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David Greilsammer|Sounds of Transformation

Sounds of Transformation

David Greilsammer

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Attempts to fuse classical music and jazz go back as far as the years even before jazz had a name, to New York's "Ragging the Classics" contests around the last turn of the century. But Swiss pianist and conductor David Greilsammer has new ideas with his collection Sounds of Transformation, which features the Geneva Camerata and the jazz piano-and-drums team of Yaron Herman and Ziv Ravitz. Greilsammer begins, as have others, with Baroque pieces, by Lully, Purcell, Marais, and Rameau. These are already different from the Bach works usually employed for such projects: they offer the performers pictorial images to work with, and an emphasis on percussion besides. Greilsammer's innovation is to treat each work differently. Purcell in Transformation is a fairly straightforward jazz improvisation on the Prelude to The Fairy Queen, but it's the only piece that works that way. Elsewhere Greilsammer applies the greater freedom of modern jazz styles, or the elaboration of big-band arrangements, or he creates an original work inspired by Marais, or he leads off with the jazz version (sample Rameau's Secret Cavern, a kind of experimental soundscape) and then joins the classical piece to it. He performs straight one of the jazziest works of the classical repertory, Ravel's Piano Concerto in G major, and he applies jazz not just to Baroque music but to Charles Ives' The Unanswered Question. This effort stands apart from the rest of the album not only in the source material but also in the fact that the two pieces related to the Ives are separated on the album, while all the other pairs are adjacent. This comes out of left field, but musically the sequence of events is satisfying. At the very least, Greilsammer has new ideas about how jazz and classical music might be combined, and this is certainly of interest to anyone fascinated by the question.

© James Manheim /TiVo

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Sounds of Transformation

David Greilsammer

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1
Le mariage forcé, LWV 20: Bourrée
00:01:03

Jean-Baptiste LULLY, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

2
Lully's Diabolic Swing
00:02:58

Philipp Nedel, Engineer - Yaron Herman, Piano - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Massimo Pinca, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

3
The Fairy Queen, Z. 629: Prelude
00:00:38

Henry Purcell, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

4
Purcell in Transformation
00:05:04

Philipp Nedel, Engineer - Yaron Herman, Piano - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Massimo Pinca, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

5
The Unanswered Question, ICI 16
00:07:02

Charles Ives, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

6
Les Boréades, RCT 31: Contredanse en Rondeau
00:03:19

Jean-Philippe Rameau, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

7
Rameau and the Flying Big Band
00:03:16

Philipp Nedel, Engineer - Yaron Herman, Piano - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Jonathan Keren, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

8
Marais' Night Ballad
00:03:56

Philipp Nedel, Engineer - Yaron Herman, Piano - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Jonathan Keren, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

Piano Concerto in G Major, M. 83 (Maurice Ravel)

9
I. Allegramente
00:08:53

Maurice Ravel, Composer - David Greilsammer, Conductor, Piano, MainArtist - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

10
II. Adagio assai
00:08:16

Maurice Ravel, Composer - David Greilsammer, Conductor, Piano, MainArtist - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

11
III. Presto
00:04:03

Maurice Ravel, Composer - David Greilsammer, Conductor, Piano, MainArtist - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

12
Pièces de violes, Livre IV: No. 87, Le Badinage, IMM 22
00:04:34

Marin Marais, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

13
Rameau's Secret Cavern
00:01:48

Philipp Nedel, Engineer - Ziv Ravitz, Drums - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Massimo Pinca, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

14
Platée, RCT 53: L'orage
00:02:22

Jean-Philippe Rameau, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

15
Ives Asks the Moon
00:08:05

Philipp Nedel, Engineer - Yaron Herman, Piano - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Jonathan Keren, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

16
Purcell Danced with the Planets
00:03:15

Philipp Nedel, Engineer - Yaron Herman, Piano - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Massimo Pinca, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

17
The Fairy Queen, Z. 629: Hornpipe
00:00:50

Henry Purcell, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

18
Lully's Last Dream
00:04:04

Philipp Nedel, Engineer - Yaron Herman, Piano - Andreas Wolf, Editor - David Greilsammer, Conductor, Piano, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Jonathan Keren, Composer - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

19
Le bourgeois gentilhomme, LWV 43: Marche pour la ceremonie des Turcs
00:02:29

Jean-Baptiste LULLY, Composer - Philipp Nedel, Engineer - Andreas Wolf, Editor - David Greilsammer, Conductor, MainArtist - Martin Kistner, Recording Engineer - Hajo Seiler, Editor - Geneva Camerata, AssociatedPerformer

(P) 2018 Sony Music Entertainment Germany GmbH

Chronique

Attempts to fuse classical music and jazz go back as far as the years even before jazz had a name, to New York's "Ragging the Classics" contests around the last turn of the century. But Swiss pianist and conductor David Greilsammer has new ideas with his collection Sounds of Transformation, which features the Geneva Camerata and the jazz piano-and-drums team of Yaron Herman and Ziv Ravitz. Greilsammer begins, as have others, with Baroque pieces, by Lully, Purcell, Marais, and Rameau. These are already different from the Bach works usually employed for such projects: they offer the performers pictorial images to work with, and an emphasis on percussion besides. Greilsammer's innovation is to treat each work differently. Purcell in Transformation is a fairly straightforward jazz improvisation on the Prelude to The Fairy Queen, but it's the only piece that works that way. Elsewhere Greilsammer applies the greater freedom of modern jazz styles, or the elaboration of big-band arrangements, or he creates an original work inspired by Marais, or he leads off with the jazz version (sample Rameau's Secret Cavern, a kind of experimental soundscape) and then joins the classical piece to it. He performs straight one of the jazziest works of the classical repertory, Ravel's Piano Concerto in G major, and he applies jazz not just to Baroque music but to Charles Ives' The Unanswered Question. This effort stands apart from the rest of the album not only in the source material but also in the fact that the two pieces related to the Ives are separated on the album, while all the other pairs are adjacent. This comes out of left field, but musically the sequence of events is satisfying. At the very least, Greilsammer has new ideas about how jazz and classical music might be combined, and this is certainly of interest to anyone fascinated by the question.

© James Manheim /TiVo

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