Votre panier est vide

Catégories :

Artistes similaires

Les albums

A partir de :
CD10,99 €

Jazz - Paru le 1 janvier 1974 | Impulse!

Disque enregistré au Generation Sound Studios, New York, les 27 et 28 février 1974 / American Quartet - Guilherme Franco, percussions - Danny Johnson, percussions - Sam Brown, guitare
A partir de :
HI-RES11,99 €
CD8,49 €

Jazz - Paru le 1 novembre 1977 | Impulse!

Hi-Res
Amid rumored tension within the band, Keith Jarrett's American Quartet met for one last marathon recording date before disbanding, and Impulse made the most of it by spreading the music out over two separate releases. From the evidence of this the band certainly doesn't sound as if it was ready to break up; the interplay is telepathic, the musical ideas are still fresh, and there is a willingness to experiment. "Rainbow," credited to Margot Jarrett, is top-flight lyrical Keith, while "Trieste" evokes the mood and some of the language of the spiritual Coltrane. There is adventure, too; with Dewey Redman and Jarrett wailing on tenor and soprano respectively, "Konya" sounds almost like a muezzin call to prayer, and "Yahllah" is a rare, brave, moving merger of jazz and the Middle East. Highly recommended. © Richard S. Ginell /TiVo
A partir de :
HI-RES11,99 €
CD8,49 €

Jazz - Paru le 24 février 1973 | Impulse!

Hi-Res
On Fort Yawuh, Keith Jarrett is joined by Dewey Redman (tenor sax), Charlie Haden (bass), Paul Motian (drums), and Danny Johnson (percussion) to produce this set recorded live at the legendary Village Vanguard in New York City on February 24, 1973. About two minutes into "Fort Yawuh," Jarrett prepares the listener for a piano solo by announcing himself with quick and sharp keyboard jabs that evolve into spared and beautiful crescendos that before too long involve the soulful wails of Redman on the sax. The following song, "De Drums," is the one track that really swings on this album. Another long one, at 12 minutes in length, "De Drums" is much more focused on a steady and consistent rhythm that is established immediately by a smooth five-note bassline accented by the piano and shakers. Although describable as smooth and cool, this song has a palpable energy perhaps due to the construction of the bassline whose pauses give an enjoyable sense of suspense. A little more than five minutes into this song there is a thematic shift that speeds up the tempo and makes this title swing even more while involving Redman's sax and Motian's drum kit. Half past the eight-minute mark the tempo settles back down to its original drawl, and the song finishes with a lazy bop that makes this the standout track on the album. Fans of Jarrett's avant-garde liberalism will find "De Drums" to be the track most unlike the other four selections on this album. "Still Life, Still Life" is more like a ballad in that it's very slow, but it still maintains the structural freedom featured in the "Fort Yawuh," "(If the) Mysfits (Wear It)," and "Roads Traveled, Roads Veiled." © Qa'id Jacobs /TiVo
A partir de :
CD13,49 €

Jazz - Paru le 1 janvier 1975 | Impulse!

Disque enregistré au Generation Sound Studios, New York, les 9 & 10 Octobre 1974 / Dewey Redman, saxophone ténor - Keith Jarrett, piano - Charlie Haden, basse - Paul Motian, percussions - Guilherme Franco, percussions
A partir de :
CD13,49 €

Jazz - Paru le 6 juin 2006 | Impulse!

A partir de :
CD11,99 €

Jazz - Paru le 10 février 1998 | Impulse!

A partir de :
CD23,99 €

Jazz - Paru le 1 janvier 1997 | Impulse!

A partir de :
HI-RES8,49 €
CD5,99 €

Jazz - Paru le 1 janvier 1975 | Impulse!

Hi-Res
Pianist Keith Jarrett's mid-'70s quintet was the strongest regular group that he ever led and all of its recordings (even some that ramble a bit) are worth picking up. Thanks to its strong start, Shades is one of this unit's most rewarding recordings. "Shades of Jazz" has a memorable melody and logical (if unpredictable) improvisations by Jarrett and tenor-saxophonist Dewey Redman. The momentum slows down a bit with the gospellish "Southern Smiles" and "Rose Petals" but picks up again with the final number, the rather intense "Diatribe," an excellent vehicle for this classic group. Throughout, bassist Charlie Haden, drummer Paul Motian and percussionist Guilherme Franco keep the band's juices flowing. © Scott Yanow /TiVo
A partir de :
HI-RES11,99 €
CD8,49 €

Jazz - Paru le 1 janvier 1975 | Impulse!

Hi-Res
Disque enregistré à New York en juin 1975 / Dewey Redman, saxophone ténor - Keith Jarrett, piano - Charlie Haden, basse - Paul Motian, percussions - Guilherme Franco, percussions
A partir de :
CD8,49 €

Jazz - Paru le 1 novembre 1977 | Impulse!

Amid rumored tension within the band, Keith Jarrett's American Quartet met for one last marathon recording date before disbanding, and Impulse made the most of it by spreading the music out over two separate releases. From the evidence of this the band certainly doesn't sound as if it was ready to break up; the interplay is telepathic, the musical ideas are still fresh, and there is a willingness to experiment. "Rainbow," credited to Margot Jarrett, is top-flight lyrical Keith, while "Trieste" evokes the mood and some of the language of the spiritual Coltrane. There is adventure, too; with Dewey Redman and Jarrett wailing on tenor and soprano respectively, "Konya" sounds almost like a muezzin call to prayer, and "Yahllah" is a rare, brave, moving merger of jazz and the Middle East. Highly recommended. © Richard S. Ginell /TiVo
A partir de :
HI-RES18,49 €
CD13,49 €

Jazz - Paru le 1 janvier 1975 | Impulse!

Hi-Res
Disque enregistré à New York en juin 1975 / Dewey Redman, saxophone ténor - Keith Jarrett, piano - Charlie Haden, basse - Paul Motian, percussions - Guilherme Franco, percussions

L'interprète

Keith Jarrett dans le magazine