioPersonnel - Michael Beinhorn, Producer - Soundgarden, Producer, MainArtist

℗ 1994 UMG Recordings, Inc.

20
Protection
Massive Attack Protection 00:07:51

Tracey Thorn, FeaturedArtist, ComposerLyricist - Marshall, ComposerLyricist - NELLEE HOOPER, Producer - Massive Attack, Producer, MainArtist - Andrew Lee Isaac Vowles, ComposerLyricist - Del Naja, ComposerLyricist

(C) 1994 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1994 Virgin Records Ltd ℗ 1994 Virgin Records Ltd

21
Elevate Me Later
Pavement Crooked Rain, Crooked Rain 00:02:51

Steve West, AssociatedPerformer - Stephen Malkmus, AssociatedPerformer, ComposerLyricist - Scott Kannberg, AssociatedPerformer - Pavement, MainArtist - Mark Ibold, AssociatedPerformer - Mark Venezia, Engineer - Bob Nastanovich, AssociatedPerformer

1994 Matador Records 1994 Matador Records

22
Check the Rhime
A Tribe Called Quest The Low End Theory 00:03:36

Malik Taylor, Composer - Malik Taylor, Lyricist - Bob Power, Recording Engineer - Bob Power, Mixing Engineer - Ali Shaheed Muhammad, Composer - Ali Shaheed Muhammad, Lyricist - Kamaal Fareed, Composer - Kamaal Fareed, Lyricist - A Tribe Called Quest, Performer - A Tribe Called Quest, Producer - A Tribe Called Quest, Arranger - A Tribe Called Quest, Recording Engineer - A Tribe Called Quest, Mixing Engineer

(P) 1991 RCA Records, a division of Sony Music Entertainment

23
Juicy (2005 Remaster) (Album Version)
The Notorious B.I.G. Ready To Die The Remaster (U.S. Explicit Version 94567) 00:05:03

Jean Claude Oliver, Writer - Sean "Puffy" Combs, Producer - Sean Puffy Combs, Writer - The Notorious B.I.G., MainArtist - Mario Rodriguez, Mixing Engineer, Recording Engineer - Notorious B.I.G., Vocals, Writer - Total, Additional Vocals - James Mtume, Writer - Jean "Poke" Oliver, Producer

© 2004 Bad Boy Records, LLC. ℗ 2004 Bad Boy Records

24
Life's a Bitch
Nas Illmatic XX 00:03:30

Nas, Associated Performer, Co-Producer, Main Artist, Associated Performer, Co-Producer - L.E.S., Producer - Nasir Jones, Composer, Lyricist - A.Z. - Anthony Cruz, Composer, Lyricist - Olu Dara, Composer, Lyricist, Trumpet - Ronnie Wilson, Composer, Lyricist - Oliver Scott, Composer, Lyricist

(P) 1994 Columbia Records, a division of Sony Music Entertainment

25
How I Could Just Kill a Man
Cypress Hill Cypress Hill 00:04:12

Cypress Hill, Associated Performer, Main Artist, Associated Performer - Larry Muggerud, Composer, Lyricist - Dj Muggs, Arranger, Mixing Engineer, Producer - Chris Schwartz, Executive Producer - Louis Freese, Composer, Lyricist - Senen Reyes, Composer, Lyricist - Joe "The Butcher" Nicolo, Engineer, Executive Producer, Mixing Engineer - Louis Folsom, Composer, Lyricist - Jimmy McCracklin, Composer, Lyricist - Howie Weinberg, Mastering Engineer - Jason Roberts, Recording Engineer - Michael Miller, Recording Engineer

(P) 1991 Columbia Records, a division of Sony Music Entertainment

26
Clandestino
Manu Chao Clandestino 00:02:29

Manu chao, Performer, Composer

2013 Radio Bemba under exclusive licence to Because Music 2013 Radio Bemba under exclusive licence to Because Music

27
Parklife (2012 Remaster)
Blur Parklife (Special Edition) 00:03:05

John Smith, Engineer - Alex James, Composer, Producer, Bass Guitar - Dave Rowntree, Composer, Drums - STEPHEN STREET, Producer, Remastering Engineer - Graham Coxon, Composer, Guitar - Blur, MainArtist - Damon Albarn, Composer, Producer, Guitar, Keyboards, Vocals - Frank Arkwright, Remastering Engineer - Phil Daniels, Narrator

© 2012 Parlophone Records Ltd, a Warner Music Group Company ℗ 2012 Parlophone Records Ltd, a Warner Music Group Company

28
Just
Radiohead The Bends 00:03:55

Chris Brown, Engineer - Colin Greenwood, Composer, AssociatedPerformer - Ed O'Brien, Composer, AssociatedPerformer - Phil Selway, Composer, AssociatedPerformer - JOHN LECKIE, Producer - Thom Yorke, AssociatedPerformer, ComposerLyricist - PAUL KOLDERIE, Mixer - SEAN SLADE, Mixer - RADIOHEAD, MainArtist - Jonny Greenwood, Composer, AssociatedPerformer - NIGEL GODRICH, Engineer

1995 XL Recordings Ltd 1995 XL Recordings Ltd

Butch Vig, Composer, Lyricist - Steve Marker, Composer, Lyricist - Shirley Manson, Composer, Lyricist - Duke Erikson, Composer, Lyricist - Garbage, Producer, Mixer, Artist, MainArtist - Kobalt Music Publishing, MusicPublisher

2015 Stun Volume 2015 2015 Garbage Unlimited, LLC d/b/a STUNVOLUME under exclusive license to [PIAS]

Suede, MainArtist - Bmg Rights Management (uk) Ltd, MusicPublisher

(C) 2016 Demon Music Group Ltd. (P) 1996 Suede Ltd.

31
Free To Decide (Album Version)
The Cranberries To The Faithful Departed (The Complete Sessions 1996-1997) 00:04:24

Bruce Fairbairn, Producer - Mike Plotnikoff, Mixer, StudioPersonnel - Dolores O'Riordan, Acoustic Guitar, Electric Guitar, Mandolin, Vocals, AssociatedPerformer, ComposerLyricist - Mike Hogan, Bass Guitar, AssociatedPerformer - Noel Hogan, Acoustic Guitar, Electric Guitar, Mandolin, AssociatedPerformer - The Cranberries, Producer, MainArtist - Fergal Lawler, Drums, Percussion, AssociatedPerformer

A Capitol Records Release; ℗ 1996 Capitol Records, LLC

32
A Perfect Day Elise
PJ Harvey Is This Desire? 00:03:05

Polly Jean Harvey, ComposerLyricist - John Parish, Guitar, Keyboards, AssociatedPerformer - ROBERT ELLIS, Drums, Percussion, AssociatedPerformer - Eric Drew Feldman, Piano, AssociatedPerformer - PJ Harvey, Producer, Guitar, Vocals, MainArtist, AssociatedPerformer - Mick Harvey, Bass Guitar, Keyboards, AssociatedPerformer - Mark Ellis, Producer, Engineer, StudioPersonnel - Howard Bullivant, Producer

An Island Records recording; ℗ 1998 Universal Music Operations Ltd.

33
Nowhere
Therapy? Troublegum (Deluxe Edition) 00:02:25

Chris Sheldon, Producer, Mixer, Engineer, StudioPersonnel - Therapy?, MainArtist - Andrew Cairns, ComposerLyricist

℗ 1994 A&M Records Ltd.

34
Girl From Mars
Ash 1977 00:03:30

Tim Wheeler, Composer, Writer - Owen Morris, Producer - Ash, Producer, MainArtist

© 1996 The Echo Label Limited, a BMG Company trading as ECHO ℗ 1996 The Echo Label Limited, a BMG Company trading as ECHO

35
A Design for Life (2016 Remastered Version)
Manic Street Preachers Everything Must Go 20 (Remastered) 00:04:17

Manic Street Preachers, Associated Performer, Main Artist - Sean Moore, Composer - Mike Hedges, Producer - Nicholas Jones, Composer, Lyricist - James Bradfield, Composer

(P) 2016 Sony Music Entertainment UK Limited

36
Lucky Man
The Verve Urban Hymns 00:04:53

Tony Cousins, Mastering Engineer, StudioPersonnel - Paul Taylor, Programmer - Richard Ashcroft, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Chris Potter, Producer, Mastering Engineer, Additional Mixer, Additional Producer, Recording Engineer, StudioPersonnel - Simon Jones, Bass Guitar, AssociatedPerformer - Mel Wesson, Programmer - Youth, Producer - Simon Tong, Guitar, Keyboards, AssociatedPerformer - Jan Kybert, Asst. Recording Engineer, StudioPersonnel - Lorraine Francis, Asst. Recording Engineer, StudioPersonnel - Peter Salisbury, Drums, Percussion, AssociatedPerformer - Nick McCabe, Guitar, AssociatedPerformer - The Verve, Producer, MainArtist - Gareth Ashton, Asst. Recording Engineer, StudioPersonnel - Sabian Drazen, Mastering Engineer, StudioPersonnel

℗ 2016 Virgin Records Ltd

37
Not If You Were The Last Junkie On Earth
The Dandy Warhols The Dandy Warhols Come Down 00:03:11

Bob Ludwig, Mastering Engineer, StudioPersonnel - courtney taylor-taylor, ComposerLyricist - The Dandy Warhols, MainArtist - Clark Stiles, Engineer, StudioPersonnel - Tchad Blake, Mixer, StudioPersonnel - David Schiffman, Engineer, StudioPersonnel - Tony Lash, Producer, Keyboards, Percussion, Recording Engineer, AssociatedPerformer, StudioPersonnel

℗ 1997 Capitol Records, LLC

38
Local Boy In The Photograph
Stereophonics Word Gets Around 00:03:22

Kelly Jones, ComposerLyricist - Stuart Cable, ComposerLyricist - Richard Jones, ComposerLyricist - Stereophonics, MainArtist - Fogherty, ComposerLyricist - Marshall Bird, Producer - Steve Buch, Producer

℗ 1997 V2 Music Limited

39
Popular (LP Version)
Nada Surf High/Low 00:03:39

Ira Elliot, Drums - Daniel Lorca, Bass Guitar, Writer - Matthew Caws, Guitar, Writer - Ric Ocasek, Producer - George Marino, Masterer - Andy Salas, Assistant Engineer - Bruce Calder, Engineer - Caws Lorca, Composer, Lyricist - Caws and Lorca, Composer - Mike Glowik, Engineer - Nada Surf, MainArtist

1996 Elektra Entertainment 1996 Elektra Entertainment

40
Every You Every Me
Placebo Without You I'm Nothing 00:03:33

Placebo, MainArtist

2015 Elevator Lady Ltd 1998 Elevator Lady Ltd

41
Instant Street
dEUS The Ideal Crash 00:06:15

Dave Bottrill, Producer, Mixer, StudioPersonnel - Deus, MainArtist - Tom Barman, ComposerLyricist - Craig Ward, ComposerLyricist - Danny Mommens, Composer

℗ 1999 Universal Island Records Ltd. A Universal Music Company.

42
Two Princes (Album Version)
Spin Doctors Pocket Full Of Kryptonite 00:04:16

Aaron Comess, Background Vocal - Aaron Comess, Composer - Aaron Comess, Percussion - Aaron Comess, Drums - Aaron Comess, Lyricist - Schenkman, Composer - Schenkman, Lyricist - Barron, Lyricist - Barron, Composer - Mark White, Composer - Mark White, Bass - Mark White, Lyricist - White, Composer - White, Lyricist - Joseph M. Palmaccio, Mastering Engineer - Chris Barron, Vocal - Chris Barron, Composer - Chris Barron, Lyricist - A. Comess, Composer - A. Comess, Lyricist - Frank Aversa, Engineer - Eric Schenkman, Guitar - Eric Schenkman, Composer - Eric Schenkman, Lyricist - Frankie LaRocka, Mixing Engineer - Spin Doctors, Producer - Spin Doctors, Performer - Spin Doctors, Mixing Engineer - Jeff Lippay, 2nd Engineer - Frank Auersa, Producer - Ted Jensen, Mastering Engineer - Motley, 2nd Engineer - Peter Denenberg, Engineer - Peter Denenberg, Mixing Engineer

(P) 1991 Epic Records, a division of Sony Music Entertainment

43
I Will Survive
Cake Fashion Nugget (Deluxe Version) 00:05:10

John McCrea, Acoustic Guitar, Organ, Vocal - Vincent di Fiore, Percussion, Trumpet - Todd Roper, Drums, Percussion - Victor Damiani, Bass Guitar - DINO FEKARIS, Composer, Lyricist - Freddie Perren, Composer, Lyricist - Greg Brown, Electric Guitar, Organ - Cake, Producer, MainArtist, AssociatedPerformer

(P) 1996 Volcano Entertainment III, LLC

44
Celebrity Skin (Album Version)
Hole Celebrity Skin 00:02:42

Billy Corgan, ComposerLyricist - TOM LORD-ALGE, Mixer, StudioPersonnel - Michael Beinhorn, Producer - Eric Erlandson, Producer, Guitar, Additional Producer, AssociatedPerformer, ComposerLyricist - Hole, MainArtist - Courtney Love, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Melissa Auf der Maur, Bass Guitar, Background Vocalist, AssociatedPerformer - Deen Castronovo, Drums, AssociatedPerformer

℗ 1998 UMG Recordings, Inc.

45
Friday I'm In Love (Album Version)
The Cure Wish 00:03:35

Mark Saunders, Mixer, StudioPersonnel - Tim Young, Mastering Engineer, StudioPersonnel - Steve Whitfield, Engineer, StudioPersonnel - Shaun De Feo, Assistant Mixer, StudioPersonnel - Danton Supple, Assistant Mixer, StudioPersonnel - Robert Smith, Composer, Author, Producer, Guitar, Bass Guitar, Keyboards, Vocals, AssociatedPerformer, ComposerLyricist - Andy Baker, Assistant Mixer, StudioPersonnel - The Cure, MainArtist - BORIS WILLIAMS, Composer, Producer, Drums, Percussion, AssociatedPerformer - SIMON GALLUP, Composer, Producer, Bass Guitar, Keyboards, AssociatedPerformer - Porl Thompson, Composer, Producer, Guitar, AssociatedPerformer - Perry Bamonte, Composer, Producer, Guitar, Bass Guitar, Keyboards, AssociatedPerformer - Mark Warner, Assistant Mixer, StudioPersonnel - Chris Bandy, Asst. Recording Engineer, StudioPersonnel - David M. Allen, Producer, Engineer, StudioPersonnel - Bill Parry, Assistant Mixer, StudioPersonnel

℗ 1992 Fiction Records Ltd.

46
Fade Into You
Mazzy Star So Tonight That I Might See 00:04:55

David Roback, Producer, ComposerLyricist - Hope Sandoval, ComposerLyricist - Mazzy Star, MainArtist

(C) 1993 Capitol Records, Inc. ℗ 1993 Capitol Records, Inc. All rights reserved

47
Only Shallow
Various Artists Amateur 00:03:41
48
My Hero
Foo Fighters The Colour And The Shape 00:04:20

Foo Fighters, Associated Performer, Main Artist - D. Grohl, Composer, Drums, Guitar, Lyricist - P. Smear, Guitar - N. Mendel, Bass - Gil Norton, Producer - Bradley Cook, Engineer - Chris Sheldon, Mixing Engineer - Ryan Boesch, Assistant Engineer - Todd Burke, Assistant Engineer - JASON MAUZA, Assistant Engineer

(P) 1997 Roswell Records, Inc

49
March Of The Pigs (Album Version)
Nine Inch Nails The Downward Spiral 00:02:58

Trent Reznor, Producer, ComposerLyricist - ALAN MOULDER, Engineer, StudioPersonnel - Flood, Producer - Nine Inch Nails, MainArtist

℗ 1994 TVT/ Interscope Records

50
Da Funk
Daft Punk Homework 00:05:28

Nilesh Patel, Mastering Engineer, Masterer - Daft Punk, Lead Vocals, MainArtist - Thomas Bangalter, Composer, Producer, Writer, Produced by - Guy-Manuel de Homem-Christo, Composer, Writer - Guy-Manuel de Homem Christo, Producer, Produced by

1997 Daft Life under exclusive license to Parlophone Records Ltd./Parlophone Music, a division of Parlophone Music France 1996 Daft Life Under Exclusive Licence to Parlophone / Warner Music France, a Warner Music Group Company

À propos

Du grunge au rap en passant par le rock indé, la Britpop ou la nu soul, les années 90 furent d'une rare richesse musicale. Embarquement immédiat ! A déguster avec un brin de nostalgie, en blind-test ou karaoké.

La britpop en 10 albums

Par Charlotte Saintoin

« Si le but du punk était de se débarrasser des hippies, le nôtre est d’en finir avec le grunge. » Lorsque Damon Albarn assène cette phrase en 1993, l’Angleterre s’apprête à reprendre sa place sur un échiquier musical envahi par Seattle avec le grunge et Nirvana. Profondément liée à la vie politique et l’identité locale, la pop britannique se révèle au moment où Tony Blair et le New Labour entrent en scène. Le romantisme anglais redevient attractif par rapport à l’identité américaine, jugée trop creuse outre-Manche. Place à la « Cool Britannia ».

Supergrass - I Should Coco (1995)
« I Should Coco ne ressemblait à rien de ce qui se faisait – Oasis sonnait comme s’ils étaient sous Mogadon comparé à ça. Nous avons vite été embarqués dans la britpop. » Voilà le regard que porte aujourd’hui Gaz Coombes, 19 ans à l’époque de I Should Coco, premier album de Supergrass. Derrière cette pochette d’un goût douteux se cache un des plus brillants albums de la décennie, écoulé à 1 million d’exemplaires – dont la moitié en Angleterre. Repéré par Parlophone après la sortie du single Caught by the Fuzz chez l’indépendant Backbeat, le trio adolescent formé par Gaz Coombes, Danny Goffey à la batterie et Mick Quinn à la basse encapsulent 40 minutes expéditives de pop psyché punk héritée des Kinks, Rolling Stones, Jam et autres Buzzcocks. La fraîcheur candide et incandescente qui s’en dégage fait le sel de cet opus sur la jeunesse anglaise, dont Alright sert d’hymne. « We are young, we run green / Keep our teeth nice and clean / See our friends, see the sights / Feel Alright », répète Gaz. A l’opposé de la mélancolie noyée de Radiohead, Oxford s’offre un bain de jouvence électrique.

Oasis - (What’s the Story) Morning Glory ? (1995)
« J’avais fait promettre à mon manager de m’offrir une Rolls. J’ai une Rolls, Liam une Rolex. C’est super car je ne sais pas conduire et Liam ne sait pas lire l’heure. » Perchés en haut des charts, couchés sur les pages glacées des magazines, ayant atteint leur statut de rock star promis dans Definitely Maybe (Rock’n’roll Star), les mégalos Gallagher poursuivent leur ascension avec (What’s the Story) Morning Glory ?. Alan White a remplacé Tony McCaroll à la batterie, Owen Morris a été dépêché à la production. Malgré une sévère altercation entre Noel et Liam, l’enregistrement sera rapidement soldé. Entamé avec Hello, ce second opus enchaîne les hymnes rock trouvés par Noel Gallagher, la nuit, le nez enfariné. On y retrouve les cultes Wonderwall, Don’t Look Back in Anger, Some Might Say et Champagne Supernova avec un solo de Paul Weller. Entre saturations rock, trésors pop et ballades dépouillées, Noel, qui a gardé pour lui toutes les compositions jusqu’à deux semaines avant les sessions, se surpasse. C’est plus édulcoré, toujours aussi bruyant mais plus riche, du piano de Don’t Look Back in Anger aux cordes de Wonderwall en passant par l’harmonica de The Swamp Song. Avec 15 millions d’albums vendus – un score que McGee pressentait –, Morning Glory inaugure l’Oasismania dont ne se relèveront jamais les Gallagher.

Pulp - Different Class (1995)
1995 est l'année britpop par excellence. C'est aussi l'année de sortie de ce Different Class et du tube Common People, dans lequel Jarvis Cocker écrit la fascination malsaine pour la classe populaire d’une Grecque qu’il draguait. Cocker et Pulp ne sont pourtant pas nés avec la britpop mais presque vingt ans plus tôt. En 1978, à Sheffield, Jarvis et son groupe enfilent les disques sans réel succès, loupant la gloire à chaque rendez-vous. Avec His 'N’ Hers, dont Cocker déteste la production d’Ed Buller, mais surtout avec Different Class, son cinquième effort, Pulp surfe enfin sur une vague qui porte loin. Portant un regard acerbe sur les luttes de classe, l’opus malaxe pop anglaise, disco protéiforme (Disco 2000), expérimentations synthétiques de plus de 6 minutes (F.E.E.L.I.N.G.C.A.L.L.E.D.L.O.V.E), glam classe à la Bowie ou déjanté façon Roxy Music, pour former une pâte brillante prête à être lustrée par le phénomène britpop. Bill Brummond ayant refusé, on retrouve à la production Chris Thomas, qui fera des merveilles. Notamment sur Common People, que Cocker avait ébauché sans conviction sur un petit Casio. Véritable outsider à la hauteur de son auditoire, Pulp, avec sa pop déphasée à textes sexuellement chargés et crus, devient la voix sans filtre et l’un des groupes les plus acides et fascinants d’une époque étrange.

Suede - Coming Up (1996)
Précurseurs perdus dans une compétition dominée par Blur et Oasis, les membres de Suede font tout pour rester en dehors de cette sphère qu'ils jugent formatée. Aujourd’hui encore, Brett Anderson estime avoir fait partie malgré lui de cette déferlante. Après Suede (1993) puis Dog Man Star (1994), le combo originaire du sud de Londres voit partir son guitariste Bernard Butler pour dissensus en plein enregistrement, déchirant le duo flamboyant formé avec Brett Anderson. Qu’importe, le dandy décadent, alter ego pâlot et filiforme du lettré Jarvis Cocker, irradie avec Coming Up, carton de l’année 96, incluant les irascibles Trash et Beautiful Ones, mais aussi les 7 minutes de la romance pop The Chemistry Between Us, Filmstar ou Lazy. Ouvertement inspiré par Bowie et le glam rock des 70’s, ce troisième opus s’écarte de la noirceur complexe des précédents pour déverser un flot de riffs aigus et d’accents dramatiques autour de la voix haut perchée d’Anderson. Une merveille primale quasi punk à la pochette culte signée Peter Saville, héros de l’enfance d’Anderson aux côtés de Joy Division.

The Verve - Urban Hymns (1997)
Bitter Sweet Symphony, la quintessence de The Verve ? Inspiré par les Stones, ce tube n’aura rien rapporté à la bande de Richard Ashcroftsi ce n’est un procès perdu contre Allen Klein, fondateur du label Abkco qui héberge celle de Jagger. The Verve avait bien récupéré les droits d’utilisation de The Last Time des Stones (qui reprenait déjà les Staples Singers), mais Klein a estimé qu’ils avaient pioché plus profond et a récupéré les royalties de la Symphony. Mais il y a d'autres bonnes chansons sur ce Urban Hymns, qui arrive après l’avalanche trip hop. A cette époque, Ashcroft et ses lads venus de Wigan, dans le nord de l’Angleterre, relèvent un temps le nez de la poudre. Elégantes, les orchestrations du groupe crayonnent un spleen anglais rythmé par des matins cotonneux (Velvet Morning), que les drogues n’arrivent pas à édulcorer (The Drugs Don’t Work). D’abord shoegazien avec A Storm in Heaven, puis funk sur A Northern Soul, The Verve suit le sens du vent. Entre la pop languide d’Oasis (Lucky Man, Weeping Willow) et celle, gazeuse, de Radiohead (Space and Time), The Verve conserve son héritage mélodique, fait d’arrangements grandiloquents et de pédales d’effets (The Rolling People). En témoignent les quinze minutes de Come On/Deep Freeze. Sorti au crépuscule de la britpop, Urban Hymns ravive la flamme quelques moments avant son extinction.

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