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Weather Report|Sweetnighter

Sweetnighter

Weather Report

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Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord. The once fiery Wayne Shorter has been tamed, for he now contributes mostly sustained ethereal tunes on soprano sax, his tone sometimes doubled for a pleasing octave effect. The wane of freewheeling ensemble interplay is more than offset by the big increase in rhythmic push; bassist Miroslav Vitous, drummer Eric Gravatt, and percussionist Dom Um Romao are now cogs in one of jazz's great swinging machines.

© Richard S. Ginell /TiVo

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Sweetnighter

Weather Report

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1
Boogie Woogie Waltz (Album Version)
00:13:02

J. Zawinul, Composer - J. Zawinul, Lyricist - Dom Um Romao, Percussion - Phil Giambalvo, Engineer - Joe Zawinul, Piano - SHOVIZA, Producer - Muruga ., Percussion - Wayne Shorter, Tenor Saxophone - Wayne Shorter, Soprano Saxophone - Herschel Dwellingham, Drums - Miroslav Vitous, Bass - Andrew White, Bass - Weather Report, Performer -

(P) 1973 Columbia Records, a division of Sony Music Entertainment

2
Manolete (Album Version)
00:05:55

Bob Belden, Re-Issue Producer - Eric Gravatt, Drums - Phil Giambalvo, Engineer - Joe Zawinul, Piano - SHOVIZA, Producer - Muruga ., Percussion - Wayne Shorter, Soprano Saxophone - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Herschel Dwellingham, Drums - Miroslav Vitous, Bass - Weather Report, Performer -

(P) 1973 Columbia Records, a division of Sony Music Entertainment

3
Adios (Album Version)
00:02:58

J. Zawinul, Composer - J. Zawinul, Lyricist - Bob Belden, Re-Issue Producer - Phil Giambalvo, Engineer - SHOVIZA, Producer - Muruga ., Percussion - Wayne Shorter, Tenor Saxophone - Joe Zawinol, Keyboards - Miroslav Vitous, Bass - Andrew White, English Horn - Weather Report, Performer -

(P) 1973 Columbia Records, a division of Sony Music Entertainment

4
125th Street Congress (Album Version)
00:12:12

J. Zawinul, Composer - J. Zawinul, Lyricist - Bob Belden, Re-Issue Producer - Dom Um Romao, Percussion - Eric Gravatt, Drums - Phil Giambalvo, Engineer - Muruga ., Percussion - Joe Zawinul, Piano - SHOVIZA, Producer - Wayne Shorter, Soprano Saxophone - Herschel Dwellingham, Drums - Miroslav Vitous, Bass - Andrew White, Bass - Weather Report, Performer -

(P) 1973 Columbia Records, a division of Sony Music Entertainment

5
Will (Album Version)
00:06:18

Bob Belden, Re-Issue Producer - Dom Um Romao, Percussion - Phil Giambalvo, Engineer - Joe Zawinul, Piano - SHOVIZA, Producer - Wayne Shorter, Tenor Saxophone - Miroslav Vitous, Bass - M. Vitous, Composer - M. Vitous, Lyricist - Andrew White, English Horn - Weather Report, Performer -

(P) 1973 Columbia Records, a division of Sony Music Entertainment

6
Non-Stop Home (Album Version)
00:03:50

Bob Belden, Re-Issue Producer - Dom Um Romao, Percussion - Phil Giambalvo, Engineer - Eric Gravatt, Drums - SHOVIZA, Producer - Wayne Shorter, Composer - Wayne Shorter, Lyricist - Wayne Shorter, Soprano Saxophone - Herschel Dwellingham, Drums - Joe Zawinol, Keyboards - Joe Zawinol, Piano - Andrew White, Bass - Weather Report, Performer -

(P) 1973 Columbia Records, a division of Sony Music Entertainment

Chronique

Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord. The once fiery Wayne Shorter has been tamed, for he now contributes mostly sustained ethereal tunes on soprano sax, his tone sometimes doubled for a pleasing octave effect. The wane of freewheeling ensemble interplay is more than offset by the big increase in rhythmic push; bassist Miroslav Vitous, drummer Eric Gravatt, and percussionist Dom Um Romao are now cogs in one of jazz's great swinging machines.

© Richard S. Ginell /TiVo

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