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Neil Young

Neil Young

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Langue disponible : anglais

On his songs for Buffalo Springfield, Neil Young had demonstrated an eclecticism that ranged from the rock of "Mr. Soul" to the complicated, multi-part arrangement of "Broken Arrow." On his debut solo album, he continued to work with composer/arranger Jack Nitzsche, with whom he had made "Expecting to Fly" on the Buffalo Springfield Again album, and together the two recorded a restrained effort on which the folk-rock instrumentation, most of which was by Young, overdubbing himself, was augmented by discreet string parts. The country & western elements that had tinged the Springfield's sound were also present, notably on the leadoff track, "The Emperor of Wyoming," an instrumental that recalled the Springfield song "A Child's Claim to Fame." Still unsure of his voice, Young sang in a becalmed high tenor that could be haunting as often as it was listless and whining. He was at his least appealing on the nine-and-a-half-minute closing track, "The Last Trip to Tulsa," on which he accompanied himself with acoustic guitar, singing an impressionistic set of lyrics seemingly derived from Bob Dylan's Highway 61 Revisited. But double-tracking and the addition of a female backup chorus improved the singing elsewhere, and on "The Loner," the album's most memorable track, Young displayed some of the noisy electric guitar work that would characterize his recordings with Crazy Horse and reminded listeners of his ability to turn a phrase. Still, Neil Young made for an uneven, low-key introduction to Young's solo career, and when released it was a commercial flop, his only album not to make the charts. (Several months after the album's release, Young remixed it to bring out his vocals more and added some overdubs. This second version replaced the first in the U.S. from then on, though the original mix remained available overseas.)
© William Ruhlmann /TiVo

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Neil Young

Neil Young

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1
The Emperor of Wyoming
00:02:20

Jim Messina, Bass Guitar - Mark Richardson, Engineer - Donn Landee, Engineer - NEIL YOUNG, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Rik Pekkonen, Arranger, Engineer - Henry Saskowski, Engineer - George Grantham, Drums - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

2
The Loner
00:03:55

Jim Messina, Bass Guitar - Mark Richardson, Engineer - Donn Landee, Engineer - NEIL YOUNG, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Rik Pekkonen, Arranger, Engineer - Henry Saskowski, Engineer - George Grantham, Drums - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

3
If I Could Have Her Tonight
00:02:22

Jim Messina, Bass Guitar - Mark Richardson, Engineer - Donn Landee, Engineer - NEIL YOUNG, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Rik Pekkonen, Arranger, Engineer - Henry Saskowski, Engineer - George Grantham, Drums - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

4
I've Been Waiting for You
00:02:35

Jim Messina, Bass Guitar - Mark Richardson, Engineer - Donn Landee, Engineer - NEIL YOUNG, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Rik Pekkonen, Arranger, Engineer - Henry Saskowski, Engineer - George Grantham, Drums - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

5
The Old Laughing Lady
00:06:05

Mark Richardson, Engineer - Merry Clayton, Background Vocals - Earl Palmer, Drums - Donn Landee, Engineer - Ry Cooder, Producer, Arranger, Guitar - NEIL YOUNG, Producer, Arranger, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Jack Nitzsche, Producer, Arranger, Electric Piano - Rik Pekkonen, Arranger, Engineer - Sherlie Matthews, Background Vocals - Patrice Holloway, Background Vocals - Brenda Holloway, Background Vocals - Henry Saskowski, Engineer - Gloria Richetta Jones, Background Vocals - Gracia Nitzsche, Background Vocals - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

6
String Quartet from Whiskey Boot Hill
00:01:06

Merry Clayton, Background Vocals - Earl Palmer, Drums - Ry Cooder, Producer, Arranger, Guitar - NEIL YOUNG, Producer, Arranger, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Synthesizer, MainArtist - Jack Nitzsche, Producer, Arranger, Electric Piano, Writer - Patrice Holloway, Background Vocals - Brenda Holloway, Background Vocals

1969 Reprise Records 2009 Reprise Records

7
Here We Are in the Years
00:03:19

Jim Messina, Bass Guitar - Mark Richardson, Engineer - Donn Landee, Engineer - NEIL YOUNG, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Rik Pekkonen, Arranger, Engineer - Henry Saskowski, Engineer - George Grantham, Drums - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

8
What Did You Do to My Life?
00:02:30

Jim Messina, Bass Guitar - Mark Richardson, Engineer - Donn Landee, Engineer - NEIL YOUNG, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Rik Pekkonen, Arranger, Engineer - Henry Saskowski, Engineer - George Grantham, Drums - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

9
I've Loved Her so Long
00:02:47

Mark Richardson, Engineer - Merry Clayton, Background Vocals - Earl Palmer, Drums - Donn Landee, Engineer - Ry Cooder, Producer, Arranger, Guitar - NEIL YOUNG, Arranger, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Jack Nitzsche, Producer, Arranger, Electric Piano - Rik Pekkonen, Arranger, Engineer - Sherlie Matthews, Background Vocals - Patrice Holloway, Background Vocals - Brenda Holloway, Background Vocals - Henry Saskowski, Engineer - Gloria Richetta Jones, Background Vocals - Gracia Nitzsche, Background Vocals - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

10
The Last Trip to Tulsa
00:09:27

Jim Messina, Bass Guitar - Mark Richardson, Engineer - Donn Landee, Engineer - NEIL YOUNG, Guitar, Harpsichord, Organ, Piano, Lead Vocals, Writer, Synthesizer, MainArtist - DAVID BRIGGS, Producer - Rik Pekkonen, Arranger, Engineer - Henry Saskowski, Engineer - George Grantham, Drums - Dale Batchelor, Engineer

1969 Reprise Records 2009 Reprise Records

Descriptif de l'album

On his songs for Buffalo Springfield, Neil Young had demonstrated an eclecticism that ranged from the rock of "Mr. Soul" to the complicated, multi-part arrangement of "Broken Arrow." On his debut solo album, he continued to work with composer/arranger Jack Nitzsche, with whom he had made "Expecting to Fly" on the Buffalo Springfield Again album, and together the two recorded a restrained effort on which the folk-rock instrumentation, most of which was by Young, overdubbing himself, was augmented by discreet string parts. The country & western elements that had tinged the Springfield's sound were also present, notably on the leadoff track, "The Emperor of Wyoming," an instrumental that recalled the Springfield song "A Child's Claim to Fame." Still unsure of his voice, Young sang in a becalmed high tenor that could be haunting as often as it was listless and whining. He was at his least appealing on the nine-and-a-half-minute closing track, "The Last Trip to Tulsa," on which he accompanied himself with acoustic guitar, singing an impressionistic set of lyrics seemingly derived from Bob Dylan's Highway 61 Revisited. But double-tracking and the addition of a female backup chorus improved the singing elsewhere, and on "The Loner," the album's most memorable track, Young displayed some of the noisy electric guitar work that would characterize his recordings with Crazy Horse and reminded listeners of his ability to turn a phrase. Still, Neil Young made for an uneven, low-key introduction to Young's solo career, and when released it was a commercial flop, his only album not to make the charts. (Several months after the album's release, Young remixed it to bring out his vocals more and added some overdubs. This second version replaced the first in the U.S. from then on, though the original mix remained available overseas.)
© William Ruhlmann /TiVo

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