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Baden Powell|Le Monde Musical De Baden Powell

Le Monde Musical De Baden Powell

Baden Powell

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In the early '60s when many Brazilian musicians brought bossa nova to the United States, classically trained guitarist Baden Powell took his guitar to France. Hence, the rest is history, as this Brazilian artist infused his hybrid jazz/classical/bossa nova articulations into the European scene. This program chronicles the work he did for the Barclay (CD one) and Festival (CD two) record companies, spanning the mid-'60s through the late '70s. Throughout these multifarious works, featuring Powell performing solo guitar and with various ensembles, the listener is provided with a radiant glimpse of his virtuosity and depth. On various works, Powell melds a distinct sense of classicism with buoyancy and sophistication. Sure, bossa nova and samba-based rhythms are firmly rooted within his palate. Yet, Powell's insightful ability to step out of preconceived boundaries becomes apparent from the opening moments of disc one. His delicate plucking and strumming are augmented by his penchant for injecting a driving force into many of these compositions, featuring the inherent rhythmic elements of Brazilian music. He performs with horns and strings on certain tracks, amid endeavors with standard rhythm sections and percussionists. Regardless, Powell's artisanship is partly founded upon the jubilance and festive-like environs of a Brazilian carnival. He molds the tried and true into a deeply personalized methodology, witnessed by his rhythmically complex renditions of Monk's "'Round About Midnight" and other works. Sadly, Powell's severe alcoholism took its toll, resulting in his death in 2000.

© Glenn Astarita /TiVo

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Le Monde Musical De Baden Powell

Baden Powell

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1
Deve Ser Amor (Instrumental)
00:03:51

Vinicius De Moraes, ComposerLyricist - Eddie Barclay, Producer - Baden Powell, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1964 Decca Records France

2
Choro Para Metronome (Instrumental)
00:02:57

Vinicius De Moraes, ComposerLyricist - Eddie Barclay, Producer - Baden Powell, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1964 Decca Records France

3
Adagio
00:03:05

Baden Powell, Arranger, Work Arranger, MainArtist - Tomaso Albinoni, Composer

℗ 1964 Decca Records France

4
Berimbau (Instrumental)
00:03:01

Vinicius De Moraes, ComposerLyricist - Eddie Barclay, Producer - Baden Powell, Guitar, MainArtist, AssociatedPerformer, ComposerLyricist

℗ 1964 Decca Records France

5
Samba En Preludio
00:03:27

Vinicius De Moraes, ComposerLyricist - Baden Powell, MainArtist, ComposerLyricist

℗ 1964 Decca Records France

6
Chanson D'Hiver
00:02:25

Baden Powell, MainArtist, ComposerLyricist - Pierrot, ComposerLyricist

℗ 1964 Decca Records France

7
Samba Triste
00:03:31

Baden Powell, MainArtist, ComposerLyricist - Billy Blanco, ComposerLyricist

℗ 1964 Decca Records France

8
Berceuse A Jussara
00:02:35

Baden Powell, MainArtist, ComposerLyricist

℗ 1964 Decca Records France

9
Prelude
00:02:52

Johann Sebastian Bach, Composer - Baden Powell, Arranger, Work Arranger, MainArtist

℗ 1964 Decca Records France

10
Euridice (Enr 17 Avril 1964 Paris)
00:03:03

Vinicius De Moraes, ComposerLyricist - Baden Powell, Interprète Instrumental, MainArtist, AssociatedPerformer

℗ 1964 Decca Records France

11
Bachiana
00:04:08

Baden Powell, MainArtist, ComposerLyricist

℗ 1964 Decca Records France

12
Garota De Ipanema (Instrumental)
00:02:59

Vinicius De Moraes, ComposerLyricist - António Carlos Jobim, ComposerLyricist - Eddie Barclay, Producer - Baden Powell, Guitar, MainArtist, AssociatedPerformer

℗ 1964 Decca Records France

Chronique

In the early '60s when many Brazilian musicians brought bossa nova to the United States, classically trained guitarist Baden Powell took his guitar to France. Hence, the rest is history, as this Brazilian artist infused his hybrid jazz/classical/bossa nova articulations into the European scene. This program chronicles the work he did for the Barclay (CD one) and Festival (CD two) record companies, spanning the mid-'60s through the late '70s. Throughout these multifarious works, featuring Powell performing solo guitar and with various ensembles, the listener is provided with a radiant glimpse of his virtuosity and depth. On various works, Powell melds a distinct sense of classicism with buoyancy and sophistication. Sure, bossa nova and samba-based rhythms are firmly rooted within his palate. Yet, Powell's insightful ability to step out of preconceived boundaries becomes apparent from the opening moments of disc one. His delicate plucking and strumming are augmented by his penchant for injecting a driving force into many of these compositions, featuring the inherent rhythmic elements of Brazilian music. He performs with horns and strings on certain tracks, amid endeavors with standard rhythm sections and percussionists. Regardless, Powell's artisanship is partly founded upon the jubilance and festive-like environs of a Brazilian carnival. He molds the tried and true into a deeply personalized methodology, witnessed by his rhythmically complex renditions of Monk's "'Round About Midnight" and other works. Sadly, Powell's severe alcoholism took its toll, resulting in his death in 2000.

© Glenn Astarita /TiVo

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