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Le Parlement de Musique|Scarlatti: La Giuditta

Scarlatti: La Giuditta

Le Parlement de Musique / Martin Gester

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The biblical story of the princess Judith, who seduces and then beheads the invading Assyrian general Holofernes, has attracted composers from the early days of opera almost down to the present day with its mixture of gore, patriotic self-sacrifice, and latent feminist themes. (Go here to get in the mood: http://en.wikipedia.org/wiki/Image:Judith_Beheading_Holofernes_by_Caravaggio.jpg.) This 1693 setting of the story by Alessandro Scarlatti was designated an oratorio, with the result that it became even less familiar to general audiences than the operas of the late seventeenth century. But on disc it is really an opera in all but name. There is no chorus commenting somberly on the action, just five characters enmeshed in a tense, sexy, and rapidly developing story that's told mostly in arias, not lengthy stretches of recitative that set up the action. Scarlatti's arias lie between the freely structured music of the classic Italian oratorio and the formally fixed, ornate da capo form that flourished through much of the eighteenth century; they are beautifully balanced between technique and the emotions of the characters, inspiring English music writer Edward Dent to call Scarlatti Mozart's spiritual ancestor. For examples in the present work, sample track 6, "Mà sò ben qual chiudo in petto di Vittoria alto disegno" (I feel in my heart that a great victory is due), in which Judith decides on her plan, or skip directly to the smoldering climactic scene (tracks 16 and 17). Le Parlement de Musique, a historical instrument ensemble from Strasbourg, and its conductor Martin Gester basically stay out of the music's way with smooth performances that give the emotional elements their due without overemphasizing them. Countertenor Martín Oro excels in the role of Holofernes, and the recording in an Alsatian abbey evokes the spaces of the Roman palace where the work was first performed for a group of nobles. This more than a well-executed recording aimed at Baroque enthusiasts; La Giuditta is a taut drama that any lover of opera should hear.

© TiVo

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Scarlatti: La Giuditta

Le Parlement de Musique

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1
La Giuditta, R. 500.9: Sinfonia
00:02:06

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

2
La Giuditta, R. 500.9, Récit: Aria "Trombe guerrière"
00:02:33

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Martin Oro, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

3
La Giuditta, R. 500.9, Récit: Aria "Son gli sdegni"
00:03:14

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Vincenzo Di Donat, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

4
La Giuditta, R. 500.9, Récit: Aria "La speranza"
00:03:30

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Vincenzo Di Donat, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

5
La Giuditta, R. 500.9: Récit & Aria "Quel nume clemente"
00:02:48

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Vincenzo Di Donat, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

6
La Giuditta, R. 500.9: Récit & Aria "Ma sò ben"
00:03:00

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Céline Ricci, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

7
La Giuditta, R. 500.9, Sinfonia bellica: Aria "Lampi e tuoni"
00:04:34

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

8
La Giuditta, R. 500.9, Récit: Aria "Vincerai"
00:02:25

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Bruno Rostand, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

9
La Giuditta, R. 500.9, Récit: Aria "No, non dirai"
00:02:20

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

10
La Giuditta, R. 500.9: Récit & Aria "Della patria"
00:04:30

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Adriana Fernández, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

11
La Giuditta, R. 500.9: Aria "Se di gigli"
00:01:55

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Adriana Fernández, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

12
La Giuditta, R. 500.9, Récit: Aria "Vanne pur"
00:03:47

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Vincenzo Di Donat, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

13
La Giuditta, R. 500.9: Récit & Duetto "Son lieto"
00:01:57

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Bruno Rostand, MainArtist - Adriana Fernández, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

14
La Giuditta, R. 500.9, Récit: Aria "Del tiranno il teschio"
00:05:19

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

15
La Giuditta, R. 500.9: Récit & Aria "Se la gioia non m'uccide"
00:04:24

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Bruno Rostand, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

16
La Giuditta, R. 500.9: Récit & Duetto "Mia speranza"
00:04:00

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Adriana Fernández, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

17
La Giuditta, R. 500.9: Récit & Arioso: Aria "La tua destra"
00:08:53

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Adriana Fernández, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

18
La Giuditta, R. 500.9: Récit & Aria "Traditor"
00:01:19

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Bruno Rostand, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

19
La Giuditta, R. 500.9: Récit & Aria "Addio, cara liberta"
00:05:21

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Vincenzo Di Donat, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

20
La Giuditta, R. 500.9: Récit & Aria "Sento che questo core"
00:02:08

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Bruno Rostand, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

21
La Giuditta, R. 500.9: Récit & Aria "Sù, che tardi ?"
00:00:54

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Céline Ricci, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

22
La Giuditta, R. 500.9: Récit: Aria "Alle palme"
00:00:58

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Vincenzo Di Donat, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

23
La Giuditta, R. 500.9: Aria "Combattuta navicella": Coro "Tanta verace fè" - Aria "Superata la costanza"
00:03:25

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Vincenzo Di Donat, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

24
La Giuditta, R. 500.9: Coro "Opra sol di quel Dio"
00:01:35

ALESSANDRO SCARLATTI, Composer - Le Parlement de Musique, MainArtist - Martin Gester, MainArtist - Martin Oro, MainArtist - Benedetto Pamphili, Lyricist

Centre culturel de rencontre d’Ambronay Centre culturel de rencontre d’Ambronay

Chronique

The biblical story of the princess Judith, who seduces and then beheads the invading Assyrian general Holofernes, has attracted composers from the early days of opera almost down to the present day with its mixture of gore, patriotic self-sacrifice, and latent feminist themes. (Go here to get in the mood: http://en.wikipedia.org/wiki/Image:Judith_Beheading_Holofernes_by_Caravaggio.jpg.) This 1693 setting of the story by Alessandro Scarlatti was designated an oratorio, with the result that it became even less familiar to general audiences than the operas of the late seventeenth century. But on disc it is really an opera in all but name. There is no chorus commenting somberly on the action, just five characters enmeshed in a tense, sexy, and rapidly developing story that's told mostly in arias, not lengthy stretches of recitative that set up the action. Scarlatti's arias lie between the freely structured music of the classic Italian oratorio and the formally fixed, ornate da capo form that flourished through much of the eighteenth century; they are beautifully balanced between technique and the emotions of the characters, inspiring English music writer Edward Dent to call Scarlatti Mozart's spiritual ancestor. For examples in the present work, sample track 6, "Mà sò ben qual chiudo in petto di Vittoria alto disegno" (I feel in my heart that a great victory is due), in which Judith decides on her plan, or skip directly to the smoldering climactic scene (tracks 16 and 17). Le Parlement de Musique, a historical instrument ensemble from Strasbourg, and its conductor Martin Gester basically stay out of the music's way with smooth performances that give the emotional elements their due without overemphasizing them. Countertenor Martín Oro excels in the role of Holofernes, and the recording in an Alsatian abbey evokes the spaces of the Roman palace where the work was first performed for a group of nobles. This more than a well-executed recording aimed at Baroque enthusiasts; La Giuditta is a taut drama that any lover of opera should hear.

© TiVo

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