Orchestre National De Lyon
Langue disponible : anglaisThe National Orchestra of Lyons is one of the oldest and most respected orchestras in France. With the implementation of a French government policy establishing a system of national orchestras in the major regions of the country, it has gained a strong international reputation as well. Lyons is an ancient city, founded by the Romans at the confluence of the Rhône and Saône Rivers in southeastern France as the capital of Gaul. For more than the first millennium of the Christian era it was the site of the primate of France. It voted for direct rule of the French crown in 1271, but retained considerable independence for five hundred years. All this made it a musical center in the region. According to its tax records of the seventeenth century, the city routinely supported over a hundred instrumentalists. In 1713 the town council established a permanent opera house and an academy for arts and concerts. The academy's concerts continued to be successful through most of the century. The academy ended upon the revolution, but under the Directory concert life resumed, with "revolutionary" works such as those of Grétry being played by an amateur orchestra. The 1800s saw a succession of concert societies. These were the Concerts Symphoniques (f. 1833), the Concerts Populaires Symphoniques (1873), the Concerts Symphoniques du Grand Theâtre (1898). In 1903, another of these groups was founded: The Societé Symphoniques des Grands Concerts, which gave its first concert in 1905. Subsequently renamed the Societé des Concerts Philharmoniques, it was a semi-professional orchestra, but over the years it enjoyed the guest leadership of such distinguished conductors as Ernest Ansermet, Charles Munch, André Cluytens, Pierre Monteux, and Paul Paray. In 1969 the city stepped in to support the orchestra in its efforts to become a permanent professional ensemble and the name was changed again, to the Société Philharmonique de Lyon. At that time Louis Frémaux was appointed its resident conductor; he was succeeded in 1971 by Serge Baudo, who remained until 1986. His era saw the orchestra obtain its permanent concert hall. The Lyon Auditorium is a modernistic, 2090-seat hall, named the Maurice Ravel Auditorium. (It was acoustically less than perfect, with most defects cured by a renovation begun in 1996.) One of its attractions is a historical organ originally built in 1878 by Aristide Cavaillé-Coll for the Palais du Trocadéro at a World Fair. French national policy resulted in a change in the orchestra's government support and its renaming to the National Orchestra of Lyons. It is now a permanent organization of 102 musicians, which gives a full concert schedule at home and frequently tours and records. Its tours have taken it to the United States, Japan, and Germany and it frequently performs at international festivals. It does not function as the orchestra of the Lyon Opera, which has its own orchestra. In 1987, Emmanuel Krivine replaced Baudo on its podium, remaining until the beginning of the 2001-2002 season, when he was to be replaced by David Robertson. Both Baudo and Krivine had strong interest in contemporary music, a tradition shared by the orchestra, which claims the only composer in residence on the staff of any French orchestra. Perhaps as a result it is one of the few symphony orchestras in the world whose audience is growing consistently younger.
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The National Orchestra of Lyons is one of the oldest and most respected orchestras in France. With the implementation of a French government policy establishing a system of national orchestras in the major regions of the country, it has gained a strong international reputation as well.
Lyons is an ancient city, founded by the Romans at the confluence of the Rhône and Saône Rivers in southeastern France as the capital of Gaul. For more than the first millennium of the Christian era it was the site of the primate of France. It voted for direct rule of the French crown in 1271, but retained considerable independence for five hundred years. All this made it a musical center in the region. According to its tax records of the seventeenth century, the city routinely supported over a hundred instrumentalists.
In 1713 the town council established a permanent opera house and an academy for arts and concerts. The academy's concerts continued to be successful through most of the century. The academy ended upon the revolution, but under the Directory concert life resumed, with "revolutionary" works such as those of Grétry being played by an amateur orchestra. The 1800s saw a succession of concert societies. These were the Concerts Symphoniques (f. 1833), the Concerts Populaires Symphoniques (1873), the Concerts Symphoniques du Grand Theâtre (1898).
In 1903, another of these groups was founded: The Societé Symphoniques des Grands Concerts, which gave its first concert in 1905. Subsequently renamed the Societé des Concerts Philharmoniques, it was a semi-professional orchestra, but over the years it enjoyed the guest leadership of such distinguished conductors as Ernest Ansermet, Charles Munch, André Cluytens, Pierre Monteux, and Paul Paray.
In 1969 the city stepped in to support the orchestra in its efforts to become a permanent professional ensemble and the name was changed again, to the Société Philharmonique de Lyon. At that time Louis Frémaux was appointed its resident conductor; he was succeeded in 1971 by Serge Baudo, who remained until 1986.
His era saw the orchestra obtain its permanent concert hall. The Lyon Auditorium is a modernistic, 2090-seat hall, named the Maurice Ravel Auditorium. (It was acoustically less than perfect, with most defects cured by a renovation begun in 1996.) One of its attractions is a historical organ originally built in 1878 by Aristide Cavaillé-Coll for the Palais du Trocadéro at a World Fair.
French national policy resulted in a change in the orchestra's government support and its renaming to the National Orchestra of Lyons. It is now a permanent organization of 102 musicians, which gives a full concert schedule at home and frequently tours and records. Its tours have taken it to the United States, Japan, and Germany and it frequently performs at international festivals. It does not function as the orchestra of the Lyon Opera, which has its own orchestra.
In 1987, Emmanuel Krivine replaced Baudo on its podium, remaining until the beginning of the 2001-2002 season, when he was to be replaced by David Robertson. Both Baudo and Krivine had strong interest in contemporary music, a tradition shared by the orchestra, which claims the only composer in residence on the staff of any French orchestra. Perhaps as a result it is one of the few symphony orchestras in the world whose audience is growing consistently younger.
© TiVo
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Symphonie fantastique
Orchestre National De Lyon, Leonard Slatkin, Unknown Artist
Classique - Paru chez Naxos le 27 août 2012
24-Bit 96.0 kHz - Stereo -
Berlioz: Roméo et Juliette, Op. 17, H 79
Classique - Paru chez Naxos le 12 avr. 2019
24-Bit 96.0 kHz - Stereo -
Ravel: L'heure espagnole, M. 52 & Don Quichotte à Dulcinée, M. 84
Opéra - Paru chez Naxos le 5 févr. 2016
24-Bit 44.1 kHz - Stereo -
Œuvres Orchestrales (Intégrale, volume 1)
Orchestre National De Lyon, Jun Märkl
Classique - Paru chez Naxos le 28 avr. 2008
16-Bit CD Quality 44.1 kHz - Stereo -
Œuvres orchestrales (Volume 2)
Orchestre National De Lyon, MDR Rundfunkchor - Risto Joost, Jun Märkl
Classique - Paru chez Naxos le 1 janv. 2008
24-Bit 44.1 kHz - Stereo -
The Essentials: Debussy
Classique - Paru chez Unclassified le 20 janv. 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Œuvres orchestrales (Volume 6)
Orchestre National De Lyon, Jun Märkl
Classique - Paru chez Naxos le 3 mai 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Debussy: 24 Préludes (arr. C. Matthews)
Classique - Paru chez Naxos le 1 oct. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Debussy, C.: La Mer / Nocturnes / Hosokawa, T.: Circulating Ocean
Orchestre National De Lyon, Jun Märkl
Classique - Paru chez Naxos le 1 oct. 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Œuvres orchestrales (Volume 4)
Orchestre National De Lyon, Jun Märkl
Classique - Paru chez Naxos le 21 sept. 2010
Prise de Son d'Exception16-Bit CD Quality 44.1 kHz - Stereo -
Œuvres orchestrales (Volume 3)
Orchestre National De Lyon, Jun Märkl
Classique - Paru chez Naxos le 18 mars 2010
16-Bit CD Quality 44.1 kHz - Stereo -
Et exspecto resurrectionem mortuorum
Orchestre National De Lyon, Jun Märkl
Classique - Paru chez Naxos le 23 mai 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Œuvres orchestrales (Volume 5)
Orchestre National De Lyon, Jun Märkl
Classique - Paru chez Naxos le 28 janv. 2011
16-Bit CD Quality 44.1 kHz - Stereo -
Bartok: The Miraculous Mandarin
Orchestre National De Lyon, David Robertson
Classique - Paru chez harmonia mundi le 13 oct. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Berlioz: Symphonie fantastique, Op. 14
Classique - Paru chez Unclassified le 7 avr. 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Pierre-Octave Ferroud: Orchestral Works
Orchestre National de Lyon, Emmanuel Krivine
Classique - Paru chez naïve classique le 24 mars 2014
16-Bit CD Quality 44.1 kHz - Stereo -
Bartok: The Miraculous Mandarin
Orchestre National De Lyon, David Robertson
Musique symphonique - Paru chez harmonia mundi le 13 oct. 2001
16-Bit CD Quality 44.1 kHz - Stereo -
Les Eaux célestes
Orchestre National De Lyon, Ben Glassberg, Camille Pépin
Classique - À paraître le 14 avr. 2023 chez NoMadMusic
24-Bit 96.0 kHz - Stereo