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German Brass|Trip to America

Trip to America

German Brass

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Brass ensembles come into and go out of fashion in classical music, but the German Brass has survived several cycles now. That's partly because they are not a brass quintet but, as some say, a tentet, which gives them quite a bit of range in terms of repertory covered, with members of the group generally doing the arranging. They are not restricted to Gabrieli and the like, and often do not play the Renaissance repertory. Programming is another of the group's strengths. Both in performance and on recordings, they offer thematic programs that take the form of a trip to a specific locale. These positive traits come together on Trip to America, which includes transcriptions of various types of pieces. You get orchestral works (Bernstein's Overture to Candide, Copland's "Hoe-Down," from Rodeo, Barber's Adagio for strings), piano works (Gershwin's Preludes), excerpts from the opera Porgy and Bess, and musicals, which are treated quite differently from the opera: for Bernstein's West Side Story and Cole Porter's Too Darn Hot, a jazz percussion section is introduced. The palette of ensemble sounds is wide. You wouldn't think that the Preludes would translate well to the brass ensemble medium, but sample the slow central Prelude for an attractive variety of timbres. The players, drawn from various German orchestras, are precise, nowhere more apparent than in the "Hoe-Down," where the little ornament that sets the music in motion is cleanly rendered. This is enjoyable light music for any occasion, and American listeners may well hope that the German Brass makes its own Trip to America on tour with this album.

© TiVo

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Trip to America

German Brass

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1
Candide, Act I: Overture (Arr. for Brass Ensemble)
00:04:29

Leonard Bernstein, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

3 Preludes (George Gershwin)

2
I. Allegro ben ritmanto e deciso (Arr. for Brass Ensemble)
00:01:37

George Gershwin, Composer - Matthias Höfs, Adapter - German Brass, MainArtist, AssociatedPerformer

(P) 2019 Sony Music Entertainment Germany GmbH

3
II. Andante con moto e poco rubato (Arr. for Brass Ensemble)
00:04:21

George Gershwin, Composer - Matthias Höfs, Adapter - German Brass, MainArtist, AssociatedPerformer

(P) 2019 Sony Music Entertainment Germany GmbH

4
III. Allegro ben ritmato e deciso (Arr. for Brass Ensemble)
00:01:24

George Gershwin, Composer - Matthias Höfs, Adapter - German Brass, MainArtist, AssociatedPerformer

(P) 2019 Sony Music Entertainment Germany GmbH

5
Porgy and Bess, Act II: Oh I Can't Sit Down (Arr. for Brass Ensemble)
00:01:48

George Gershwin, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

6
Porgy and Bess, Act I: Summertime (Arr. for Brass Ensemble)
00:03:25

George Gershwin, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

7
Porgy and Bess, Act II: It Ain't Necessarily So (Arr. for Brass Ensemble)
00:03:15

George Gershwin, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

8
Porgy and Bess, Act II: Bess, You Is My Woman Now (Arr. For Brass Ensemble)
00:04:03

George Gershwin, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

9
Porgy and Bess, Act III: There's a Boat Dat's Leavin Soon for New York (Arr. for Brass Ensemble)
00:02:19

George Gershwin, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

10
Rodeo: Hoe-Down (Arr. for Brass Ensemble)
00:03:21

Aaron Copland, Composer - Matthias Höfs, Adapter - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer

(P) 2019 Sony Music Entertainment Germany GmbH

11
Adagio for Strings, Op. 11 (Arr. for Brass Ensemble)
00:07:53

Samuel Barber, Composer - Matthias Höfs, Adapter - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer

(P) 2019 Sony Music Entertainment Germany GmbH

12
West Side Story, Act I: Prologue (Arr. for Brass Ensemble)
00:02:21

Leonard Bernstein, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

13
West Side Story, Act I: Maria & Mambo (Arr. for Brass Ensemble)
00:05:52

Leonard Bernstein, Composer - Matthias Höfs, Adapter - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer

(P) 2019 Sony Music Entertainment Germany GmbH

14
Kiss Me, Kate, Act II: Too Darn Hot (Arr. for Brass Ensemble)
00:02:25

Cole Porter, Composer - German Brass, MainArtist, AssociatedPerformer - Tobias Hoff, Engineer - Burkhard Pitzer-Landeck, Recording Engineer - Ute Hesse, Recording Engineer - Alexander Erbrich-Crawford, Adapter

(P) 2019 Sony Music Entertainment Germany GmbH

Chronique

Brass ensembles come into and go out of fashion in classical music, but the German Brass has survived several cycles now. That's partly because they are not a brass quintet but, as some say, a tentet, which gives them quite a bit of range in terms of repertory covered, with members of the group generally doing the arranging. They are not restricted to Gabrieli and the like, and often do not play the Renaissance repertory. Programming is another of the group's strengths. Both in performance and on recordings, they offer thematic programs that take the form of a trip to a specific locale. These positive traits come together on Trip to America, which includes transcriptions of various types of pieces. You get orchestral works (Bernstein's Overture to Candide, Copland's "Hoe-Down," from Rodeo, Barber's Adagio for strings), piano works (Gershwin's Preludes), excerpts from the opera Porgy and Bess, and musicals, which are treated quite differently from the opera: for Bernstein's West Side Story and Cole Porter's Too Darn Hot, a jazz percussion section is introduced. The palette of ensemble sounds is wide. You wouldn't think that the Preludes would translate well to the brass ensemble medium, but sample the slow central Prelude for an attractive variety of timbres. The players, drawn from various German orchestras, are precise, nowhere more apparent than in the "Hoe-Down," where the little ornament that sets the music in motion is cleanly rendered. This is enjoyable light music for any occasion, and American listeners may well hope that the German Brass makes its own Trip to America on tour with this album.

© TiVo

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