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Todd Rundgren - Something / Anything?

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Something / Anything?

Todd Rundgren

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Langue disponible : anglais

After two albums, Todd Rundgren had one hit and a burgeoning cult following, plus growing respect as a hitmaking record producer. There's no question he was busy, but as it turns out, all this work only scratched the surface of his ambition. He had decided to abandon the Runt pretense and recorded a full double album by himself (save for one side). Others had recorded one-man albums before, most notably Stevie Wonder and Paul McCartney, but Rundgren -- without borrowing musically from either artist -- captured the homemade ambience of McCartney with the visionary feel of Music of My Mind, adding an encyclopedic knowledge of pop music from Gilbert & Sullivan through Jimi Hendrix, plus the crazed zeal of a pioneer. Listening to Something/Anything? is a mind-altering trip in itself, no matter how many instantly memorable, shamelessly accessible pop songs are scattered throughout the album. Each side of the double album is a concept onto itself. The first side is "a bouquet of ear-catching melodies"; side two is "the cerebral side"; on side three "the kid gets heavy"; side four is his mock pop operetta, recorded with a full band including the Sales brothers. It gallops through everything -- Carole King tributes ("I Saw the Light"), classic ballads ("Hello It's Me," "It Wouldn't Have Made Any Difference"), Motown ("Wolfman Jack"), blinding power pop ("Couldn't I Just Tell You"), psychedelic hard rock ("Black Maria"), pure weirdness ("I Went to the Mirror"), blue-eyed soul ("Dust in the Wind"), and scores of brilliant songs that don't fall into any particular style ("Cold Morning Light," "It Takes Two to Tango"). It's an amazing journey that's remarkably unpretentious. He may have contributed self-penned liner notes, but Rundgren peppers his writing with self-aware, self-deprecating asides, and he also indulges his bizarre sense of humor with gross-outs ("Piss Aaron") and sheer quirkiness, such as an aural tour of the studio at the beginning of side two. Something/Anything? has a ton of loose ends throughout: plenty of studio tricks, slight songs (but no filler), snippets of dialogue, and purposely botched beginnings, but all these throwaways simply add context -- they're what makes the album into a kaleidoscopic odyssey through the mind of an insanely gifted pop music obsessive. Rundgren occasionally touched on the sheer brilliance of Something/Anything? in his later work, but this extraordinary double album is the one time where his classicist songcraft and messy genius converged to create an utterly unique, glorious record.
© Stephen Thomas Erlewine /TiVo

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Something / Anything?

Todd Rundgren

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1
I Saw the Light
00:03:00

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

2
It Wouldn't Have Made Any Difference
00:03:50

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

3
Wolfman Jack
00:02:56

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

4
Cold Morning Light
00:03:34

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

5
It Takes Two to Tango (This Is for the Girls)
00:02:41

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

6
Sweeter Memories
00:03:35

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

7
Intro
00:01:11

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

8
Breathless Instrumental
00:03:15

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

9
The Night the Carousel Burned Down
00:04:29

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

10
Saving Grace
00:04:12

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

11
Marlene
00:03:54

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

12
Song of the Viking
00:02:35

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

13
I Went to the Mirror
00:04:06

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

14
Black Maria
00:05:19

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

15
One More Day (No Word)
00:03:42

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

16
Couldn't I Just Tell You
00:03:33

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

17
Torch Song
00:02:53

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

18
Little Red Lights
00:04:52

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

19
Overture - My Roots: Money (That's What I Want) / Messin' with the Kid
00:02:28

Melvin London, Writer - Janie Bradford, Writer - Todd Rundgren, MainArtist - Berry Gordy, Writer

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

20
Dust in the Wind
00:03:49

Mark Klingman, Writer - Todd Rundgren, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

21
Piss Aaron
00:03:26

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

22
Hello It's Me
00:04:37

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

23
Some Folks Is Even Whiter Than Me
00:04:00

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

24
You Left Me Sore
00:03:13

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

25
Slut
00:04:03

Todd Rundgren, Writer, MainArtist

1972 Bearsville Records 1972 Bearsville Records Inc. Manufactured and Marketed by Rhino Records Inc.

Descriptif de l'album

After two albums, Todd Rundgren had one hit and a burgeoning cult following, plus growing respect as a hitmaking record producer. There's no question he was busy, but as it turns out, all this work only scratched the surface of his ambition. He had decided to abandon the Runt pretense and recorded a full double album by himself (save for one side). Others had recorded one-man albums before, most notably Stevie Wonder and Paul McCartney, but Rundgren -- without borrowing musically from either artist -- captured the homemade ambience of McCartney with the visionary feel of Music of My Mind, adding an encyclopedic knowledge of pop music from Gilbert & Sullivan through Jimi Hendrix, plus the crazed zeal of a pioneer. Listening to Something/Anything? is a mind-altering trip in itself, no matter how many instantly memorable, shamelessly accessible pop songs are scattered throughout the album. Each side of the double album is a concept onto itself. The first side is "a bouquet of ear-catching melodies"; side two is "the cerebral side"; on side three "the kid gets heavy"; side four is his mock pop operetta, recorded with a full band including the Sales brothers. It gallops through everything -- Carole King tributes ("I Saw the Light"), classic ballads ("Hello It's Me," "It Wouldn't Have Made Any Difference"), Motown ("Wolfman Jack"), blinding power pop ("Couldn't I Just Tell You"), psychedelic hard rock ("Black Maria"), pure weirdness ("I Went to the Mirror"), blue-eyed soul ("Dust in the Wind"), and scores of brilliant songs that don't fall into any particular style ("Cold Morning Light," "It Takes Two to Tango"). It's an amazing journey that's remarkably unpretentious. He may have contributed self-penned liner notes, but Rundgren peppers his writing with self-aware, self-deprecating asides, and he also indulges his bizarre sense of humor with gross-outs ("Piss Aaron") and sheer quirkiness, such as an aural tour of the studio at the beginning of side two. Something/Anything? has a ton of loose ends throughout: plenty of studio tricks, slight songs (but no filler), snippets of dialogue, and purposely botched beginnings, but all these throwaways simply add context -- they're what makes the album into a kaleidoscopic odyssey through the mind of an insanely gifted pop music obsessive. Rundgren occasionally touched on the sheer brilliance of Something/Anything? in his later work, but this extraordinary double album is the one time where his classicist songcraft and messy genius converged to create an utterly unique, glorious record.
© Stephen Thomas Erlewine /TiVo

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