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Tori Amos - Little Earthquakes (Deluxe Edition)

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Little Earthquakes (Deluxe Edition)

Tori Amos

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Langue disponible : anglais

With her haunting solo debut Little Earthquakes, Tori Amos carved the template for the female singer/songwriter movement of the '90s. Amos' delicate, prog rock piano work and confessional, poetically quirky lyrics invited close emotional connection, giving her a fanatical cult following and setting the stage for the Lilith Fair legions. But Little Earthquakes is no mere style-setter or feminine stereotype -- its intimacy is uncompromising, intense, and often far from comforting. Amos' musings on major personal issues -- religion, relationships, gender, childhood -- were just as likely to encompass rage, sarcasm, and defiant independence as pain or tenderness; sometimes, it all happened in the same song. The apex of that intimacy is the harrowing "Me and a Gun," where Amos strips away all the music, save for her own voice, and confronts the listener with the story of her own real-life rape; the free-associative lyrics come off as a heart-wrenching attempt to block out the ordeal. Little Earthquakes isn't always so stomach-churning, but it never seems less than deeply cathartic; it's the sound of a young woman (like the protagonist of "Silent All These Years") finally learning to use her own voice -- sort of the musical equivalent of Mary Pipher's Reviving Ophelia. That's why Amos draws strength from her relentless vulnerability, and that's why the constantly shifting emotions of the material never seem illogical -- Amos simply delights in the frankness of her own responses, whatever they might be. Though her subsequent albums were often very strong, Amos would never bare her soul quite so directly (or comprehensibly) as she did here, nor with such consistently focused results. Little Earthquakes is the most accessible work in Amos' catalog, and it's also the most influential and rewarding.
© Steve Huey /TiVo

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Little Earthquakes (Deluxe Edition)

Tori Amos

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1
Crucify (2015 Remaster)
00:04:59

Davitt Sigerson, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

2
Girl (2015 Remaster)
00:04:06

Eric Rosse, Producer - Tori Amos, Composer, Producer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

3
Silent All These Years (2015 Remaster)
00:04:11

Davitt Sigerson, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

4
Precious Things (2015 Remaster)
00:04:26

Eric Rosse, Producer - Tori Amos, Composer, Producer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

5
Winter (2015 Remaster)
00:05:41

Davitt Sigerson, Producer - Nick DeCaro, Arranger - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

6
Happy Phantom (2015 Remaster)
00:03:13

Davitt Sigerson, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

7
China (2015 Remaster)
00:04:58

Ian Stanley, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

8
Leather (2015 Remaster)
00:03:11

Davitt Sigerson, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

9
Mother (2015 Remaster)
00:06:59

Davitt Sigerson, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

10
Tear in Your Hand (2015 Remaster)
00:04:37

Eric Rosse, Producer - Tori Amos, Composer, Producer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

11
Me and a Gun (2015 Remaster)
00:03:42

Ian Stanley, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

12
Little Earthquakes (2015 Remaster)
00:06:53

Eric Rosse, Producer - Tori Amos, Composer, Producer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

DISQUE 2

1
Upside Down (2015 Remaster)
00:04:21

Davitt Sigerson, Producer - JOHN BEVERLY JONES, Mixer, Recorded by - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

2
Thoughts (2015 Remaster)
00:02:43

Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1991 Atlantic Records

3
Ode to the Banana King (Pt. One) (2015 Remaster)
00:04:04

Ian Stanley, Producer - Ross Cullum, Recorded by - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

4
Song for Eric (2015 Remaster)
00:01:52

Ian Stanley, Producer - Steve Williams, Recorded by - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

5
The Pool (2015 Remaster)
00:02:49

Ian Stanley, Producer - Steve Williams, Mixer - JOHN BEVERLY JONES, Recorded by - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

6
Take to the Sky (2015 Remaster)
00:04:18

Davitt Sigerson, Producer - Eric Rosse, Mixer - JOHN BEVERLY JONES, Recorded by - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

7
Sweet Dreams (2015 Remaster)
00:03:26

Davitt Sigerson, Producer - JOHN BEVERLY JONES, Mixer, Recorded by - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

8
Mary (2015 Remaster)
00:04:25

Davitt Sigerson, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

9
Sugar (2015 Remaster)
00:04:25

Ian Stanley, Producer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

10
Flying Dutchman (2015 Remaster)
00:06:30

Davitt Sigerson, Producer - Jon Kelly, Mixer - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

11
Humpty Dumpty (2015 Remaster)
00:02:51

Tori Amos, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

12
Smells Like Teen Spirit (2015 Remaster)
00:03:15

David Grohl, Writer - Ian Stanley, Producer - Kurt Cobain, Writer - Krist Novoselic, Writer - Tori Amos, MainArtist - Steve Jackson, Recorded by

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

13
Little Earthquakes (Live; 2015 Remaster)
00:06:58

Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

14
Crucify (Live; 2015 Remaster)
00:05:34

Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

15
Precious Things (Live; 2015 Remaster)
00:05:04

Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

16
Mother (Live; 2015 Remaster)
00:06:24

Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

17
Happy Phantom (Live; 2015 Remaster)
00:03:21

Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

18
Here in My Head (2015 Remaster)
00:03:54

Ian Stanley, Producer - Ross Cullum, Recorded by - Tori Amos, Composer, MainArtist

© 2015 Atlantic Recording Corporation ℗ 1992 Atlantic Records

Descriptif de l'album

With her haunting solo debut Little Earthquakes, Tori Amos carved the template for the female singer/songwriter movement of the '90s. Amos' delicate, prog rock piano work and confessional, poetically quirky lyrics invited close emotional connection, giving her a fanatical cult following and setting the stage for the Lilith Fair legions. But Little Earthquakes is no mere style-setter or feminine stereotype -- its intimacy is uncompromising, intense, and often far from comforting. Amos' musings on major personal issues -- religion, relationships, gender, childhood -- were just as likely to encompass rage, sarcasm, and defiant independence as pain or tenderness; sometimes, it all happened in the same song. The apex of that intimacy is the harrowing "Me and a Gun," where Amos strips away all the music, save for her own voice, and confronts the listener with the story of her own real-life rape; the free-associative lyrics come off as a heart-wrenching attempt to block out the ordeal. Little Earthquakes isn't always so stomach-churning, but it never seems less than deeply cathartic; it's the sound of a young woman (like the protagonist of "Silent All These Years") finally learning to use her own voice -- sort of the musical equivalent of Mary Pipher's Reviving Ophelia. That's why Amos draws strength from her relentless vulnerability, and that's why the constantly shifting emotions of the material never seem illogical -- Amos simply delights in the frankness of her own responses, whatever they might be. Though her subsequent albums were often very strong, Amos would never bare her soul quite so directly (or comprehensibly) as she did here, nor with such consistently focused results. Little Earthquakes is the most accessible work in Amos' catalog, and it's also the most influential and rewarding.
© Steve Huey /TiVo

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