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Thelonious Monk - Thelonious Alone In San Francisco (Remastered)

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Thelonious Alone In San Francisco (Remastered)

Thelonious Monk

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Langue disponible : anglais

With the robust ambience of Fugazi Hall in San Francisco at his disposal, Thelonious Monk recorded ten unaccompanied tracks over two days to create a long-awaited sequel to his immensely endearing Thelonious Himself long-player. As had become somewhat customary for Monk, he brought with him a healthy sampling from his voluminous back catalog, cover tunes, as well as a few new compositions. What is most immediately striking about these recordings is the rich and accurate sound stage at Fugazi Hall. The overtones are rich and thoughtful in their ability to animate Monk's recreations of some of his most endearing works, such as the pair that opens this set. "Blue Monk" still retains the proud stride and walking blues heritage of previous renderings. Adding a bit of off-tempo improvisation, Monk propels and emphasizes the rhythmic swing even harder. He is obviously also enjoying what he is hearing. The audible maturity guiding Monk through the familiar, albeit offbeat, chord progressions of "Ruby, My Dear" is striking. His nimble reflexes and split-second timing render this version superior. Again, the sound of the hall offers even more to enjoy from this performance. It is unfortunate that the playful solitude of "Round Lights" was never revisited. This freeform composition is framed within a blues structure, yet reveals all of the slightly askew freedom of a Monk original. The recreation of an old 1920s hit, "There's Danger in Your Eyes, Cherie," is another of the highlights from Thelonious Alone in San Francisco that was never recorded again by Monk. The noir qualities are immeasurably enhanced by Monk's oblique phrasings as well as the eerie resonance of the Fugazi. This is an absolute must-own recording -- Monk enthusiast or not.
© Lindsay Planer /TiVo

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Thelonious Alone In San Francisco (Remastered)

Thelonious Monk

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1
Blue Monk Album Version
00:03:44

Thelonious Monk, Composer, MainArtist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

2
Ruby, My Dear Album Version
00:03:56

Thelonious Monk, MainArtist, ComposerLyricist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

3
Round Lights Album Version
00:03:34

Thelonious Monk, Composer - Orrin Keepnews, Producer - Thelonious Monk Quintet, MainArtist

℗ 1959 Riverside, Inc.

4
Everything Happens To Me Album Version
00:05:37

Thelonious Monk, MainArtist - Matt Dennis, ComposerLyricist - Thomas Adair, ComposerLyricist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

5
You Took The Words Right Out Of My Heart Album Version
00:04:01

Thelonious Monk, MainArtist - Leo Robin, ComposerLyricist - Ralph Rainger, ComposerLyricist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

6
Bluehawk Album Version
00:03:37

Thelonious Monk, Composer, MainArtist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

7
Pannonica Album Version
00:03:51

Thelonious Monk, Composer, MainArtist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

8
Remember Album Version
00:02:41

Thelonious Monk, MainArtist - Irving Berlin, ComposerLyricist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

9
There's Danger In Your Eyes, Cherie Take 2
00:04:18

Thelonious Monk, MainArtist - Harry Richman, ComposerLyricist - Orrin Keepnews, Producer - Pete Wendling, ComposerLyricist - Jack Meskell, ComposerLyricist

℗ 1959 Riverside, Inc.

10
There's Danger In Your Eyes, Cherie Take 1
00:04:05

Thelonious Monk, MainArtist - Harry Richman, ComposerLyricist - Orrin Keepnews, Producer - Pete Wendling, ComposerLyricist - Jack Meskell, ComposerLyricist

℗ 1987 Riverside, Inc.

11
Reflections Album Version
00:05:06

Thelonious Monk, Composer, MainArtist - Orrin Keepnews, Producer

℗ 1959 Riverside, Inc.

Descriptif de l'album

With the robust ambience of Fugazi Hall in San Francisco at his disposal, Thelonious Monk recorded ten unaccompanied tracks over two days to create a long-awaited sequel to his immensely endearing Thelonious Himself long-player. As had become somewhat customary for Monk, he brought with him a healthy sampling from his voluminous back catalog, cover tunes, as well as a few new compositions. What is most immediately striking about these recordings is the rich and accurate sound stage at Fugazi Hall. The overtones are rich and thoughtful in their ability to animate Monk's recreations of some of his most endearing works, such as the pair that opens this set. "Blue Monk" still retains the proud stride and walking blues heritage of previous renderings. Adding a bit of off-tempo improvisation, Monk propels and emphasizes the rhythmic swing even harder. He is obviously also enjoying what he is hearing. The audible maturity guiding Monk through the familiar, albeit offbeat, chord progressions of "Ruby, My Dear" is striking. His nimble reflexes and split-second timing render this version superior. Again, the sound of the hall offers even more to enjoy from this performance. It is unfortunate that the playful solitude of "Round Lights" was never revisited. This freeform composition is framed within a blues structure, yet reveals all of the slightly askew freedom of a Monk original. The recreation of an old 1920s hit, "There's Danger in Your Eyes, Cherie," is another of the highlights from Thelonious Alone in San Francisco that was never recorded again by Monk. The noir qualities are immeasurably enhanced by Monk's oblique phrasings as well as the eerie resonance of the Fugazi. This is an absolute must-own recording -- Monk enthusiast or not.
© Lindsay Planer /TiVo

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