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Elina Garanca|Romantique

Romantique

Filarmonica del Teatro Comunale di Bologna

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Latvian mezzo soprano Elina Garanca has a voice that's miraculously creamy yet smoky. The voice, by itself, can stand the comparison in this collection of mostly French Romantic arias. These are for the most part lesser-known numbers, and Garanca makes them her own musically; she picks pieces that optimize her range, with its impressive power in the top mezzo registers. In the pieces where it's sheer consistency and long-lasting energy that's called for, most of all the stops-out finale "Me voilà seule, enfin," from Gounod's La Reine de Saba (a rare work outside of France), Garanca is impressive indeed. At times in the more emotionally subtle pieces, such as "Mon coeur s'ouvre à ta voix," from Saint-Saëns Samson et Delila, she lacks the emotional involvement in the music that would keep her voice from seeming to be slightly too much of a good thing. Nor are she and the Filarmonica del Teatro Comunale di Bologna well served by Deutsche Grammophon's engineers, who provide a colorless, washed-out sound. But there is no shortage of vocal aficionados for whom the voice itself is paramount, and they are definitely going to find a young singer to watch here: as she matures and the lower parts of her range take on new shades, the results could be spectacular.

© TiVo

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Romantique

Elina Garanca

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La Favorite / Act III (Gaetano Donizetti)

1
Oh! Mon Fernand
Elina Garanca
00:08:25

Gaetano Donizetti, Composer - Eugene Scribe, Author - Yves Abel, Conductor, MainArtist - Alphonse Royer, Author - Gustave Vaëz, Author - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Samson et Dalila, Op. 47, R. 288 / Act II (Camille Saint-Saëns)

2
"Mon coeur s'ouvre à ta voix"
Filarmonica del Teatro Comunale di Bologna
00:06:14

CAMILLE SAINT-SAENS, Composer - Yves Abel, Conductor, MainArtist - FERDINAND LEMAIRE, Author - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

The Maid Of Orléans / Act I (Pyotr Illitch Tchaïkovski)

3
"Farewell You Native Hills and Fields"
Elina Garanca
00:06:25

Pyotr Ilyich Tchaikovsky, Composer, Author - Friedrich Schiller, Author, Original Text Author - Yves Abel, Conductor, MainArtist - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Vasily Zhukovsky, Translator - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Sapho, CG 1 / Act III (Charles Gounod)

4
O ma lyre immortelle
Elina Garanca
00:07:55

Charles Gounod, Composer - Yves Abel, Conductor, MainArtist - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Renaud Loranger, Producer, Associate Producer - Guillaume Victor Emile Augier, Author

℗ 2012 Deutsche Grammophon GmbH, Berlin

Faust (Charles Gounod)

5
"Faites-lui mes aveux"
Elina Garanca
00:04:20

Charles Gounod, Composer - Michel Carre, Author - Jules Barbier, Author - Yves Abel, Conductor, MainArtist - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Giulietta e Romeo / Act II (Nicola Vaccai)

6
Giulietta! oh! mia Giulietta! - Ah! se tu dormi
Elina Garanca
00:05:45

Felice Romani, Author - Yves Abel, Conductor, MainArtist - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Nicola Vaccai, Composer - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

La Damnation de Faust, Op. 24 / Part 4 (Hector Berlioz)

7
Scène 15. Romance. "D'amour l'ardente flamme"
Filarmonica del Teatro Comunale di Bologna
00:08:50

Hector Berlioz, ComposerLyricist - Yves Abel, Conductor, MainArtist - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Almire Gandonnière, Author - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - GERARD DE NERVAL, Translator - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Le Roi d'Ys / Act II (Édouard Lalo)

8
"De tous cotés - Lorsque je t'ai vu soudain"
Filarmonica del Teatro Comunale di Bologna
00:06:30

Edouard Lalo, Composer - Yves Abel, Conductor, MainArtist - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Edouard Stanislas Viateur Blau, Author - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

La Reine de Saba / Act III (Charles Gounod)

9
Plus grand, dans son obscurité
Filarmonica del Teatro Comunale di Bologna
00:06:13

Charles Gounod, Composer - Michel Carre, Author - Jules Barbier, Author - Yves Abel, Conductor, MainArtist - Elina Garanca, Mezzo-Soprano, MainArtist, AssociatedPerformer - Sid McLauchlan, Producer, Recording Producer - Filarmonica del Teatro Comunale di Bologna, Orchestra, MainArtist - Stephan Flock, Balance Engineer, StudioPersonnel - Dr. Alexander Buhr, Producer, Executive Producer - Philip Krause, Asst. Recording Engineer, StudioPersonnel - Renaud Loranger, Producer, Associate Producer

℗ 2012 Deutsche Grammophon GmbH, Berlin

Chronique

Latvian mezzo soprano Elina Garanca has a voice that's miraculously creamy yet smoky. The voice, by itself, can stand the comparison in this collection of mostly French Romantic arias. These are for the most part lesser-known numbers, and Garanca makes them her own musically; she picks pieces that optimize her range, with its impressive power in the top mezzo registers. In the pieces where it's sheer consistency and long-lasting energy that's called for, most of all the stops-out finale "Me voilà seule, enfin," from Gounod's La Reine de Saba (a rare work outside of France), Garanca is impressive indeed. At times in the more emotionally subtle pieces, such as "Mon coeur s'ouvre à ta voix," from Saint-Saëns Samson et Delila, she lacks the emotional involvement in the music that would keep her voice from seeming to be slightly too much of a good thing. Nor are she and the Filarmonica del Teatro Comunale di Bologna well served by Deutsche Grammophon's engineers, who provide a colorless, washed-out sound. But there is no shortage of vocal aficionados for whom the voice itself is paramount, and they are definitely going to find a young singer to watch here: as she matures and the lower parts of her range take on new shades, the results could be spectacular.

© TiVo

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