Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

The Corrs|Talk on Corners

Talk on Corners

The Corrs

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Songs on the Corrs' Talk on Corners fly inoffensively past the window like scenery on a drive through the countryside, with two pretty singers at the wheel. This essentially Irish sister act (with Corr group Andrea, Caroline, and Sharon on vocals, drums, and violin, respectively, and brother Jim on guitar and keyboards) legitimately brings to mind comparisons with another family-based girl group, Wilson Phillips, particularly since the impulses and instincts are truly pop and not so much alt-traditional Celtic (as they are often cited to be). This timely record documents a high-riding point for the Corrs by re-releasing newly mixed versions of "What Can I Do?" and "So Young," both highly compressed digital productions featuring their trademark glass voices and barely discernible acoustic musical instruments. Also on the record: "Queen of Hollywood," "Runaway," "No Good for Me," and their huge international hit ballad "I Never Loved You Anyway." The best and most spirited Celtic cut is "Little Wing," deliciously resting on the contributions of the dropping-by Chieftains. Each and every cut sounds wired for radio play; unlike the less Americanized, riskier Cranberries, the Corrs should enjoy a career as nicely sustained as some of the girls' best musical notes.
© Becky Byrkit /TiVo

Plus d'informations

Talk on Corners

The Corrs

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 70 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 70 millions de titres avec votre abonnement illimité.

1
Only When I Sleep (LP Version)
The Corrs
00:04:21

Andrea Corr, Tin Whistle, Lead Vocals, Writer - Oliver Leiber, Producer, Guitar, Writer, Programming, RecordingEngineer - The Corrs, MainArtist - Matt Laug, Drums - Caroline Corr, Vocals, Writer - Jim Corr, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Violin, Vocals, Writer - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - John Shanks, Guitar, Writer - BARRY RUDOLPH, RecordingEngineer - Paul Peterson, Bass Guitar, Keyboards, Writer - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Warner Music UK Ltd.

2
When He's Not Around (LP Version)
The Corrs
00:04:24

Andrea Corr, Arranger, Tin Whistle, Lead Vocals, Writer - Michael Thompson, Guitar - The Corrs, MainArtist - Caroline Corr, Arranger, Bodhrán, Vocals, Writer - Jim Corr, Arranger, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Arranger, Violin, Vocals, Writer - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - DAVID FOSTER, Producer, Arranger, Keyboards - Felipe Elgueta, Synthesizer Programming, RecordingEngineer - Leo Pearson, Synthesizer Programming - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Dreams (LP Version)
The Corrs
00:03:53

Andrea Corr, Tin Whistle, Lead Vocals - Stevie Nicks, Writer - Oliver Leiber, Producer, Engineer, Guitar - The Corrs, MainArtist - Peter Rafelson, Programmer, CoProducer - Caroline Corr, Drums, Vocals - Jim Corr, Guitar, Keyboards, Vocals - Sharon Corr, Violin, Vocals - Bob Ludwig, MasteringEngineer - ROB CHIARELLI, MixingEngineer - BARRY RUDOLPH, Engineer - Matt Silva, SecondEngineer - Stuart Grusin, Pro-Tools Engineer - Philly Begley, VocalEngineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
What Can I Do (LP Original Mix)
Caroline Corr
00:04:19

Andrea Corr, Tin Whistle, Lead Vocals, Writer - R.J. Lange, Writer - The Corrs, MainArtist - Anto Drennan, Guitar - Caroline Corr, Vocals, Writer - Jim Corr, Producer, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Violin, Vocals, Writer - BOB CLEARMOUNTAIN, MixingEngineer - Tin Tin Out, Additional Production, Remixer - Leo Pearson, RecordingEngineer - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
I Never Loved You Anyway (LP Version)
The Corrs
00:03:54

Andrea Corr, Arranger, Tin Whistle, Lead Vocals, Writer - Tim Pierce, Guitar - The Corrs, MainArtist - David Reitzas, AdditionalEngineer - Caroline Corr, Arranger, Bodhrán, Vocals, Writer - Jim Corr, Arranger, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Arranger, Violin, Vocals, Writer - John Robinson, Drums - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - DAVID FOSTER, Producer, Arranger - Felipe Elgueta, Synthesizer Programming, RecordingEngineer - Carole Bayer Sager, Writer - Leo Pearson, Synthesizer Programming - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
So Young (LP Version)
The Corrs
00:03:52

Andrea Corr, Tin Whistle, Lead Vocals, Writer - R.J. Lange, Writer - Oliver Leiber, RecordingEngineer, CoProducer - The Corrs, MainArtist - Anto Drennan, Guitar - Caroline Corr, Vocals, Writer - Jim Corr, Producer, Accordion, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Violin, Vocals, Writer - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - Gota Yashiki, Drums - BARRY RUDOLPH, RecordingEngineer - Leo Pearson, Programming - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
Don't Say You Love Me (LP Version)
Caroline Corr
00:04:39

Andrea Corr, Arranger, Tin Whistle, Lead Vocals, Writer - Michael Thompson, Guitar - The Corrs, MainArtist - David Reitzas, AdditionalEngineer - Caroline Corr, Arranger, Bodhrán, Vocals, Writer - Jim Corr, Arranger, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Arranger, Violin, Vocals, Writer - John Robinson, Drums - DAVID FOSTER, Producer, Arranger, Additional Keyboards - Felipe Elgueta, Synthesizer Programming, RecordingEngineer - Carole Bayer Sager, Writer - Tom Bender, Assistant Mixing Engineer - MICK GUZAUSKI, MixingEngineer - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
Love Gives Love Takes (LP Version)
The Corrs
00:03:42

Andrea Corr, Tin Whistle, Lead Vocals, Writer - Dane DeViller, Writer - Sean Hosein, Writer - Dean Parks, Guitar - Oliver Leiber, Producer, Guitar, Writer, RecordingEngineer - Elliot Wolff, Writer - The Corrs, MainArtist - Matt Laug, Drums - Lance Morrison, Bass Guitar - Caroline Corr, Vocals, Writer - Jim Corr, Accordion, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Violin, Vocals, Writer - Bob Ludwig, MasteringEngineer - ROB CHIARELLI, MixingEngineer - John Shanks, Guitar - BARRY RUDOLPH, RecordingEngineer - STACEY PIERSA, Writer - John Gilutin, Keyboards

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
Hopelessly Addicted (LP Version)
The Corrs
00:04:03

Andrea Corr, Tin Whistle, Lead Vocals, Writer - Oliver Leiber, Producer, Guitar, Writer, RecordingEngineer - The Corrs, MainArtist - Matt Laug, Drums - Caroline Corr, Vocals, Writer - Jim Corr, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Violin, Vocals, Writer - Bob Ludwig, MasteringEngineer - ROB CHIARELLI, MixingEngineer - John Shanks, Guitar, Electric Mandolin - BARRY RUDOLPH, RecordingEngineer - Paul Peterson, Bass Guitar, Keyboards

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
Paddy McCarthy (Instrumental)
Andrea Corr
00:04:59

Andrea Corr, Tin Whistle, Lead Vocals, Writer - The Corrs, MainArtist - Caroline Corr, Bodhrán, Drums, Writer - Jim Corr, Producer, Guitar, Keyboards, Writer - Sharon Corr, Violin, Writer - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - Leo Pearson, RecordingEngineer, CoProducer - Ryan Freeland, Assistant Mixing Engineer - Larry Robinson, Additional Production

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
Intimacy (LP Version)
The Corrs
00:03:57

Andrea Corr, Tin Whistle, Lead Vocals - Neil Geraldo, Writer - The Corrs, MainArtist - Jeff Hull, String Arranger, Keyboards - Caroline Corr, Drums, Vocals - Jim Corr, Guitar, Keyboards, Vocals - Sharon Corr, Violin, Vocals - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - Billy Steinberg, Producer, Writer - Luis Conte, Percussion - Rick Nowels, Producer, Guitar, Writer - George Black, Programming - Al Lay, AssistantEngineer - Lisa Wagner, Cello - Ryan Freeland, Assistant Mixing Engineer - Randall Wine, RecordingEngineer - Suzy Katayama, Cello - Yuzuru "Joe" Koyanazi, AssistantEngineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

12
Queen of Hollywood (LP Version)
The Corrs
00:05:02

Andrea Corr, Tin Whistle, Lead Vocals, Writer - Dane DeViller, Guitar, Writer, Programming, RecordingEngineer, CoProducer - Sean Hosein, Writer, Programming, RecordingEngineer, CoProducer - Dean Parks, Guitar - The Corrs, MainArtist - Lance Morrison, Bass Guitar - GLEN BALLARD, Producer, Writer - Caroline Corr, Vocals, Writer - Jim Corr, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Violin, Vocals, Writer - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - Matt Chamberlain, Drums - Mike Thompson, Organ - Bryan Carrigan, RecordingEngineer - Chris Fogel, RecordingEngineer - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

13
No Good for Me (LP Version)
Caroline Corr
00:04:00

Andrea Corr, Arranger, Tin Whistle, Lead Vocals, Writer - Tim Pierce, Guitar, Mandolin - The Corrs, MainArtist - David Reitzas, AdditionalEngineer - Caroline Corr, Arranger, Bodhrán, Vocals, Writer - Jim Corr, Accordion, Arranger, Guitar, Keyboards, Vocals, Writer - Sharon Corr, Arranger, Violin, Vocals, Writer - John Robinson, Drums - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - DAVID FOSTER, Producer, Arranger, Keyboards - Felipe Elgueta, RecordingEngineer - Ryan Freeland, Assistant Mixing Engineer

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

14
Little Wing (LP Version)
The Corrs
00:05:07

Andrea Corr, Tin Whistle, Lead Vocals - Paddy Moloney, Uillean Bagpipes, Tin Whistle - Kevin Conneff, Bodhrán - The Corrs, MainArtist - Seán Keane, Fiddle - Anto Drennan, Guitar - Martin Fay, Fiddle - Tim Martin, RecordingEngineer - Caroline Corr, Bodhrán - Jim Corr, Guitar, Keyboards - Keith Duffy, Bass Guitar - Sharon Corr, Violin - Bob Ludwig, MasteringEngineer - BOB CLEARMOUNTAIN, MixingEngineer - Jimi Hendrix, Writer - Brian Masterson, RecordingEngineer - John Hughes, Producer - Ryan Freeland, Assistant Mixing Engineer - Matt Malloy, Flute - Derek Bell, Harp

© 1998 Atlantic Record Corporation for the United States and WEA International Inc. for the world outside of the United States ℗ 1998 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Descriptif de l'album

Songs on the Corrs' Talk on Corners fly inoffensively past the window like scenery on a drive through the countryside, with two pretty singers at the wheel. This essentially Irish sister act (with Corr group Andrea, Caroline, and Sharon on vocals, drums, and violin, respectively, and brother Jim on guitar and keyboards) legitimately brings to mind comparisons with another family-based girl group, Wilson Phillips, particularly since the impulses and instincts are truly pop and not so much alt-traditional Celtic (as they are often cited to be). This timely record documents a high-riding point for the Corrs by re-releasing newly mixed versions of "What Can I Do?" and "So Young," both highly compressed digital productions featuring their trademark glass voices and barely discernible acoustic musical instruments. Also on the record: "Queen of Hollywood," "Runaway," "No Good for Me," and their huge international hit ballad "I Never Loved You Anyway." The best and most spirited Celtic cut is "Little Wing," deliciously resting on the contributions of the dropping-by Chieftains. Each and every cut sounds wired for radio play; unlike the less Americanized, riskier Cranberries, the Corrs should enjoy a career as nicely sustained as some of the girls' best musical notes.
© Becky Byrkit /TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Jagged Little Pill

Alanis Morissette

Jagged Little Pill Alanis Morissette

Nevermind

Nirvana

Nevermind Nirvana

Back To Black

Amy Winehouse

Back To Black Amy Winehouse

Songs From The Big Chair

Tears For Fears

Songs From The Big Chair Tears For Fears
À découvrir également
Par The Corrs

Troverò un modo

The Corrs

Troverò un modo The Corrs

Jupiter Calling

The Corrs

Jupiter Calling The Corrs

The Corrs Unplugged

The Corrs

Best of The Corrs

The Corrs

Best of The Corrs The Corrs

In Blue

The Corrs

In Blue The Corrs

Playlists

Dans la même thématique...

Acoustic Album No. 8

Katie Melua

Acoustic Album No. 8 Katie Melua

30

Adele

30 Adele

Chemtrails Over The Country Club

Lana Del Rey

=

Ed Sheeran

= Ed Sheeran

Voyage

ABBA

Voyage ABBA
Les Grands Angles...
Hip-hop : 8 producteurs de légende

Peut-on imaginer Guru sans DJ Premier et De La Soul sans Prince Paul ? Derrière chaque rappeur iconique et chaque groupe culte, il y a un producteur visionnaire qui a appris de ses aînés et développé son propre son. Du pionnier Marley Marl, qui posa les bases de la production moderne en exploitant les capacités des premiers samplers, à la comète J Dilla qui, avant sa mort à 32 ans, a réussi à durablement imprimer sa marque, en passant par la révolution sonique ourdie par le Bomb Squad et la domination sans partage sur la West Coast de Dr Dre, tour d’horizon des pontes de studio qui ont régné pendant trente ans sur le monde du hip-hop.

La britpop en 10 albums

« Si le but du punk était de se débarrasser des hippies, le nôtre est d’en finir avec le grunge. » Lorsque Damon Albarn assène cette phrase en 1993, l’Angleterre s’apprête à reprendre sa place sur un échiquier musical envahi par Seattle avec le grunge et Nirvana. Profondément liée à la vie politique et l’identité locale, la pop britannique se révèle au moment où Tony Blair et le New Labour entrent en scène. Le romantisme anglais redevient attractif par rapport à l’identité américaine, jugée trop creuse outre-Manche. Place à la « Cool Britannia ».

Et Nirvana tua le rock

En 1987 naissait Nirvana, l’embardée punk la plus inattendue de la fin du XXe siècle. Carrière éclair, tubes éternels, engouement planétaire et épilogue tragique : et si la bande de Kurt Cobain n’était autre que le dernier grand groupe de l’histoire du rock ? A l’occasion des 30 ans de leur album culte “Nevermind”, retour sur l’histoire d’un phénomène générationnel sans pareil.

Dans l'actualité...