Votre panier est vide

Catégories :

Artistes similaires

Les albums

A partir de :
CD11,49 €

Jazz - Paru le 17 avril 1977 | Columbia - Legacy

Distinctions Discothèque Idéale Qobuz
Et si vous ne deviez garder qu’un seul disque de ce groupe emblématique du jazz rock des années 70, ce serait sans doute celui-ci, ne serait-ce que pour le hit Birdland, qui deviendra un standard du jazz. Septième album studio du quintet, Heavy Weather est sorti en 1977 sur le label Columbia. A l’époque, Weather Report comprend, outre les deux leaders Wayne Shorter et Joe Zawinul, Jaco Pastorius. Le bassiste signe-là son deuxième album avec le groupe après Black Market et le premier sur lequel il joue sur l'ensemble des titres.
A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 18 septembre 1979 | Columbia - Legacy

Distinctions Discothèque Insolite Qobuz
A partir de :
HI-RES37,49 €
CD31,99 €

Jazz - Paru le 20 novembre 2015 | Columbia - Legacy

Hi-Res
Joe Zawinul détestait le terme fusion. Pourtant, à son évocation, le nom de Weather Report n’est jamais très loin… Par-delà les étiquettes demeure la musique. Et quelle musique ! Avec ces bien nommées Legendary Live Tapes: 1978-1981, on comprend aisément en quoi le groupe formé en 1970 par Zawinul et Wayne Shorter, deux anciens hommes demain de Miles Davis, fut et est toujours aussi essentiel. Ce coffret de quatre disques réunit des enregistrements live, inédits de cet âge d’or du groupe entre 1978 et 1981. Le bassiste Jaco Pastorius, le batteur Peter Erskine et le percussionniste Bobby Thomas, Jr. apportent eux aussi leur pierre à un édifice fascinant. L’électricité n’est jamais un gadget chez Weather Report. Le jazz s’embarque ici sur des terres jamais foulées, les improvisations sont des océans d’idées. Et entendre ce groupe en concert est un plus réel. Car même si Weather Report apportait un soin particulier en studio à ses enregistrements, la scène fut un accélérateur de particules essentiel à sa création. Et The Legendary Live Tapes: 1978-1981 en est la preuve flagrante. © MD/Qobuz
A partir de :
CD11,49 €

Pop/Rock - Paru le 1 mars 1977 | Columbia - Legacy

A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 26 mars 1991 | Columbia - Legacy

A partir de :
CD11,49 €

Jazz - Paru le 17 avril 1979 | Columbia - Legacy

A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 23 juillet 1991 | Legacy - Columbia

A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 11 mars 1976 | Columbia - Legacy

The shifts in Weather Report's personnel come fast and furious now, with Narada Michael Walden and Chester Thompson as the drummers, Alex Acuna and Don Alias at the percussion table, and Alphonso Johnson giving way to the mighty, martyred Jaco Pastorius. It is interesting to hear Pastorius expanding the bass role only incrementally over what the more funk-oriented Johnson was doing at this early point -- that is, until "Barbary Coast," where suddenly Jaco leaps athletically forward into the spotlight. Joe Zawinul or just Zawinul, as he preferred to be billed -- contributed all of side one's compositions, mostly Third World-flavored workouts except for "Cannon Ball," a touching tribute to his ex-boss Cannonball Adderley (who had died the year before). Shorter, Pastorius, and Johnson split the remainder of the tracks, with Shorter now set in a long-limbed compositional mode for electric bands that would serve him into the 1990s. While it goes without saying that most Weather Report albums are transition albums, this diverse record is even more transient than most, paving the way for WR's most popular period while retaining the old sense of adventure. © Richard S. Ginell /TiVo
A partir de :
CD7,99 €9,99 €(20%)

Jazz - Paru le 17 avril 1976 | Columbia - Legacy

A partir de :
CD9,99 €

Jazz - Paru le 17 avril 1978 | Columbia - Legacy

A partir de :
CD17,49 €

Jazz - Paru le 3 septembre 2013 | Columbia - Legacy

A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 25 juin 1985 | Columbia

A partir de :
CD11,49 €

Jazz - Paru le 17 avril 1979 | Columbia - Legacy

A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 27 avril 1973 | Columbia - Legacy

Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord. The once fiery Wayne Shorter has been tamed, for he now contributes mostly sustained ethereal tunes on soprano sax, his tone sometimes doubled for a pleasing octave effect. The wane of freewheeling ensemble interplay is more than offset by the big increase in rhythmic push; bassist Miroslav Vitous, drummer Eric Gravatt, and percussionist Dom Um Romao are now cogs in one of jazz's great swinging machines. © Richard S. Ginell /TiVo
A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 19 février 1983 | Columbia

A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 27 avril 1973 | Columbia - Legacy

Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord. The once fiery Wayne Shorter has been tamed, for he now contributes mostly sustained ethereal tunes on soprano sax, his tone sometimes doubled for a pleasing octave effect. The wane of freewheeling ensemble interplay is more than offset by the big increase in rhythmic push; bassist Miroslav Vitous, drummer Eric Gravatt, and percussionist Dom Um Romao are now cogs in one of jazz's great swinging machines. © Richard S. Ginell /TiVo
A partir de :
CD11,49 €

Pop/Rock - Paru le 19 avril 1984 | Sony Music Media

A partir de :
CD7,49 €

Jazz - Paru le 17 avril 1982 | Columbia - Legacy

A partir de :
CD11,49 €

Jazz fusion & Jazz rock - Paru le 26 mai 1972 | Columbia - Legacy

Like the weather itself, this band would assume a new shape with virtually every release -- and this album, half recorded in the studio and half live in Tokyo, set the pattern of change. Exit Airto Moreira and Alphonse Mouzon; enter percussionist Dom Um Romao, drummer Eric Gravatt, and a slew of cameo guests like guitarist Ralph Towner, flutist Hubert Laws, and others. The studio tracks are more biting, more ethnically diverse in influence, and more laden with electronic effects and grandiose structural complexities than before. The live material (heard in full on the import Live in Tokyo) is even fiercer and showcases for the first time some of the tremendous drive WR was capable of, though it doesn't give you much of an idea of its stream of consciousness nature. © Richard S. Ginell /TiVo
A partir de :
CD11,49 €

Jazz - Paru le 11 mars 1976 | Columbia

The shifts in Weather Report's personnel come fast and furious now, with Narada Michael Walden and Chester Thompson as the drummers, Alex Acuna and Don Alias at the percussion table, and Alphonso Johnson giving way to the mighty, martyred Jaco Pastorius. It is interesting to hear Pastorius expanding the bass role only incrementally over what the more funk-oriented Johnson was doing at this early point -- that is, until "Barbary Coast," where suddenly Jaco leaps athletically forward into the spotlight. Joe Zawinul or just Zawinul, as he preferred to be billed -- contributed all of side one's compositions, mostly Third World-flavored workouts except for "Cannon Ball," a touching tribute to his ex-boss Cannonball Adderley (who had died the year before). Shorter, Pastorius, and Johnson split the remainder of the tracks, with Shorter now set in a long-limbed compositional mode for electric bands that would serve him into the 1990s. While it goes without saying that most Weather Report albums are transition albums, this diverse record is even more transient than most, paving the way for WR's most popular period while retaining the old sense of adventure. © Richard S. Ginell /TiVo

L'interprète

Weather Report dans le magazine