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Dr. Lonnie Smith|Move Your Hand (Live At Club Harlem, Atlantic City, NJ/1969/Remixed 1995)

Move Your Hand (Live At Club Harlem, Atlantic City, NJ/1969/Remixed 1995)

Dr. Lonnie Smith

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Langue disponible : anglais

Move Your Hand was recorded live at Club Harlem in Atlantic City on August 9, 1969. Organist Lonnie Smith led a small combo -- featuring guitarist Larry McGee, tenor saxist Rudy Jones, bari saxist Ronnie Cuber, and drummer Sylvester Goshay -- through a set that alternated originals with two pop covers, the Coasters' "Charlie Brown" and Donovan's "Sunshine Superman." Throughout, the band works a relaxed, bluesy, and, above all, funky rhythm; they abandon improvisation and melody for a steady groove, so much that the hooks of the two pop hits aren't recognizable until a few minutes into the track. No one player stands out, but Move Your Hand is thoroughly enjoyable, primarily because the group never lets their momentum sag throughout the session. Though the sound of the record might be somewhat dated, the essential funk of the album remains vital.

© Stephen Thomas Erlewine /TiVo

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Move Your Hand (Live At Club Harlem, Atlantic City, NJ/1969/Remixed 1995)

Dr. Lonnie Smith

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1
Charlie Brown (Live At Club Harlem, Atlantic City, NJ/1969/Remixed 1995)
00:08:26

Jerry Leiber, Composer - Mike Stoller, Composer - Michael Cuscuna, Producer - Rudy Van Gelder, Remix Engineer, StudioPersonnel - Francis Wolff, Producer - Ed Greene, Recording Engineer, StudioPersonnel - Tom Evered, Producer - Dr. Lonnie Smith, MainArtist

(C) 1996 Blue Note Records ℗ 1969 Blue Note Records

2
Layin' In The Cut (Live At Club Harlem, Atlantic City, NJ/1969/Remixed 1995)
00:10:11

Michael Cuscuna, Producer - Rudy Van Gelder, Remix Engineer, StudioPersonnel - Francis Wolff, Producer - Ed Greene, Recording Engineer, StudioPersonnel - Lonnie Smith, Composer - Tom Evered, Producer - Dr. Lonnie Smith, MainArtist

(C) 1996 Blue Note Records ℗ 1969 Blue Note Records

3
Move Your Hand (Live At Club Harlem, Atlantic City, NJ / Remixed 1995)
00:09:01

Rudy Van Gelder, Remix Engineer, StudioPersonnel - Francis Wolff, Producer - Ed Greene, Recording Engineer, StudioPersonnel - Lonnie Smith, Organ, Vocals, AssociatedPerformer, ComposerLyricist - Ronnie Cuber, Baritone Saxophone, AssociatedPerformer - Tom Evered, Producer - Dr. Lonnie Smith, MainArtist - Larry McGee, Guitar, AssociatedPerformer - Sylvester Goshay, Drums, AssociatedPerformer - Rudy Jones, Tenor Saxophone, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1995 Capitol Records, LLC

4
Sunshine Superman (Live At Club Harlem, Atlantic City, NJ/1969/Remixed 1995)
00:10:16

Donovan Leitch, Composer - Michael Cuscuna, Producer - Rudy Van Gelder, Remix Engineer, StudioPersonnel - Francis Wolff, Producer - Ed Greene, Recording Engineer, StudioPersonnel - Tom Evered, Producer - Dr. Lonnie Smith, MainArtist

(C) 1996 Blue Note Records ℗ 1969 Blue Note Records

5
Dancin' In An Easy Groove (Live At Club Harlem, Atlantic City, U.S.A./1969; Remixed 1995)
00:11:56

Rudy Van Gelder, Remix Engineer, StudioPersonnel - Francis Wolff, Producer - Ed Greene, Recording Engineer, StudioPersonnel - Lonnie Smith, Organ, Vocals, AssociatedPerformer - Ronnie Cuber, Baritone Saxophone, AssociatedPerformer - Dr. Lonnie Smith, MainArtist - Lonnie O. Smith, ComposerLyricist - Larry McGee, Guitar, AssociatedPerformer - Sylvester Goshay, Drums, AssociatedPerformer - Rudy Jones, Tenor Saxophone, AssociatedPerformer

(C) 1996 Blue Note Records ℗ 1969 Blue Note Records

Chronique

Move Your Hand was recorded live at Club Harlem in Atlantic City on August 9, 1969. Organist Lonnie Smith led a small combo -- featuring guitarist Larry McGee, tenor saxist Rudy Jones, bari saxist Ronnie Cuber, and drummer Sylvester Goshay -- through a set that alternated originals with two pop covers, the Coasters' "Charlie Brown" and Donovan's "Sunshine Superman." Throughout, the band works a relaxed, bluesy, and, above all, funky rhythm; they abandon improvisation and melody for a steady groove, so much that the hooks of the two pop hits aren't recognizable until a few minutes into the track. No one player stands out, but Move Your Hand is thoroughly enjoyable, primarily because the group never lets their momentum sag throughout the session. Though the sound of the record might be somewhat dated, the essential funk of the album remains vital.

© Stephen Thomas Erlewine /TiVo

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