Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Chai|PUNK

PUNK

Chai

Disponible en
24-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

The Japanese quartet CHAI made a big splash with their giddy, genre-splicing debut album Pink, and while their follow-up Punk lacks the element of surprise that made Pink so exciting, it's still joyous and thrilling pop music. CHAI reigned in some of the anything-goes approach of Pink here, casting aside some of the rap-rock influences and adding some production sheen to the mixes. That said, this is still exuberant music made by women who aren't willing to stay in their lane. If they want to throw heavy metal guitar grind into a synth pop ballad ("Curly Adventure") they will. If they feel like writing a revved-up ode to housework with jumbled samples and a frenetic, pulsating rhythm ("Good Job"), it's happening. They take on rubbery funk ("Fashionista"), happily corny handbag house ("This Is CHAI"), sunny '90s pop ("FAMILY MEMBER"), and punchy cheerleader rock ("Choose Go!) with the same kind of energy and aplomb that they did on Pink. Along with all the genre-hopping, there are a number of songs that settle into a kind of midtempo indie pop with synths and shouted choruses that suit them well. They dipped into it a little on Pink; here they perfect it. Tracks like "I'm Me" and Wintime" have a calm and collected feel that allows for relaxed listening and even a little bit of melancholy, or at least a little less giddiness, to creep into the proceedings. The similarly peaceful -- for CHAI anyway -- "Future" has a sweet, hopeful feel and almost a pop-reggae sound; "Feel the BEAT" is assured midtempo pop that isn't miles away from the mainstream of streaming pop, only the group's version of that sound has way more spirit than average. That goes for everything they try, and even though Punk might not be the pop explosion that Pink was, it's a well-rounded album that capitalizes on the band's imagination and capacity for experimentation while blending the sounds more organically. Plus, it's more fun than just about anything else going on in the late 2010s and that alone makes the record and the band worth checking out and falling (and staying madly) in love with.

© Tim Sendra /TiVo

Plus d'informations

PUNK

Chai

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
CHOOSE GO!
00:02:42

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

2
GREAT JOB
00:03:15

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

3
I'm me
00:03:23

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

4
Wintime
00:02:37

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

5
THIS IS CHAI
00:02:37

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

6
Fashionista
00:02:58

Chai, Producer, MainArtist - Maná, Composer - Marta salogni, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

7
FAMILY MEMBER
00:03:10

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

8
Curly adventure
00:03:23

Chai, Producer, MainArtist - Maná, Composer - Daniel Schlett, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

9
Feel the BEAT
00:03:40

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

10
Future
00:03:21

Chai, Producer, MainArtist - Maná, Composer - Shu Imamoto, MixingEngineer

2019 Heavenly Recordings under exclusive license to [PIAS] 2019 Heavenly Recordings under exclusive license to [PIAS]

Chronique

The Japanese quartet CHAI made a big splash with their giddy, genre-splicing debut album Pink, and while their follow-up Punk lacks the element of surprise that made Pink so exciting, it's still joyous and thrilling pop music. CHAI reigned in some of the anything-goes approach of Pink here, casting aside some of the rap-rock influences and adding some production sheen to the mixes. That said, this is still exuberant music made by women who aren't willing to stay in their lane. If they want to throw heavy metal guitar grind into a synth pop ballad ("Curly Adventure") they will. If they feel like writing a revved-up ode to housework with jumbled samples and a frenetic, pulsating rhythm ("Good Job"), it's happening. They take on rubbery funk ("Fashionista"), happily corny handbag house ("This Is CHAI"), sunny '90s pop ("FAMILY MEMBER"), and punchy cheerleader rock ("Choose Go!) with the same kind of energy and aplomb that they did on Pink. Along with all the genre-hopping, there are a number of songs that settle into a kind of midtempo indie pop with synths and shouted choruses that suit them well. They dipped into it a little on Pink; here they perfect it. Tracks like "I'm Me" and Wintime" have a calm and collected feel that allows for relaxed listening and even a little bit of melancholy, or at least a little less giddiness, to creep into the proceedings. The similarly peaceful -- for CHAI anyway -- "Future" has a sweet, hopeful feel and almost a pop-reggae sound; "Feel the BEAT" is assured midtempo pop that isn't miles away from the mainstream of streaming pop, only the group's version of that sound has way more spirit than average. That goes for everything they try, and even though Punk might not be the pop explosion that Pink was, it's a well-rounded album that capitalizes on the band's imagination and capacity for experimentation while blending the sounds more organically. Plus, it's more fun than just about anything else going on in the late 2010s and that alone makes the record and the band worth checking out and falling (and staying madly) in love with.

© Tim Sendra /TiVo

À propos

Distinctions :

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

folklore: the long pond studio sessions (from the Disney+ special)

Taylor Swift

Folklore (Explicit)

Taylor Swift

Folklore (Explicit) Taylor Swift

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits

evermore (Explicit)

Taylor Swift

evermore (Explicit) Taylor Swift
À découvrir également
Par Chai

Haunted by You

Chai

CHAI

Chai

CHAI Chai

Local MVP

Chai

Local MVP Chai

We The Female!

Chai

WINK

Chai

WINK Chai
Dans la même thématique...

Wall Of Eyes

The Smile

Wall Of Eyes The Smile

First Two Pages of Frankenstein

The National

Born To Die

Lana Del Rey

Born To Die Lana Del Rey

Ohio Players

The Black Keys

Ohio Players The Black Keys

WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?

Billie Eilish