Catégories :
Panier 0

Votre panier est vide

Bernard Haitink - Strauss: Eine Alpensinfonie (An Alpine Symphony)

Mes favoris

Cet élément a bien été ajouté / retiré de vos favoris.

Strauss: Eine Alpensinfonie (An Alpine Symphony)

Bernard Haitink and London Symphony Orchestra

Livret numérique

Disponible en
logo Hi-Res
24-Bit 96.0 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Choisissez la qualité audio : 

Pour bénéficier de ce tarif, abonnez-vous à Sublime+

Langue disponible : anglais

Because Richard Strauss' Eine Alpensinfonie heavily depends on its atmospheric orchestration for its secure place in the repertoire, it seems a terrific candidate for showing off the capabilities of Bernard Haitink and the London Symphony Orchestra, as well as the benefits of state-of-the-art recording technology. From its misty opening to its towering climaxes and brooding conclusion, this monumental tone poem -- scarcely a symphony in any conventional sense -- offers an enormous range of astonishing effects and the instrumental combinations of an ensemble of over 123 musicians, a challenge the composer regarded as equivalent to scaling an actual summit. The work gestated from 1900 to its completion in 1915, and in its literary associations (it was originally based on Nietzsche's Der Antichrist), it seems as profuse and elaborate as the earlier Nietzschean tone poem Also Sprach Zarathustra, and just as virtuosic. Haitink and the LSO give the piece a resounding performance that is breathtaking in the DSD multichannel recording, and this SACD's sound is wonderfully clear and spacious, two qualities that are essential for understanding Strauss' complicated yet transparent orchestration. While some critics have chastised Strauss for the work's musical content, which some regarded as banal in the extreme, none have legitimately questioned his skill with the orchestra. This is utterly apparent in this brilliant live recording, and Haitink and the LSO have added another lustrous recording to their illustrious series of SACDs.
© TiVo

Plus d'informations

Strauss: Eine Alpensinfonie (An Alpine Symphony)

Bernard Haitink

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Copier le lien pour partager la page

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 50 millions de titres avec votre abonnement illimité.

Écoutez cet album et plus de 50 millions de titres avec votre abonnement illimité.

1
Eine Alpensinfonie: I. Nacht - Sonnenaufgang
00:05:03

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

2
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald
00:07:46

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

3
Eine Alpensinfonie: III. Wanderung neben dem Bache - Am Wasserfall - Erscheinung - Auf blumigen Wiesen
00:02:38

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

4
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen
00:03:42

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

5
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke
00:02:42

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

6
Eine Alpensinfonie: VI. Auf dem Gipfel
00:04:51

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

7
Eine Alpensinfonie: VII. Vision - Nebel steigen auf - Die Sonne verdüstert sich allmählich - Elegie
00:06:15

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

8
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang
00:09:06

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

9
Eine Alpensinfonie: IX. Ausklang
00:05:50

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

10
Eine Alpensinfonie: X. Nacht
00:02:22

Bernard Haitink, Conductor, MainArtist - Richard Strauss, Composer - London Symphony Orchestra, Orchestra, MainArtist - Associated Music Publishers, MusicPublisher

London Symphony Orchestra Ltd London Symphony Orchestra Ltd

Descriptif de l'album

Because Richard Strauss' Eine Alpensinfonie heavily depends on its atmospheric orchestration for its secure place in the repertoire, it seems a terrific candidate for showing off the capabilities of Bernard Haitink and the London Symphony Orchestra, as well as the benefits of state-of-the-art recording technology. From its misty opening to its towering climaxes and brooding conclusion, this monumental tone poem -- scarcely a symphony in any conventional sense -- offers an enormous range of astonishing effects and the instrumental combinations of an ensemble of over 123 musicians, a challenge the composer regarded as equivalent to scaling an actual summit. The work gestated from 1900 to its completion in 1915, and in its literary associations (it was originally based on Nietzsche's Der Antichrist), it seems as profuse and elaborate as the earlier Nietzschean tone poem Also Sprach Zarathustra, and just as virtuosic. Haitink and the LSO give the piece a resounding performance that is breathtaking in the DSD multichannel recording, and this SACD's sound is wonderfully clear and spacious, two qualities that are essential for understanding Strauss' complicated yet transparent orchestration. While some critics have chastised Strauss for the work's musical content, which some regarded as banal in the extreme, none have legitimately questioned his skill with the orchestra. This is utterly apparent in this brilliant live recording, and Haitink and the LSO have added another lustrous recording to their illustrious series of SACDs.
© TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...
À découvrir également
Par Bernard Haitink

Playlists

Dans la même thématique...
Les Grands Angles...
Nils Frahm, le piano debout

Salué par les critiques de la musique classique comme par les amateurs d’expériences électroniques, le talent de Nils Frahm a mis tout le monde d’accord ces dix dernières années. Qu’il utilise un orgue d’église ou un synthétiseur flanqué de pédales d’effet, le pianiste allemand regarde toujours vers l’avant et c’est pour ça qu’il semble si séduisant.

Sofia Coppola on air

A l'occasion des 20 ans de la sortie de son film “Virgin Suicides”, Qobuz passe en revue quelques grands moments musicaux de la filmographie de Sofia Coppola, à travers ses collaborations avec le duo français Air ou Thomas Mars du groupe Phoenix.

Fabio Biondi & Europa Galante, 30 ans de liberté

Le violoniste et chef italien Fabio Biondi, célèbre notamment pour son interprétation des “Quatre Saisons” de Vivaldi avec son orchestre Europa Galante, est de ceux qui rejettent toute forme de cloisonnement dans la musique. Retour sur le parcours d’un musicien doté d’une grande souplesse d’esprit et figure incontournable du violon baroque.

Dans l'actualité...