Langue disponible : anglaisPerhaps best known in conjunction with her husband Waylon Jennings, Jessi Colter was the only significant female singer/songwriter to emerge from the mid-'70s "outlaw" movement. Born Miriam Johnson on May 25, 1943, in Phoenix, Arizona, Colter in fact affiliated herself with outlaw imagery long before the musical movement blossomed, adopting her stage name in honor of ancestor Jess Colter, a real-life train robber and counterfeiter who rode with Frank and Jesse James. Raised in a strict Pentecostal home, Colter was just a teenager when she left Phoenix to tour as a vocalist with twang-guitar innovator Duane Eddy, whom she met through her sister Sharon, the wife of producer "Cowboy" Jack Clement. In 1962, she and Eddy married, and after several years of extensive touring (mostly throughout Europe), the couple settled in Los Angeles in 1966. Under the name Miriam Eddy, she wrote songs for Don Gibson, Dottie West, and Nancy Sinatra. In 1968, she and Eddy divorced, and Colter returned to Phoenix. There she met Waylon Jennings, who was so taken with her voice that he invited her to record a duet with him. After helping secure Colter a record deal with his label, RCA, Jennings co-produced the tracks that would make up her 1970 debut, A Country Star Is Born; by the time of the record's release, the couple had already married. Under the name Waylon & Jessi, they also issued two Top 40 singles, a 1970 cover of the Elvis Presley hit "Suspicious Minds" and 1971's "Under Your Spell Again." Colter's commercial breakthrough came in 1975 when her composition "I'm Not Lisa," a single from the LP I'm Jessi Colter, hit number one on Billboard's country charts while also making the Top Five on the pop charts; the album spawned another hit in "What's Happened to Blue Eyes." In 1976, she released two more highly successful albums, Jessi and Diamonds in the Rough. Also in 1976, Colter teamed with Jennings, Willie Nelson, and Tompall Glaser for the album Wanted! The Outlaws, which at the time of its release was the biggest-selling album in country history, and the first country album certified platinum in sales. In between spending much of the remainder of the decade on tour with her husband and Nelson, she also released the albums Miriam in 1977 and That's the Way the Cowboy Rocks and Rolls in 1978. Colter and Jennings re-teamed in 1981 for Leather and Lace, an album of duets featuring the hits "Storms Never Last" and the medley "Wild Side of Life/It Wasn't God Who Made Honky Tonk Angels." In the same year, she released the solo album Ridin' Shotgun, which produced her final chart hit in 1982's "Holdin' On." As the 1980s progressed, Colter's success tapered off; 1985's Rock and Roll Lullaby, produced by Chips Moman, was released only on a small label. By the early '90s, she began directing her energies toward performing children's music, and starred in the home video Jessi Colter Sings Just for Kids: Songs from Around the World, which featured a guest appearance by Jennings, who recited some of his poetry. Capitol released the An Outlaw...a Lady: The Very Best of Jessi Colter anthology in 2003. It was followed by Out of the Ashes on the Shout! Factory label in 2006. Over the next two years, Colter and guitarist Lenny Kaye recorded improvisational melodies for Psalms. During the next decade, Kaye worked on finishing the album by adding additional instrumentation. The Psalms was released in March 2017.
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Country - Paru le 24 mars 2017 | Legacy Recordings
Voilà un disque totalement hallucinant ! Ha-llu-ci-nant ! Depuis la mort de son illustre mari Waylon Jennings en 2002, Jessi Colter n’a publié qu’un seul album, Out Of The Ashes en 2006. Mais celui-ci qui parait en mars 2017 est une toute autre affaire. Même s’il porte son nom, The Psalms est un projet que cette grande dame de la country music a conçu avec Lenny Kaye. Au milieu des années 90, le guitariste de Patti Smith devint en effet un proche du clan Jennings puisqu’il aida Waylon à rédiger son autobiographie. Dans les moments d’intimité, Lenny Kaye a pu entendre Jessi Colter, seule au piano, chantant des psaumes piochés dans la Bible. « Ce fut sans doute la plus belle expression de foi qui m’ait été donné d’entendre, se souvient-il dans les notes de pochette de The Psalms. En 2007, Kaye enclenche ce projet et commence à enregistrer la veuve de Waylon, seule au piano, l’accompagnant parfois à la guitare. Le résultat de ces instants de pure grâce totalement dénués de tout prosélytisme religieux voire de dogmatisme est un album hors du temps. Un chef d’œuvre d’épure, aussi beau que sa pochette. Sans faute de goût. On suit, bouche bée, les trames mélodiques de ces compositions, parfois étoffées de quelques notes de mandoline, de harpe, de percussions ou de basse. Mélodies portées par cette voix, comme floutée par les années (on pense étrangement à Marianne Faithfull sur PSLAM 136 Mercy and Loving Kindness) et qui caresse ces pages arrachées à l’Ancien Testament avec une sincérité et un dévouement assez fou. Un album magnifique. © MZ/Qobuz
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Enfants - Paru le 19 novembre 2018 | Peter Pan Records