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Ian Bostridge|Schubert: Schwanengesang

Schubert: Schwanengesang

Ian Bostridge, Lars Vogt

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Langue disponible : anglais

This 2022 release of Schubert's Schwanengesang, D. 957 ("Swan Song"), which pianist Lars Vogt did not live to see, is one of the pianist's swan songs, and it makes a fitting memorial. This may be one of the factors that propelled the album onto classical best-seller lists in the autumn of 2022, but the album has intrinsic merits on which it can rest. Vogt delivers an exceptional performance as an accompanist in these pieces, which do not form a true song cycle (they were compiled by a published after Schubert's untimely death), but which point to directions Schubert would have explored had he lived and in some cases look deep into the future. To an unusual degree, they emancipate the accompaniment from the melody line, and Vogt's way of setting a whole scene with the introductions is uncanny. Sample the murky opening of Der Doppelgänger for an idea, or the famed Ständchen, which has a unique flavor here. As for the star of the show, tenor Ian Bostridge, those more comfortable with a baritone in these songs may be pleased to note a new richness in his lower register as he approaches his sixth decade, compared with the last time he recorded these songs in 2009. Otherwise, this is trademark Bostridge, with flexible lines tending toward an operatic approach, clear diction, and controlled emotion. One could argue that Vogt made an ideal foil for his style. Another draw is the presence of Einsamkeit, D. 620, a set of connected songs that shows Schubert responding directly to Beethoven's An die ferne Geliebte, Op. 98. The real star here though, perhaps, is Vogt, and it is good to have this release to remember him.
© James Manheim /TiVo

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Schubert: Schwanengesang

Ian Bostridge

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Schwanengesang, D 957 (Franz Schubert)

1
No. 1, Liebesbotschaft
00:02:49

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

2
No. 2, Kriegers Ahnung
00:05:01

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

3
No. 3, Frühlings-sehnsucht
00:03:20

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

4
No. 4, Ständchen
00:03:34

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

5
No. 5, Aufenthalt
00:02:38

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

6
No. 6, In der Ferne
00:06:07

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

7
No. 7, Abschied
00:04:22

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

8
No. 8, Der Atlas
00:02:10

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

9
No. 9, Ihr Bild
00:02:59

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

10
No. 10, Das Fischermädchen
00:02:01

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

11
No. 11, Die Stadt
00:03:10

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

12
No. 12, Am Meer
00:04:33

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

13
No. 13, Der Doppelgänger
00:04:25

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

14
No. 14, Die Taubenpost
00:03:55

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

Einsamkeit, D 620 (Franz Schubert)

15
I. Gib mir die Fülle der Einsamkeit!
00:03:50

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

16
Ii. Gib mir die Fülle der Tätigkeit
00:02:22

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

17
Iii. Gib mir das Glück der Geselligkeit
00:03:11

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

18
Iv. Gib mir die Fülle der Seligkeit
00:02:44

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

19
V. Gib mir die Fülle der Düsterkeit
00:02:49

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

20
Vi. Gib mir die Weihe der Einsamkeit
00:03:14

Ian Bostridge, Artist, MainArtist - Franz Schubert, Composer - Lars Vogt, Artist, MainArtist

(C) 2022 PENTATONE (P) 2022 PENTATONE

Descriptif de l'album

This 2022 release of Schubert's Schwanengesang, D. 957 ("Swan Song"), which pianist Lars Vogt did not live to see, is one of the pianist's swan songs, and it makes a fitting memorial. This may be one of the factors that propelled the album onto classical best-seller lists in the autumn of 2022, but the album has intrinsic merits on which it can rest. Vogt delivers an exceptional performance as an accompanist in these pieces, which do not form a true song cycle (they were compiled by a published after Schubert's untimely death), but which point to directions Schubert would have explored had he lived and in some cases look deep into the future. To an unusual degree, they emancipate the accompaniment from the melody line, and Vogt's way of setting a whole scene with the introductions is uncanny. Sample the murky opening of Der Doppelgänger for an idea, or the famed Ständchen, which has a unique flavor here. As for the star of the show, tenor Ian Bostridge, those more comfortable with a baritone in these songs may be pleased to note a new richness in his lower register as he approaches his sixth decade, compared with the last time he recorded these songs in 2009. Otherwise, this is trademark Bostridge, with flexible lines tending toward an operatic approach, clear diction, and controlled emotion. One could argue that Vogt made an ideal foil for his style. Another draw is the presence of Einsamkeit, D. 620, a set of connected songs that shows Schubert responding directly to Beethoven's An die ferne Geliebte, Op. 98. The real star here though, perhaps, is Vogt, and it is good to have this release to remember him.
© James Manheim /TiVo

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