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Fritz Reiner|Strauss: Don Quixote, Don Juan

Strauss: Don Quixote, Don Juan

Fritz Reiner

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Even if you've already heard enough excellent recordings of Don Quixote or Don Juan, this RCA Living Stereo coupling with Fritz Reiner leading the Chicago Symphony Orchestra is highly recommended. Setting aside the Chicago's superlative musicianship and RCA's staggering sound, the sheer authority of Reiner's technically impeccable conducting all by itself would be enough to make the difference. Reiner truly believes in Strauss' music, and his almost shockingly confident direction is palpable. And while other cello soloists with more star power have taken on the role of Quixote, none have played it with more conviction. Interestingly, Reiner used different orchestral set-ups for each piece. In the 1954 Don Juan, Reiner divided the violins with the firsts on the left and the seconds on the right. In the 1959 Don Quixote, he adopted the modern manner of placing all the violins on the left. It is merely one sign of the excellence of RCA's Living Stereo sound that this change is immediately apparent.

© TiVo

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Strauss: Don Quixote, Don Juan

Fritz Reiner

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Don Quixote, Op. 35 (Richard Strauss)

1
Introduction
00:06:05

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

2
Theme - Don Quixote, the Knight of the Sorrowful Countenance
00:01:06

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

3
Sancho Panza
00:01:15

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

4
The Adventure of the Windmills - Variation I
00:02:43

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

5
The Battle with the Sheep - Variation II
00:01:49

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

6
Dialogue of the Knight and Squire - Variation III
00:08:52

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

7
The Adventure with the Procession of Penitents - Variation IV
00:01:52

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

8
The Knight's Vigil - Variation V
00:04:22

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

9
The False Dulcinea - Variation VI
00:01:18

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

10
The Ride Through the Air - Variation VII
00:01:02

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

11
The Adventure of the Enchanted Boat - Variation VIII
00:01:37

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

12
The Combat with the Two Magicians - Variation IX
00:01:07

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

13
The Defeat of Don Quixote by the Knight of the White Moon - Variation X
00:04:02

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

14
The Death of Don Quixote - Finale
00:05:54

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1959. All rights reserved by BMG Music

15
Don Juan, Op. 20 (Redbook Stereo)
00:16:30

Fritz Reiner, Conductor, Main Artist - Richard Strauss, Composer - Chicago Symphony Orchestra (CSO), Associated Performer - Richard Mohr, Producer - Lewis Layton, Recording Engineer

Originally Recorded 1954. All rights reserved by BMG Music

Chronique

Even if you've already heard enough excellent recordings of Don Quixote or Don Juan, this RCA Living Stereo coupling with Fritz Reiner leading the Chicago Symphony Orchestra is highly recommended. Setting aside the Chicago's superlative musicianship and RCA's staggering sound, the sheer authority of Reiner's technically impeccable conducting all by itself would be enough to make the difference. Reiner truly believes in Strauss' music, and his almost shockingly confident direction is palpable. And while other cello soloists with more star power have taken on the role of Quixote, none have played it with more conviction. Interestingly, Reiner used different orchestral set-ups for each piece. In the 1954 Don Juan, Reiner divided the violins with the firsts on the left and the seconds on the right. In the 1959 Don Quixote, he adopted the modern manner of placing all the violins on the left. It is merely one sign of the excellence of RCA's Living Stereo sound that this change is immediately apparent.

© TiVo

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