Langue disponible : anglaisNew Jersey native Pete Yorn took a rather unique route to singer/songwriter acclaim, gaining his first big break by providing the score to a Farrelly Brothers film. Having graduated from Syracuse University several years prior, the 26-year-old pulled up stakes in 2000 and relocated to Los Angeles, California, where he began writing music for film and television. Prospects increased when Yorn was recruited to score Me, Myself, & Irene, a Farrelly Brothers movie starring Jim Carrey. One of his own pop/rock numbers, "Strange Condition," appeared on the film's soundtrack and was subsequently released as a single, where it fared well on the modern rock charts and increased public demand for Yorn's songwriting. After netting a record contract with Columbia, Yorn returned to the studio and co-produced his debut album, 2001's Musicforthemorningafter, with Brad Wood and R. Walt Vincent. He also played the bulk of the instruments himself. Yorn supported the album by touring for 18 months, enabling Musicforthemorningafter to go gold by April 2002. The following spring, he returned with the earnest Day I Forgot, which featured several contributions from R.E.M.'s Peter Buck (who had previously made a cameo on the single version of "Strange Condition"). A year later, Yorn issued his first live album, Live from New Jersey, a double-disc set that captured his late October performance at the Community Theater in Morristown, New Jersey. For his third studio LP, Yorn enlisted collaborators such as the Foo Fighters' Dave Grohl and the Dixie Chicks' Martie Maguire and Natalie Maines to shape the sound of Nightcrawler. Produced by Butch Walker, the album arrived in August 2006 and replaced Yorn's folky leanings with a more rock-oriented foundation. Another noted producer, Bright Eyes alum Mike Mogis, was enlisted to helm Yorn's next record. The resulting Back and Fourth was recorded in Omaha, Nebraska, and released in 2009, prefaced by the lead single "Don't Wanna Cry." Yorn returned later that year with another album, this one recorded alongside actress/vocalist Scarlett Johansson and inspired by the famed duets of Serge Gainsbourg and Brigitte Bardot. Although the project was finished several years prior, Break Up didn't see the light of day until September 2009, after several of Yorn's friends urged him to issue the material; the album went to 41 on the Billboard charts. In 2010, Yorn released his self-titled fifth studio solo album featuring production from the Pixies' Frank Black; the record peaked at 66. Yorn's next project was the Olms, a band he formed in 2011 with J.D. King. During 2012, the band recorded the album that became their eponymous 2013 debut. Released that summer, the album peaked at four on Billboard's Heatseekers chart. The Olms claimed another album was in the works -- indeed, they released an EP of live material in the fall of 2013 -- but Yorn first returned to his solo career. He signed to Capitol in 2015 and reunited with R. Walt Vincent -- the producer of Musicforthemorningafter -- for 2016's Arranging Time. Working once again with Johansson, Yorn issued the 2018 EP Apart, a sequel to the duo's 2009 collaboration Break Up. Another duet appeared later that year, this time between Yorn and Liz Phair on a cover of Pixies' 1989 classic "Here Comes Your Man." Yorn returned in 2019 with Caretakers, an album made with Jackson Phillips of Day Wave. ~ Andrew Leahey & Kerry L. Smith
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Alternatif et Indé - Paru le 1 juin 2018 | Capitol Records (US1A)
Après un premier album en duo paru en 2009 (Break Up), Pete Yorn et Scarlett Johansson renouvellent l’expérience façon Gainsbourg et Bardot modernes. C’est sous le titre Apart que le binôme construit cet EP étonnant car très différent selon les morceaux. Johansson ouvre joliment la chose avec Inguana Bird, une sorte de chansonnette aux tons lumineux et estivaux. Mais pour l’actrice parfois héroïne de blockbusters, il est nécessaire d’augmenter l’intensité du beat. Sous ses allures rétro, Bad Dreams sied parfaitement aux deux personnages qui nous livrent ici une dose de pop bien entrainante. Puis ils calment rapidement cette fougue sur Moovies avec une touche de sensualité, un chant langoureux que Pete Yorn instaure en murmurant au micro. Johansson apporte une allure sexy aux refrains dans une inspiration très eighties et les distorsions des guitares inspirent une danse lente et voluptueuse. Le réel revient au galop avec un son plus brut et folk de la guitare du chanteur sur Cigarillo. On ne perd tout de même pas ce beat assumé et le titre aurait plutôt bien fonctionné comme un tube de l’été… mais de l’été 2000. Pour clôturer, ils reprennent Tomorrow que Yorn avait sorti sur l’album Arranging Time en y ajoutant cette sonorité pop propre à l’EP et à sa complicité avec Johansson. © Clara Bismuth/Qobuz
Alternatif et Indé - Paru le 13 avril 2004 | Columbia
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