Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Bobby Hutcherson|Stick Up!

Stick Up!

Bobby Hutcherson

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

One of Bobby Hutcherson's best albums, Stick-Up! was also his first official release not to feature drummer Joe Chambers, who was a major part of Hutcherson's outside leanings. Instead, Stick-Up! stakes out the middle ground between hard bop and the avant-garde, offering a set of structured yet advanced modal pieces indebted particularly to Coltrane. Hutcherson's originals (five out of six selections) show him at the top of his game as a composer, and the ensemble's playing is tight and focused throughout, but what really lifts Stick-Up! to the top tier of Hutcherson's discography is its crackling energy. It's quite possibly the hardest-swinging album he ever cut, and part of the credit has to go to the stellar rhythm section of McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums, who lay down a driving, pulsating foundation that really pushes Hutcherson and tenorist Joe Henderson. Tyner in particular is a standout, charging relentlessly forward on the intricate "8/4 Beat" and "Black Circle" and lending a Coltrane-ish flavor to the spiritually searching "Verse." The lone non-Hutcherson piece, Ornette Coleman's sometimes overlooked "Una Muy Bonita," is given a fantastic, rollicking treatment as catchy as it is progressive, proving that the piece is a classic regardless of whether it's interpreted freely or with a steady groove and tonal center. Hutcherson's originals are uniformly strong and memorable enough to sit very well next to it, and that -- coupled with the energetic performances -- ranks Stick-Up! with Dialogue and Components as the finest work of Hutcherson's tenure at Blue Note.
© Steve Huey /TiVo

Plus d'informations

Stick Up!

Bobby Hutcherson

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 80 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 80 millions de titres avec votre abonnement illimité.

À partir de 12,50€/mois

1
Una Muy Bonita
00:06:27

Michael Cuscuna, Producer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Bobby Hutcherson, Vibraphone, MainArtist, AssociatedPerformer - Ornette Coleman, Composer - McCoy Tyner, Piano, AssociatedPerformer - Joe Henderson, Tenor Saxophone, AssociatedPerformer - Herbie Lewis, Bass Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1997 Capitol Records, Inc. ℗ 1966 Blue Note Records

2
8/4 Beat
00:06:59

Michael Cuscuna, Producer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Bobby Hutcherson, Composer, Vibraphone, MainArtist, AssociatedPerformer - McCoy Tyner, Piano, AssociatedPerformer - Joe Henderson, Tenor Saxophone, AssociatedPerformer - Herbie Lewis, Bass Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1997 Capitol Records, Inc. ℗ 1966 Blue Note Records

3
Summer Nights
00:06:59

Michael Cuscuna, Producer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Bobby Hutcherson, Composer, Vibraphone, MainArtist, AssociatedPerformer - McCoy Tyner, Piano, AssociatedPerformer - Herbie Lewis, Bass Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1997 Capitol Records, Inc. ℗ 1966 Blue Note Records

4
Black Circle
00:06:57

Michael Cuscuna, Producer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Bobby Hutcherson, Composer, Vibraphone, MainArtist, AssociatedPerformer - McCoy Tyner, Piano, AssociatedPerformer - Joe Henderson, Tenor Saxophone, AssociatedPerformer - Herbie Lewis, Bass Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1997 Capitol Records, Inc. ℗ 1966 Blue Note Records

5
Verse
00:09:32

Michael Cuscuna, Producer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Bobby Hutcherson, Composer, Vibraphone, MainArtist, AssociatedPerformer - McCoy Tyner, Piano, AssociatedPerformer - Joe Henderson, Tenor Saxophone, AssociatedPerformer - Herbie Lewis, Bass Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1997 Capitol Records, Inc. ℗ 1966 Blue Note Records

6
Blues Mind Matter
00:03:32

Michael Cuscuna, Producer - Billy Higgins, Drums, AssociatedPerformer - Rudy Van Gelder, Recording Engineer, StudioPersonnel - Alfred Lion, Producer - Bobby Hutcherson, Composer, Vibraphone, MainArtist, AssociatedPerformer - McCoy Tyner, Piano, AssociatedPerformer - Joe Henderson, Tenor Saxophone, AssociatedPerformer - Herbie Lewis, Bass Guitar, AssociatedPerformer

Blue Note (R) is a registered trademark of Capitol Records, Inc. (C) 1997 Capitol Records, Inc. ℗ 1966 Blue Note Records

Descriptif de l'album

One of Bobby Hutcherson's best albums, Stick-Up! was also his first official release not to feature drummer Joe Chambers, who was a major part of Hutcherson's outside leanings. Instead, Stick-Up! stakes out the middle ground between hard bop and the avant-garde, offering a set of structured yet advanced modal pieces indebted particularly to Coltrane. Hutcherson's originals (five out of six selections) show him at the top of his game as a composer, and the ensemble's playing is tight and focused throughout, but what really lifts Stick-Up! to the top tier of Hutcherson's discography is its crackling energy. It's quite possibly the hardest-swinging album he ever cut, and part of the credit has to go to the stellar rhythm section of McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums, who lay down a driving, pulsating foundation that really pushes Hutcherson and tenorist Joe Henderson. Tyner in particular is a standout, charging relentlessly forward on the intricate "8/4 Beat" and "Black Circle" and lending a Coltrane-ish flavor to the spiritually searching "Verse." The lone non-Hutcherson piece, Ornette Coleman's sometimes overlooked "Una Muy Bonita," is given a fantastic, rollicking treatment as catchy as it is progressive, proving that the piece is a classic regardless of whether it's interpreted freely or with a steady groove and tonal center. Hutcherson's originals are uniformly strong and memorable enough to sit very well next to it, and that -- coupled with the energetic performances -- ranks Stick-Up! with Dialogue and Components as the finest work of Hutcherson's tenure at Blue Note.
© Steve Huey /TiVo

À propos

Améliorer cette page album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

The Black Saint And The Sinner Lady

Charles Mingus

A Love Supreme

John Coltrane

A Love Supreme John Coltrane

Ascenseur pour l'échafaud

Miles Davis

Songs From The Big Chair

Tears For Fears

Songs From The Big Chair Tears For Fears
À découvrir également
Par Bobby Hutcherson

Royce Hall, UCLA

Bobby Hutcherson

Royce Hall, UCLA Bobby Hutcherson

Enjoy The View

Bobby Hutcherson

Enjoy The View Bobby Hutcherson

Montara

Bobby Hutcherson

Montara Bobby Hutcherson

Components

Bobby Hutcherson

Components Bobby Hutcherson

Oblique

Bobby Hutcherson

Oblique Bobby Hutcherson

Playlists

Dans la même thématique...

Not Tight

DOMi & JD BECK

Not Tight DOMi & JD BECK

Black Acid Soul

Lady Blackbird

Black Acid Soul Lady Blackbird

Entre eux deux

Melody Gardot

Entre eux deux Melody Gardot

Still Rising - The Collection

Gregory Porter

Welcome to the Black Forest (The Sounds of MPS)

Various Interprets

Les Grands Angles...
Il était une fois Blue Note en 10 albums

Le plus célèbre des labels de jazz avait tout bon ! Artistes cinq étoiles, répertoires originaux, directeurs artistiques associés ingénieux, prise de son d’exception, sublime esthétique des pochettes, éclectisme des genres (be-bop, hard bop, soul jazz, jazz modal, free), rien ne manquait à l’appel des enregistrements de l’écurie lancée en 1939 par Francis Wolff et Alfred Lion, deux Allemands ayant fui le régime nazi. Dans cet ample catalogue, Qobuz a choisi 10 albums clés. Certains sont des classiques célébrés. D’autres, des merveilles sous-estimées. Mais tous sont des incontournables ayant façonné l’esthétique Blue Note.

Bossa-nova, la vague éternelle

Depuis sa création à la fin des années 1950, la bossa-nova est devenue un ingrédient indispensable à la riche palette musicale brésilienne. Cette musique au fort pouvoir évocateur a conquis des artistes du monde entier et révélé des musiciens de premier ordre dont les compositions sont devenues des classiques.

Rudy Van Gelder, LE son du jazz

Considéré comme le plus grand ingénieur du son de l’histoire du jazz, Rudy Van Gelder fut une sorte d'artisan qui travailla avec les plus grands musiciens de l'après-guerre pour Blue Note, Impulse!, Prestige, CTI et Savoy.

Dans l'actualité...