Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Cut from the same cloth as the band's 1973 Deliver the Word LP, War's 1975 Why Can't We Be Friends? is a masterpiece in its scope and breadth. And, emerging as the last work the band would do for its longtime label, United Artists, it became a fitting swansong, powering up the charts and giving War its fourth and final number one hit. In recent years, the album has been overshadowed by the monstrously popular bass-beating and bright brass of its singular hit, "Low Rider." Indeed, the song would become the band's signature theme, as the Latino street-cruiser jam quickly became a live set staple and, much later, was reinvigorated through sampling on songs by the Beastie Boys, Stereo MC's, and Offspring. However, that one track, iconographic as it is, is by no means the only treat onboard Why Can't We Be Friends? There are far more interesting and superb treats roiling in the wake of "Low Rider." The snappy title track, which poses the question of the decade and, oddly, closes the album, is a feel-good thumper. Its bright brass punctuation and rakish vocals are wonderfully combined with an absolutely contagious reggae beat. Then, add the doesn't-get-much-better-than-that medley "Leroy's Latin Lament." Divided into four "songs," the music swings from the smart vocal opening "Lonnie Dreams" to the effervescent Latin jam of "La Fiesta." And, of course, where there's War, there's funk -- this time on the seven-plus minute"Heartbeat." Wrap it all up with the poignant ballad "Lotus Blossom," and the result is pretty much perfection. Why Can't We Be Friends? remains one of War's truly outstanding efforts, and has become an integral part of the funk genre's landscape. It also remains the nightcap of their finest hour. War's ill-timed move to MCA changed the energy and focus of the band forever.
© Amy Hanson /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Lee Oskar, Percussion, Vocals, Writer, Harmonica - Harold Brown, Drums, Percussion, Vocals, Writer - Howard Scott, Guitar, Percussion, Vocals, Writer - "Papa" Dee Allen, Percussion, Vocals - B.B. Dickerson, Percussion, Vocals, Writer, Bass - Lonnie Jordan, Producer, Guitar, Keyboards, Percussion, Vocals, Writer - War, MainArtist - Charles Miller, Percussion, Vocals, Writer, Woodwind - Eric Burdon, Percussion, Vocals, Performance - Dee Allen, Writer
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1992 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
Nelson, Writer - War, Writer, MainArtist
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1992 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
Lee Oskar, Percussion, Vocals, Writer, Harmonica - Harold Brown, Drums, Percussion, Vocals, Writer - Howard Scott, Guitar, Percussion, Vocals, Writer - "Papa" Dee Allen, Percussion, Vocals - B.B. Dickerson, Percussion, Vocals, Writer, Bass - Lonnie Jordan, Producer, Guitar, Keyboards, Percussion, Vocals, Writer - War, MainArtist - Charles Miller, Percussion, Vocals, Writer, Woodwind - Eric Burdon, Percussion, Vocals, Performance - Dee Allen, Writer
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1992 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
War, Writer, MainArtist
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1992 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
JERRY GOLDSTEIN, Producer, Writer - Lee Oskar, Percussion, Vocals, Writer, Harmonica - Harold Brown, Drums, Percussion, Vocals, Writer - Howard Scott, Guitar, Percussion, Vocals, Writer - Bill Inglot, Digital Remasterer - Ed Barton, Engineer - "Papa" Dee Allen, Percussion, Vocals, Congas - B.B. Dickerson, Percussion, Vocals, Writer, Bass - Lonnie Jordan, Keyboards, Percussion, Vocals, Writer - War, MainArtist - Charles Miller, Clarinet, Flute, Percussion, Saxophone, Vocals, Writer - Ken Perry, Digital Remasterer - Chris Huston, Engineer - Dee Allen, Writer
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1992 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
JERRY GOLDSTEIN, Writer - Lee Oskar, Percussion, Vocals, Writer, Harmonica - Harold Brown, Drums, Percussion, Vocals, Writer - Howard Scott, Guitar, Percussion, Vocals, Writer - "Papa" Dee Allen, Percussion, Vocals - B.B. Dickerson, Percussion, Vocals, Writer, Bass - Lonnie Jordan, Producer, Guitar, Keyboards, Percussion, Vocals, Writer - War, MainArtist - Charles Miller, Percussion, Vocals, Writer, Woodwind - Eric Burdon, Percussion, Vocals, Performance - Dee Allen, Writer
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1992 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
J. Goldstein, Composer - JERRY GOLDSTEIN, Composer - M. Dickerson, Composer - L. Oskar, Composer - C. Miller, Composer - H. Brown, Composer - H. Scott, Composer - Lee Oskar, Composer, Percussion, Vocals, Harmonica - Sylvester Allen, Composer - Harold Brown, Composer, Drums, Percussion, Vocals - Morris Dickerson, Composer - Howard Scott, Composer, Guitar, Percussion, Vocals - Leroy Jordan, Composer - Molina, Composer - "Papa" Dee Allen, Percussion, Vocals - B.B. Dickerson, Percussion, Vocals, Bass - Lonnie Jordan, Producer, Guitar, Keyboards, Percussion, Vocals - War, MainArtist - Charles Miller, Composer, Percussion, Vocals, Woodwind - L. Jordan, Composer - Reyes, Composer - Eric Burdon, Percussion, Vocals, Performance - SARA ALLEN, Composer - Trivette, Composer
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
War, Writer, MainArtist
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1992 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
JERRY GOLDSTEIN, Writer - Lee Oskar, Percussion, Vocals, Writer, Harmonica - Harold Brown, Drums, Percussion, Vocals, Writer - Morris Dickerson, Writer - Howard Scott, Guitar, Percussion, Vocals - Leroy Jordan, Writer - Gerald Goldstein, Writer - "Papa" Dee Allen, Percussion, Vocals - B.B. Dickerson, Percussion, Vocals, Writer, Bass - Lonnie Jordan, Producer, Guitar, Keyboards, Percussion, Vocals, Writer - War, MainArtist - Charles Miller, Percussion, Vocals, Writer, Woodwind - Eric Burdon, Percussion, Vocals, Performance - Howard E. Scott, Writer - Thomas S. Allen, Writer - Dee Allen, Writer
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
Chronique
Cut from the same cloth as the band's 1973 Deliver the Word LP, War's 1975 Why Can't We Be Friends? is a masterpiece in its scope and breadth. And, emerging as the last work the band would do for its longtime label, United Artists, it became a fitting swansong, powering up the charts and giving War its fourth and final number one hit. In recent years, the album has been overshadowed by the monstrously popular bass-beating and bright brass of its singular hit, "Low Rider." Indeed, the song would become the band's signature theme, as the Latino street-cruiser jam quickly became a live set staple and, much later, was reinvigorated through sampling on songs by the Beastie Boys, Stereo MC's, and Offspring. However, that one track, iconographic as it is, is by no means the only treat onboard Why Can't We Be Friends? There are far more interesting and superb treats roiling in the wake of "Low Rider." The snappy title track, which poses the question of the decade and, oddly, closes the album, is a feel-good thumper. Its bright brass punctuation and rakish vocals are wonderfully combined with an absolutely contagious reggae beat. Then, add the doesn't-get-much-better-than-that medley "Leroy's Latin Lament." Divided into four "songs," the music swings from the smart vocal opening "Lonnie Dreams" to the effervescent Latin jam of "La Fiesta." And, of course, where there's War, there's funk -- this time on the seven-plus minute"Heartbeat." Wrap it all up with the poignant ballad "Lotus Blossom," and the result is pretty much perfection. Why Can't We Be Friends? remains one of War's truly outstanding efforts, and has become an integral part of the funk genre's landscape. It also remains the nightcap of their finest hour. War's ill-timed move to MCA changed the energy and focus of the band forever.
© Amy Hanson /TiVo
À propos
- 1 disque(s) - 9 piste(s)
- Durée totale : 00:44:29
- Artistes principaux : War
- Compositeur : Various Composers
- Label : Avenue records
- Genre : Soul/Funk/R&B R&B
© 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company ℗ 1975 Far Out Productions, Inc under exclusive license to Rhino Entertainment Company, a Warner Music Group Company
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.