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Elisabeth Schwarzkopf|Schubert : Lieder

Schubert : Lieder

Elisabeth Schwarzkopf - Edwin Fischer

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Langue disponible : anglais

This compilation of 12 Lieder and Six Moments Musicaux performed by soprano Elisabeth Schwarzkopf and pianist Edwin Fischer is old-fashioned in every sense of the word. Recorded in 1950 and 1952, the sound is old-fashioned: clear but distant, heard across all the intervening decades as if through a dark glass. But, more significantly, the performances are old-fashioned. The slight but sweet quiver in Schwarzkopf's voice was typical of its time but unlike anything any contemporary soprano would attempt. In the An die Musik, she flirts with preciousness. In Im Frühling, she comes close to coyness. In Ganymed, she touches on parody. In Gretchen am Spinnrade, she almost but not quite distorts the music with her breathless delivery. And in every performance, Schwarzkopf seems fond of Schubert but not unreservedly fond, as if Schubert's songs needed special pleading to make them succeed, a truly old-fashioned approach compared to the unreservedly affectionate performances of contemporary singers. Similarly, Edwin Fischer's playing is equally old-fashioned, albeit in an entirely different way. Fischer obviously loves Schubert's music and his playing is warm-hearted and true. Unfortunately, Fischer's playing is technically old-fashioned. He drops notes, slurs lines, fudges arpeggios, and smudges rhythms in a manner that no contemporary pianist would dare let stand in a recording. Whether this approach works depends on the listener. Older listeners full of nostalgia for a time long since past will no doubt love it. Younger listeners with no tolerance for sentimentality may have trouble accepting it.
© TiVo

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Schubert : Lieder

Elisabeth Schwarzkopf

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1
4 Lieder, Op. 88: No. 4, An die Musik, D. 547
Edwin Fischer
00:02:39

Walter Legge, Producer - Franz Schubert, Composer - Franz von Schober, Poet - Edwin Fischer, Piano, FeaturedArtist - Elisabeth Schwarzkopf, Soprano Vocals - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

2
Im Frühling, Op. Posth 101 No. 1, D. 882
00:04:32

Walter Legge, Producer - Franz Schubert, Composer - Edwin Fischer, Piano - Ernst Schulze, Poet - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

3
2 Lieder, Op. 22: No. 2, Wehmut, D. 772
00:02:59

Walter Legge, Producer - Franz Schubert, Composer - Edwin Fischer, Piano - Matthaus Casimir Von Collin, Poet - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

4
3 Lieder, Op. 19: No. 3, Ganymed, D. 544
00:04:49

Walter Legge, Producer - Franz Schubert, Composer - JOHANN WOLFGANG VON GOETHE, Poet - Edwin Fischer, Piano - Elisabeth Schwarzkopf, Soprano Vocals - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

5
3 Lieder, Op. Posth. 115: No. 1, Das Lied im Grünen, D. 917
Edwin Fischer
00:04:33

Walter Legge, Producer - Franz Schubert, Composer - Edwin Fischer, Piano, FeaturedArtist - Johann Anton Friedrich Reil, Poet - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

6
Gretchen am Spinnrade, Op. 2, D. 118
00:03:25

Walter Legge, Producer - Franz Schubert, Composer - JOHANN WOLFGANG VON GOETHE, Poet - Edwin Fischer, Piano - Elisabeth Schwarzkopf, Soprano Vocals - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

7
5 Lieder, Op. 5: No. 2, Nähe des Geliebten, D. 162
00:03:17

Walter Legge, Producer - Franz Schubert, Composer - JOHANN WOLFGANG VON GOETHE, Poet - Edwin Fischer, Piano - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

8
2 Lieder, Op. 43: No. 1, Die junge Nonne, D. 828
00:04:50

Walter Legge, Producer - Franz Schubert, Composer - Jakob Nikolaus Craigher de Jachelutta, Poet - Edwin Fischer, Piano - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

9
4 Lieder, Op. 106: No. 4, An Sylvia, D. 891
00:03:05

Walter Legge, Producer - Franz Schubert, Composer - William Shakespeare , Poet - Edwin Fischer, Piano - Elisabeth Schwarzkopf, Soprano Vocals - Eduard von Bauernfeld, Poet - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

10
Auf dem Wasser zu singen, Op. 72, D. 774
00:03:18

Walter Legge, Producer - Franz Schubert, Composer - Edwin Fischer, Piano - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist - Friedrich Leopold zu Stolberg-Stolberg, Poet

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

11
Nachtviolen, D. 752
Edwin Fischer
00:02:48

Walter Legge, Producer - Franz Schubert, Composer - Edwin Fischer, Piano, FeaturedArtist - Johann Mayrhofer, Poet - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

12
3 Lieder, Op. 92: No. 1, Der Musensohn, D. 764
Edwin Fischer
00:02:05

Walter Legge, Producer - Franz Schubert, Composer - JOHANN WOLFGANG VON GOETHE, Poet - Edwin Fischer, Piano, FeaturedArtist - Elisabeth Schwarzkopf/Edwin Fischer, MainArtist

© 2012 EMI Records Ltd. A Warner Classics release, ℗ 1953, 1986 Parlophone Records Limited

Descriptif de l'album

This compilation of 12 Lieder and Six Moments Musicaux performed by soprano Elisabeth Schwarzkopf and pianist Edwin Fischer is old-fashioned in every sense of the word. Recorded in 1950 and 1952, the sound is old-fashioned: clear but distant, heard across all the intervening decades as if through a dark glass. But, more significantly, the performances are old-fashioned. The slight but sweet quiver in Schwarzkopf's voice was typical of its time but unlike anything any contemporary soprano would attempt. In the An die Musik, she flirts with preciousness. In Im Frühling, she comes close to coyness. In Ganymed, she touches on parody. In Gretchen am Spinnrade, she almost but not quite distorts the music with her breathless delivery. And in every performance, Schwarzkopf seems fond of Schubert but not unreservedly fond, as if Schubert's songs needed special pleading to make them succeed, a truly old-fashioned approach compared to the unreservedly affectionate performances of contemporary singers. Similarly, Edwin Fischer's playing is equally old-fashioned, albeit in an entirely different way. Fischer obviously loves Schubert's music and his playing is warm-hearted and true. Unfortunately, Fischer's playing is technically old-fashioned. He drops notes, slurs lines, fudges arpeggios, and smudges rhythms in a manner that no contemporary pianist would dare let stand in a recording. Whether this approach works depends on the listener. Older listeners full of nostalgia for a time long since past will no doubt love it. Younger listeners with no tolerance for sentimentality may have trouble accepting it.
© TiVo

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