Jean-Philippe Rameau
Langue disponible : anglaisJean-Philippe Rameau was one of the truly multifaceted musicians of his day. Acclaimed for his innovative and popular operas, he was also known as one of the greatest organists in France, and his theoretical writings continue to influence musical thinkers over two centuries later. Although his father was a professional organist, Rameau was expected to pursue a career in the law. However, he was musically very precocious, teaching himself several instruments and the basics of harmony and composition. After spending more time on music than on his studies at the Jesuit College in Dijon (1693-1697), Rameau was removed from school; only when he was 18 did his parents give in to his wishes for a musical career. He went to Italy for a few months, and spent some time playing violin in a travelling French opera troupe. Then he took organist posts in Clermont-Ferrand (1702-1705), Paris (1705-1708), Dijon (1709-1714), Lyons (1714-1715), and Clermont again (1715-1722). Rameau had begun composing for the harpsichord, publishing his first book of keyboard works in 1706 (subsequent volumes appeared in 1724, 1728, and 1741). He had also written a few motets and secular cantatas, and had started his first book, the Traité de l'harmonie (published 1722), which later made his reputation as an important theorist. Hoping for greater fame as a composer, he moved to Paris in late 1722; there he took on some private students and composed numerous keyboard and short stage works. Eventually, he came to the attention of the financier and courtier Le Riche de la Pouplinière, who hired Rameau as conductor of his orchestra (a position he held for some 22 years) and allowed him and his family to live in his mansion. Through La Pouplinière, Rameau also met many of the great writers of his day, including some who later became librettists for his operas. Rameau produced his first opera, Hippolyte et Aricie (1733), at the age of 50. The work wasn't well received initially, but the opera Castor et Pollux (1737) was much more successful, and Rameau gradually became known as one of France's leading composers. For the rest of his life, he divided his time between composing and writing further theoretical works like Nouveau système de musique théorique (1726), Dissertation sur les differents méthodes d'accompagnement pour le clavecin ou pour l'orgue (1732), and Démonstration du principe de l'harmonie (1750). He felt his theoretical works were at least as important as his music, and defended his theories in extensive correspondences and debates with many of the leading musical thinkers in Europe. In 1745, he was appointed composer of the King's chamber music. He continued writing operas, both tragic works like Dardanus (1739, rev. 1744) and comedies like Platée (1745) and La Princesse de Navarre (1745). These and his other operas and incidental music (he wrote about 30 stage works in all) were noteworthy for their expanded harmonic palate, their brilliant choruses and ballets, and the prominent role Rameau gave to the orchestra. But not everyone admired his music, and for years a bitter public rivalry existed between the Rameau partisans and the "Lullistes," who preferred the somewhat more conservative works of Jean-Baptiste Lully. Rameau also had to defend his musical style in the "War of the Buffoons" of 1752 against those who preferred the lighter Italian operas of composers like Giovanni Battista Pergolesi. Four months before his death, Rameau was granted a patent of nobility by King Louis XV. He died just before his 81st birthday, and was buried at his parish church at St. Eustache.
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Jean-Philippe Rameau was one of the truly multifaceted musicians of his day. Acclaimed for his innovative and popular operas, he was also known as one of the greatest organists in France, and his theoretical writings continue to influence musical thinkers over two centuries later.
Although his father was a professional organist, Rameau was expected to pursue a career in the law. However, he was musically very precocious, teaching himself several instruments and the basics of harmony and composition. After spending more time on music than on his studies at the Jesuit College in Dijon (1693-1697), Rameau was removed from school; only when he was 18 did his parents give in to his wishes for a musical career. He went to Italy for a few months, and spent some time playing violin in a travelling French opera troupe. Then he took organist posts in Clermont-Ferrand (1702-1705), Paris (1705-1708), Dijon (1709-1714), Lyons (1714-1715), and Clermont again (1715-1722).
Rameau had begun composing for the harpsichord, publishing his first book of keyboard works in 1706 (subsequent volumes appeared in 1724, 1728, and 1741). He had also written a few motets and secular cantatas, and had started his first book, the Traité de l'harmonie (published 1722), which later made his reputation as an important theorist.
Hoping for greater fame as a composer, he moved to Paris in late 1722; there he took on some private students and composed numerous keyboard and short stage works. Eventually, he came to the attention of the financier and courtier Le Riche de la Pouplinière, who hired Rameau as conductor of his orchestra (a position he held for some 22 years) and allowed him and his family to live in his mansion. Through La Pouplinière, Rameau also met many of the great writers of his day, including some who later became librettists for his operas.
Rameau produced his first opera, Hippolyte et Aricie (1733), at the age of 50. The work wasn't well received initially, but the opera Castor et Pollux (1737) was much more successful, and Rameau gradually became known as one of France's leading composers. For the rest of his life, he divided his time between composing and writing further theoretical works like Nouveau système de musique théorique (1726), Dissertation sur les differents méthodes d'accompagnement pour le clavecin ou pour l'orgue (1732), and Démonstration du principe de l'harmonie (1750). He felt his theoretical works were at least as important as his music, and defended his theories in extensive correspondences and debates with many of the leading musical thinkers in Europe.
In 1745, he was appointed composer of the King's chamber music. He continued writing operas, both tragic works like Dardanus (1739, rev. 1744) and comedies like Platée (1745) and La Princesse de Navarre (1745). These and his other operas and incidental music (he wrote about 30 stage works in all) were noteworthy for their expanded harmonic palate, their brilliant choruses and ballets, and the prominent role Rameau gave to the orchestra. But not everyone admired his music, and for years a bitter public rivalry existed between the Rameau partisans and the "Lullistes," who preferred the somewhat more conservative works of Jean-Baptiste Lully. Rameau also had to defend his musical style in the "War of the Buffoons" of 1752 against those who preferred the lighter Italian operas of composers like Giovanni Battista Pergolesi. Four months before his death, Rameau was granted a patent of nobility by King Louis XV. He died just before his 81st birthday, and was buried at his parish church at St. Eustache.
© TiVo
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Les Sauvages (Rameau, Couperin, Royer, Forqueray...)
Jean-Philippe Rameau
Classique - Paru chez Cypres le 16 juin 2015
5 de DiapasonL’on peut parler de « monographie » pour ce nouvel enregistrement de la claveciniste française Béatrice Martin : elle s’attaque aux Sauvages qui, aux ...
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Rameau: Pièces de Clavecin en Concerts
Jean-Philippe Rameau
Classique - Paru chez Passacaille le 1 août 2015
Rameau écrivit ses Pièces de clavecin en concert en 1741 et les publia dans la foulée. Elles sont l’œuvre – le chef-d’œuvre – d’un musicien âgé de cin ...
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Rameau: Les Cyclopes
Jean-Philippe Rameau
Classique - Paru chez Avie Records le 5 avr. 2005
Pièces de clavessin : Les Cyclopes, L'Entretien des Muses, Les Tourbillons, Suite en mi mineur - Nouvelles Suites de Pièces de Clavecin : Suite en la ...
16-Bit CD Quality 44.1 kHz - Stereo -
Pièces de clavecin en concerts
Jean-Philippe Rameau
Classique - Paru chez Lindoro le 23 oct. 2002
16-Bit CD Quality 44.1 kHz - Stereo -
Rameau: Dardanus (Transcribed for Organ)
Jean-Philippe Rameau
Classique - Paru chez VDE-GALLO le 19 sept. 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Nouvelles Suites de Pièces de Clavecin - La Dauphine
Jean-Philippe Rameau
Classique - Paru chez Saphir Productions le 2 févr. 2010
16-Bit CD Quality 44.1 kHz - Stereo -
The History of French Music (100 Famous Songs)
Jean-Philippe Rameau
Classique - Paru chez Dream Collection le 8 sept. 2015
16-Bit CD Quality 44.1 kHz - Stereo -
Rameau: Suite des Indes Galantes
Jean-Philippe Rameau
Classique - Paru chez Past Classics le 4 mai 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Rameau: Complete Works for Harpsichord
Jean-Philippe Rameau
Classique - Paru chez CRD Records le 1 janv. 1998
16-Bit CD Quality 44.1 kHz - Stereo -
Rameau, Debussy - La mer
Jean-Philippe Rameau
Musique de chambre - Paru chez Suoni e Colori le 15 mars 2013
16-Bit CD Quality 44.1 kHz - Stereo -
Jean-Philippe Rameau: Les Sauvages et Muses
Jean-Philippe Rameau
Classique - Paru chez Balt-Music Jsc. (fka BOMBA-PITER) le 25 sept. 2018
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Rameau: Opera & Ballet Transcriptions
Jean-Philippe Rameau
Classique - Paru chez Satirino Records le 21 nov. 2003
Paru une première fois en 2003 ce disque n'était sans doute pas au grenier depuis très longtemps. Cette réédition nous procure toujours le même bonheu ...
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Mordecai Shehori Plays Jean-Philippe Rameau
Jean-Philippe Rameau
Classique - Paru chez Cembal d'amour CD 104 le 1 janv. 1998
16-Bit CD Quality 44.1 kHz - Stereo -
Works By Rameau, Dukas, Bizet, Saint-Saëns and Ravel
Jean-Philippe Rameau
Classique - Paru chez Pipeline Music le 28 nov. 2006
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Geneva Competition Piano Laureates - Live recording - Laureates Festival 2015
Jean-Philippe Rameau
Classique - Paru chez Claves Records le 10 mars 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Russian Piano School: Evgeni Teregulov
Jean-Philippe Rameau
Classique - Paru chez Russian Compact Disc le 11 juin 1997
16-Bit CD Quality 44.1 kHz - Stereo -
Russian Performing School: Vera Dulova, Vol. 1
Jean-Philippe Rameau
Classique - Paru chez Russian Compact Disc le 20 févr. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Classical Music Travel Guide: Paris
Jean-Philippe Rameau
Classique - Paru chez Dream Collection le 13 mai 2016
16-Bit CD Quality 44.1 kHz - Stereo -
The Power of Rameau
Jean-Philippe Rameau
Classique - Paru chez UMG Recordings, Inc. le 11 juin 2021
16-Bit CD Quality 44.1 kHz - Stereo -
Rameau - Colorful
Jean-Philippe Rameau
Classique - Paru chez UMG Recordings, Inc. le 27 févr. 2021
16-Bit CD Quality 44.1 kHz - Stereo