Tex Beneke
The name Tex Beneke is inevitably linked to that of Glenn Miller, despite the fact that Beneke outlived Miller by over a half-century. As the most popular member of Miller's pre-World War II orchestra, featured on songs such as "Chattanooga Choo Choo" and "Don't Sit Under the Apple Tree," Beneke became a major fixture in the popular culture of the period, and following Miller's death in December of 1944, and the re-formation of the Glenn Miller Orchestra after World War II, he accepted the offer to lead the new band.
Beneke, however, had a lot to offer the music world beyond his vocals on some fondly remembered hit songs. He began playing the saxophone at age nine, first the alto and then the tenor, and played in local and regional bands in Oklahoma and Texas during the early and mid-'30s. A gig playing with a band led by Ben Young brought him to Detroit, where he was spotted by Sam Donahue, then a saxman in Gene Krupa's band -- Krupa was unable to hire Beneke but informed a friend of his in New York of this promising new player. The friend was Glenn Miller, who'd recently begun forming a band of his own, and Beneke was hired, joining the orchestra in the spring of 1938 -- it was with Miller's band that Beneke picked up the nickname "Tex."
The Miller orchestra struggled until the summer of 1939, when an engagement at the Glen Island Casino and a series of radio broadcasts made it a national sensation. Beneke played and sang with the orchestra, and became a star in his own right. He stayed until 1942, when Miller broke up the band to join the U.S. Army Air Force as a bandleader. Beneke was drafted into the navy and led a military dance outfit at a base in Oklahoma.
After the end of the war, when a new Glenn Miller Orchestra was formed, Beneke took on the leadership, debuting in January of 1946 at the Capitol Theater in New York City. The orchestra, formed under the auspices of Miller's widow and his estate, was intended to emulate the sounds of the pre-war Miller band and his Army Air Force band -- this included the presence of 13 string players in the 31 piece outfit, making it, along with Harry James' orchestra, one of the few big bands to include strings.
They were an immediate success, compiling an enviable array of hits for five years. One gig in particular stood out -- in December of 1947, a year after the near-collapse of the big-band business, at the Hollywood Palladium, Tex Beneke and the Glenn Miller Orchestra played to a record-breaking crowd of 6,750 dancers. Despite this extraordinary popularity, however, Beneke wasn't entirely happy with the restrictions placed by the estate on the band's music -- they were required to stick entirely to the familiar reed-centered sound that Glenn Miller had practically trademarked. Although a reed player himself, Beneke saw other possibilities, but was never allowed to experiment, despite his protests that Miller himself had always been open to the idea of experimentation, and had expressed his intention to move away from his familiar reed sound after the war, having gone as far with it as he felt he could.
Finally, at the end of 1950, Beneke left the band and also parted company with Miller's estate. He later organized his own band which, like similar reconstituted big bands led by '40s music icons such as Harry James, managed to thrive amid the rock & roll, folk-rock, psychedelia, disco, and punk eras, right to the present day. More than 60 years after he became a professional musician, he continued to lead big bands, doing the music that he helped popularized two generations ago. Beneke died May 30, 2000 from respiratory failure at the age of 86.
© Bruce Eder /TiVo
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Christmas Serenade in the Glenn Miller Style
Tex Beneke, Ray Eberle, The Modernaires
Jazz - Paru chez Columbia le 12 sept. 1965
16-Bit CD Quality 44.1 kHz - Stereo -
Presenting Tex Beneke
Jazz - Paru chez Universal Digital Enterprises le 24 déc. 1946
16-Bit CD Quality 44.1 kHz - Stereo -
Big Band Magic
Jazz - Paru chez Stardust Records le 15 févr. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
The Jazz Sax (Remastered)
Jazz - Paru chez Master Tape Records le 10 oct. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
MILLER, Glenn: Oh, So Good (1939-1943)
Glenn Miller, Army Air Forces Training Command Orchestra, Glenn Miller & His Orchestra, Marion Hutton, Ray Eberle, Tex Beneke
Classique - Paru chez Naxos le 8 août 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Give Me Five Minutes More
Jazz - Paru chez Editione Jazz IT le 29 janv. 2019
16-Bit CD Quality 44.1 kHz - Stereo -
Sleep Song
Glenn Miller & His Orchestra, Ray Eberle, Tex Beneke, Dorothy Claire
Jazz - Paru chez Kenzo Records le 16 déc. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
Fresh as a Daisy
Glenn Miller & His Orchestra, Marion Hutton, Tex Beneke, The Modernaires
Jazz - Paru chez Kenzo Records le 9 déc. 2022
16-Bit CD Quality 44.1 kHz - Stereo -
In the Mood with Tex Beneke - The Voice and the Sax of the Big Band Era
Tex Beneke, Tex Beneke And His Orchestra
Jazz - Paru chez Groovy Train le 28 juil. 2023
16-Bit CD Quality 44.1 kHz - Stereo -
A Rootin' Tootin' Santa Claus (Remastered)
Jazz traditionnel & New Orleans - Paru chez Delta Christmas le 4 nov. 2021
24-Bit 44.1 kHz - Stereo -
Live From The Hollywood Palladium
Jazz - Paru chez CoolNote le 1 janv. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Tex Beneke - Music History
Jazz - Paru chez Vintage Jukebox le 22 mars 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Hey! Ba-Ba-Re-Bop (Billboard Hot 100 - No. 04)
Tex Beneke, Glenn Miller & His Orchestra
Jazz - Paru chez Music Manager le 19 déc. 2018
16-Bit CD Quality 44.1 kHz - Stereo -
(Give Me) Five Minutes More
Jazz - Paru chez Redwood Records le 28 avr. 2014
16-Bit CD Quality 44.1 kHz - Stereo -
A Rootin' Tootin' Santa Claus
Pop - Paru chez Delta Music le 2 nov. 2020
16-Bit CD Quality 44.1 kHz - Stereo -
The Very Best of
Jazz - Paru chez Classic Music International le 22 juin 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Live Concert! Music Made Famous By Glenn Miller
Tex Beneke, Ray Eberle, The Modernaires, Glenn Miller & His Orchestra
Jazz - Paru chez Music Manager le 27 janv. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
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Greatest Hits
Jazz - Paru chez Master Classics Records le 1 août 2008
16-Bit CD Quality 44.1 kHz - Stereo -
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