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Fabrizio Chiovetta|Schumann: Fantasie, Arabeske, Kinderszenen

Schumann: Fantasie, Arabeske, Kinderszenen

Fabrizio Chiovetta

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Langue disponible : anglais

There isn't a daring new approach to Schumann proposed by this set of familiar works, but that may be the appeal that put the album on classical best-seller charts in early 2023. The Fantasie in C major, Op. 17, was worked by Schumann as it developed into a tribute to Beethoven, and the references to Beethoven's late style, which Schumann, among just a few others, understood at the time, are multiple. However, it was also a chronicle of the composer's at-the-time forbidden love affair with his girlfriend, Clara Wieck, itself illustrated with a little quote from Beethoven's song cycle An die ferne Geliebte, Op. 98. Schumann marked the first movement "durchaus fantastisch und leidenschaftlich vorzutragen" ("to be played fantastically and passionately throughout"), but it is also a densely polyphonic and intricately structured work, of which Liszt said, "I mean... to work at it and penetrate it through and through." Pianist Fabrizio Chiovetta, without obvious effort, holds these elements in balance. He is equally effective in the more Olympian Arabeske, Op. 18, and in the Kinderszenen, Op. 15, where each little scene of childhood is beautifully realized without extreme tempo variations that distort the nature of the work. The program, as a whole, places the listener amidst the ferment of Schumann's creativity in the mid-1830s, and Aparte's sound from the Salle Gustav Mahler in Dobbiaco, Italy, is another strong draw. A fine outing from Chiovetta.

© James Manheim /TiVo

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Schumann: Fantasie, Arabeske, Kinderszenen

Fabrizio Chiovetta

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Fantasie, Op. 17 (Robert Schumann)

1
I. Durchaus phantastisch und leidenschaftlich vorzutragen – Im Legendenton – Erstes Tempo – Adagio – Im Tempo
00:12:26

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

2
II. Mässig. Durchaus energisch – Etwas bewegter – Viel bewegter
00:07:34

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

3
III. Langsam getragen. Durchweg leise zu halten – Etwas bewegter – Nach und nach bewegter und Schneller – Adagio
00:11:37

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

4
Arabeske, Op. 18
00:06:17

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

Kinderszenen, Op. 15 (Robert Schumann)

5
No. 1, Von fremden Ländern und Menschen
00:01:41

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

6
No. 2, Kuriose Geschichte
00:01:07

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

7
No. 3, Hasche-Mann
00:00:30

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

8
No. 4, Bittendes Kind
00:00:58

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

9
No. 5, Glückes genug
00:01:08

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

10
No. 6, Wichtige Begebenheit
00:00:48

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

11
No. 7, Träumerei
00:02:33

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

12
No. 8, Am Kamin
00:00:51

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

13
No. 9, Ritter vom Steckenpferd
00:00:39

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

14
No. 10, Fast zu ernst
00:01:51

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

15
No. 11, Fürchtenmachen
00:01:29

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

16
No. 12, Kind im Einschlummern
00:02:20

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

17
No. 13, Der Dichter spricht
00:02:19

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

18
Album für die Jugend, Op. 68: No. 30, Sehr langsam
00:03:33

Robert Schumann, Composer - Fabrizio Chiovetta, Piano, MainArtist

2023 Aparté/Little Tribeca 2023 Aparté/Little Tribeca

Chronique

There isn't a daring new approach to Schumann proposed by this set of familiar works, but that may be the appeal that put the album on classical best-seller charts in early 2023. The Fantasie in C major, Op. 17, was worked by Schumann as it developed into a tribute to Beethoven, and the references to Beethoven's late style, which Schumann, among just a few others, understood at the time, are multiple. However, it was also a chronicle of the composer's at-the-time forbidden love affair with his girlfriend, Clara Wieck, itself illustrated with a little quote from Beethoven's song cycle An die ferne Geliebte, Op. 98. Schumann marked the first movement "durchaus fantastisch und leidenschaftlich vorzutragen" ("to be played fantastically and passionately throughout"), but it is also a densely polyphonic and intricately structured work, of which Liszt said, "I mean... to work at it and penetrate it through and through." Pianist Fabrizio Chiovetta, without obvious effort, holds these elements in balance. He is equally effective in the more Olympian Arabeske, Op. 18, and in the Kinderszenen, Op. 15, where each little scene of childhood is beautifully realized without extreme tempo variations that distort the nature of the work. The program, as a whole, places the listener amidst the ferment of Schumann's creativity in the mid-1830s, and Aparte's sound from the Salle Gustav Mahler in Dobbiaco, Italy, is another strong draw. A fine outing from Chiovetta.

© James Manheim /TiVo

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