Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

The Gutter Twins|Saturnalia (Album)

Saturnalia (Album)

The Gutter Twins

Disponible en
16-Bit CD Quality 44.1 kHz - Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

The Gutter Twins' first full-length record may not have shown up until early 2008, but Greg Dulli and Mark Lanegan had been working together since the early part of the millennium, Dulli with Lanegan on his solo work and Lanegan with Dulli's group the Twilight Singers, even touring as part of the band and showing up twice on the 2006 EP A Stitch in Time. It therefore makes sense that much of Saturnalia sounds quite similar to the Twilight Singers' material, particularly the songs where Dulli takes full or most of the writing and singing duties. This is by no means a bad thing; Dulli is all powerful, surging hooks and biting, twisting electric guitars, and Lanegan's baritone -- when he sings both lead and background vocals -- give the words an extra power, subtlety, and resonance, helped no doubt by the visceral growls he adds to lines in "Bête Noire" and "Circle the Fringes." These are songs drawn from the gothic tradition, where good and evil and pleasure and pain crisscross and entwine facilely and indelibly, where the secular and the sacred have no clear defining lines. Religious imagery weaves its way in and out, as much a part of the tracks as are the sex and violence and drugs and all the other Lanegan/Dulli constants. "I hear the Rapture's coming," they sing in "The Stations," recalling both life and death as Dulli's snarl rises over his partner's moan, while Lanegan takes the lead on the gospel-inspired "Who Will Lead Us?" and the ominous storm cloud of "All Misery/Flowers," which starts with "Little girls might twitch at the way I hitch" and ends with the refrain of "I tell you my story so that you might save me," as Dulli sings softly behind. So well, in fact, do the two voices work together, that the one track to which only one contributed (Dulli wrote and sings alone on "I Was in Love with You") seems almost out of place, shiny nickels and dimes on the offering plate stuffed with bills. Saturnalia is mysticism and hedonism, saints and sinners, dark and light, but this is no clear-cut Manichaean collaboration. Both Lanegan and Dulli represent this, both contain all the good and the bad they sing about, sometimes at different moments but very often together, and it's that joined duality, that very disturbingly human quality, telling us things about ourselves we'd rather not acknowledge, that makes the album so absolutely alluring.
© Marisa Brown /TiVo

Plus d'informations

Saturnalia (Album)

The Gutter Twins

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 90 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 90 millions de titres avec votre abonnement illimité.

À partir de 12,50€/mois

1
The Stations (Album)
Gutter Twins
00:04:34

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

2
God's Children (Album)
Gutter Twins
00:04:57

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

3
All Misery/Flowers (Album)
Gutter Twins
00:04:22

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

4
The Body (Album)
Gutter Twins
00:03:02

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

5
Idle Hands (Album)
Gutter Twins
00:04:37

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

6
Circle the Fringes (Album)
Gutter Twins
00:05:24

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

7
Who Will Lead Us (Album)
Gutter Twins
00:03:48

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

8
Seven Stories Underground (Album)
Gutter Twins
00:03:21

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

9
I Was in Love with You (Album)
Gutter Twins
00:04:25

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

10
Bete Noir (Album)
Gutter Twins
00:03:50

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

11
Each to Each (Album)
Gutter Twins
00:04:48

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

12
Front Street (Album)
Gutter Twins
00:05:22

Gutter Twins, MainArtist

© 2008 Sub Pop Records ℗ 2008 Sub Pop Records

Descriptif de l'album

The Gutter Twins' first full-length record may not have shown up until early 2008, but Greg Dulli and Mark Lanegan had been working together since the early part of the millennium, Dulli with Lanegan on his solo work and Lanegan with Dulli's group the Twilight Singers, even touring as part of the band and showing up twice on the 2006 EP A Stitch in Time. It therefore makes sense that much of Saturnalia sounds quite similar to the Twilight Singers' material, particularly the songs where Dulli takes full or most of the writing and singing duties. This is by no means a bad thing; Dulli is all powerful, surging hooks and biting, twisting electric guitars, and Lanegan's baritone -- when he sings both lead and background vocals -- give the words an extra power, subtlety, and resonance, helped no doubt by the visceral growls he adds to lines in "Bête Noire" and "Circle the Fringes." These are songs drawn from the gothic tradition, where good and evil and pleasure and pain crisscross and entwine facilely and indelibly, where the secular and the sacred have no clear defining lines. Religious imagery weaves its way in and out, as much a part of the tracks as are the sex and violence and drugs and all the other Lanegan/Dulli constants. "I hear the Rapture's coming," they sing in "The Stations," recalling both life and death as Dulli's snarl rises over his partner's moan, while Lanegan takes the lead on the gospel-inspired "Who Will Lead Us?" and the ominous storm cloud of "All Misery/Flowers," which starts with "Little girls might twitch at the way I hitch" and ends with the refrain of "I tell you my story so that you might save me," as Dulli sings softly behind. So well, in fact, do the two voices work together, that the one track to which only one contributed (Dulli wrote and sings alone on "I Was in Love with You") seems almost out of place, shiny nickels and dimes on the offering plate stuffed with bills. Saturnalia is mysticism and hedonism, saints and sinners, dark and light, but this is no clear-cut Manichaean collaboration. Both Lanegan and Dulli represent this, both contain all the good and the bad they sing about, sometimes at different moments but very often together, and it's that joined duality, that very disturbingly human quality, telling us things about ourselves we'd rather not acknowledge, that makes the album so absolutely alluring.
© Marisa Brown /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish

The Dark Side Of The Moon

Pink Floyd

Wish You Were Here

Pink Floyd

Wish You Were Here Pink Floyd

The Wall

Pink Floyd

The Wall Pink Floyd
Dans la même thématique...

And In The Darkness, Hearts Aglow

Weyes Blood

Unlimited Love

Red Hot Chili Peppers

Unlimited Love Red Hot Chili Peppers

Will Of The People

Muse

Happier Than Ever (Explicit)

Billie Eilish

Alpha Zulu

Phoenix

Alpha Zulu Phoenix
Les Grands Angles...
40 ans de post-punk en 10 albums

Au crépuscule des 70’s, les éclaboussures punk n’ont pas encore séché que la noirceur du mouvement déteint déjà sur de nouveaux groupes. Dans cette new wave, le courant post-punk offre une approche tourmentée, voire radicale. Des précurseurs Joy Division et The Fall aux contemporains Shame et Fontaines D.C., coup de zoom sur les albums phares d’un électrochoc qui n’a jamais cessé de fasciner l’underground rock’n’roll.

Le trip hop en 10 albums

A l’aube des années 90, la vague trip hop submerge la Grande-Bretagne avec une électro influencée par la musique jamaïcaine et les beats rap. Rythmiques chloroformées et ambiances oppressantes, Massive Attack, Portishead, Tricky, Morcheeba et quelques autres inventent une sorte de soul music sombre, futuriste et parfois très cinématographique. Coup de zoom en 10 albums sur un genre aux frontières floues mais à l’influence nette.

Kraftwerk, 50 ans d'avance

Groupe de musique électronique le plus influent de l’histoire, Kraftwerk, fondé par le duo Ralf Hütter et Florian Schneider, qui s’est éteint le 6 mai 2020 des suites d’un cancer, a toujours été en avance sur son temps. En avance sur la technologie, sur la composition, sur les performances scéniques, les Allemands ont prouvé au grand public que les machines étaient aussi capables d’émotions et ouvert la voie pour la techno, la new wave et même le hip-hop.

Dans l'actualité...