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Paris

Mikko Franck, Orchestre Philharmonique de Radio France, Hilary Hahn

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Langue disponible : anglais

At first glance, the title Paris here feels like a marketing concept, with violinist Hilary Hahn penning reminiscences of falling in love with the city when she toured there as a teenager. After all, only one of the three works on the album is French, Ernest Chausson's Poème, Op. 25, but there's more, of course, to Paris than just French music. Things get off to a superb start with Poème, a work written for Eugène Ysaÿe, of whom Hahn was the last student of his last student. She must have played the work hundreds of times, and her performance is, in a word, flawless, but the high pitch is maintained over the rest of the fairly short (52 minutes) but complete-in-itself program. The connection of Prokofiev's Violin Concerto No. 1 in D major, Op. 19, to Paris is that the work was premiered there in 1923, after spending years being carted around in the composer's luggage after he fled the chaos of the Bolshevik takeover and the instability that followed. This is played less often than Prokofiev's second concerto, and here, in addition to being flawless, Hahn has something to say. The work is sometimes taken to be a grotesquerie, with alternations between lyrical material and savage music, especially in the central scherzo with its harmonics and raspy ponticello passages, but Hahn shows that the savagery can be tamed with formidable technique, and in her hands, the music is somewhat humorous and entirely of a piece with Prokofiev's other music of the 1910s. Then, after all of the sterling technical displays, the music turns more personal at the end with a pair of serenades by Einojuhani Rautavaara, written for Hahn at the very end of the composer's life and commissioned by Orchestre Philharmonique de Radio France conductor Mikko Franck; these are warm, valedictory pieces, only recently discovered, and Hahn, who has championed Rautavaara's music in the past, delivers moving readings. Franck and the Orchestre Philharmonique de Radio France are indeed ideal partners, offering the "uniquely French … combination of individualism and ease" Hahn promises in her note, and the sound environment of the Auditorium de Radio France is also ideal. An absolute delight, and, yes, thoroughly Parisian.
© TiVo

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1
Chausson: Poème for Violin and Orchestra, Op. 25
00:17:03

Orchestre Philharmonique de Radio France, Orchestra, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Cyril Becue, Balance Engineer, StudioPersonnel - Andreas Meyer, Mixer, Editor, Balance Engineer, Mastering Engineer, StudioPersonnel - Philip Traugott, Producer - Mikko Franck, Conductor, MainArtist - Ernest Amedee Chausson, Composer - Jennifer Nulsen, Editor, StudioPersonnel - Lucas Dérode, Recording Engineer, StudioPersonnel - Inès de Bruyn, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Hilary Hahn

Violin Concerto No. 1 in D major, Op. 19 (Sergei Prokofiev)

2
I. Andantino. Andante assai
00:09:36

Sergei Prokofiev, Composer - Orchestre Philharmonique de Radio France, Orchestra, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Cyril Becue, Balance Engineer, StudioPersonnel - Andreas Meyer, Mixer, Editor, Balance Engineer, Mastering Engineer, StudioPersonnel - Philip Traugott, Producer - Mikko Franck, Conductor, MainArtist - Jennifer Nulsen, Editor, StudioPersonnel - Lucas Dérode, Recording Engineer, StudioPersonnel - Inès de Bruyn, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Hilary Hahn

3
II. Scherzo: Vivacissimo
00:03:54

Sergei Prokofiev, Composer - Orchestre Philharmonique de Radio France, Orchestra, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Cyril Becue, Balance Engineer, StudioPersonnel - Andreas Meyer, Mixer, Editor, Balance Engineer, Mastering Engineer, StudioPersonnel - Philip Traugott, Producer - Mikko Franck, Conductor, MainArtist - Jennifer Nulsen, Editor, StudioPersonnel - Lucas Dérode, Recording Engineer, StudioPersonnel - Inès de Bruyn, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Hilary Hahn

4
III. Moderato. Allegro moderato
00:08:03

Sergei Prokofiev, Composer - Orchestre Philharmonique de Radio France, Orchestra, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Cyril Becue, Balance Engineer, StudioPersonnel - Andreas Meyer, Mixer, Editor, Balance Engineer, Mastering Engineer, StudioPersonnel - Philip Traugott, Producer - Mikko Franck, Conductor, MainArtist - Jennifer Nulsen, Editor, StudioPersonnel - Lucas Dérode, Recording Engineer, StudioPersonnel - Inès de Bruyn, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Hilary Hahn

Deux Sérénades (Written for Hilary Hahn) (Einojuhani Rautavaara)

5
No. 1. Sérénade pour mon amour. Moderato
00:07:50

Einojuhani RAUTAVAARA, Composer - Orchestre Philharmonique de Radio France, Orchestra, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Cyril Becue, Balance Engineer, StudioPersonnel - Andreas Meyer, Mixer, Editor, Balance Engineer, Mastering Engineer, StudioPersonnel - Philip Traugott, Producer - Mikko Franck, Conductor, MainArtist - Jean Baptiste Etchepareborde, Recording Engineer, StudioPersonnel - Jennifer Nulsen, Editor, StudioPersonnel - Inès de Bruyn, Asst. Recording Engineer, StudioPersonnel - Valentin Azan-Zelienski, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Hilary Hahn

6
No. 2. Sérénade pour la vie. Andante assai. Comodo. Agitato
00:06:36

Einojuhani RAUTAVAARA, Composer - Orchestre Philharmonique de Radio France, Orchestra, MainArtist - Hilary Hahn, Violin, MainArtist, AssociatedPerformer - Cyril Becue, Balance Engineer, StudioPersonnel - Andreas Meyer, Mixer, Editor, Balance Engineer, Mastering Engineer, StudioPersonnel - Philip Traugott, Producer - Mikko Franck, Conductor, MainArtist - Jean Baptiste Etchepareborde, Recording Engineer, StudioPersonnel - Jennifer Nulsen, Editor, StudioPersonnel - Inès de Bruyn, Asst. Recording Engineer, StudioPersonnel - Valentin Azan-Zelienski, Asst. Recording Engineer, StudioPersonnel

℗ 2021 Hilary Hahn

Descriptif de l'album

At first glance, the title Paris here feels like a marketing concept, with violinist Hilary Hahn penning reminiscences of falling in love with the city when she toured there as a teenager. After all, only one of the three works on the album is French, Ernest Chausson's Poème, Op. 25, but there's more, of course, to Paris than just French music. Things get off to a superb start with Poème, a work written for Eugène Ysaÿe, of whom Hahn was the last student of his last student. She must have played the work hundreds of times, and her performance is, in a word, flawless, but the high pitch is maintained over the rest of the fairly short (52 minutes) but complete-in-itself program. The connection of Prokofiev's Violin Concerto No. 1 in D major, Op. 19, to Paris is that the work was premiered there in 1923, after spending years being carted around in the composer's luggage after he fled the chaos of the Bolshevik takeover and the instability that followed. This is played less often than Prokofiev's second concerto, and here, in addition to being flawless, Hahn has something to say. The work is sometimes taken to be a grotesquerie, with alternations between lyrical material and savage music, especially in the central scherzo with its harmonics and raspy ponticello passages, but Hahn shows that the savagery can be tamed with formidable technique, and in her hands, the music is somewhat humorous and entirely of a piece with Prokofiev's other music of the 1910s. Then, after all of the sterling technical displays, the music turns more personal at the end with a pair of serenades by Einojuhani Rautavaara, written for Hahn at the very end of the composer's life and commissioned by Orchestre Philharmonique de Radio France conductor Mikko Franck; these are warm, valedictory pieces, only recently discovered, and Hahn, who has championed Rautavaara's music in the past, delivers moving readings. Franck and the Orchestre Philharmonique de Radio France are indeed ideal partners, offering the "uniquely French … combination of individualism and ease" Hahn promises in her note, and the sound environment of the Auditorium de Radio France is also ideal. An absolute delight, and, yes, thoroughly Parisian.
© TiVo

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