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Larry Coryell|Lady Coryell

Lady Coryell

Larry Coryell

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Langue disponible : anglais

This 1968 set is for anyone who felt let down when the early '70s promise for a truly creative, genre-busting fusion of jazz and rock swiftly disappeared in a wave of vapid, show biz values and disco frippery. On Lady Coryell, the 25-year-old Larry Coryell already possessed a virtuoso's technique and a rich harmonic and melodic imagination. He uses these gifts here to build swirling, multi-tracked, oftentimes intensely psychedelic performances that range seamlessly across the jazz and rock landscape. The most important tracks are "Treats Style" and "Stiff Neck." On the former, the guitarist is teamed with jazz masters Jimmy Garrison (bass) and Elvin Jones (drums) in a power trio of cool swagger and screaming blues. "Stiff Neck"is a furious duet between Jones and the guitarist. Coryell begins in a driving, post-bop vein, segues to a raw, acid blues and then out into a splintered, barrage of power chords and feedback.Jones navigates the way ahead, countering Coryell's audacity with controlled fury and an assured, muscular pulse. On the rest of the session, Bob Moses, a bandmate from the guitarist's first recordings, takes the drum chair, while Coryell overdubs the bass parts. Together they calmly probe the shifting sections and layers of the title track before transforming a Junior Walker R&B shuffle, "Cleo's Mood," into a mind-bending, rave-up. Even Coryell's hoarse-throated singing is effective. On "Sunday Telephone," -- over a maelstrom of phased, fuzzed, and wah-wahed guitars -- he yowls dementedly, "One more dime operator, can't you see it's Dr. Strange on the line." The album's only lapse is the country corn of "Love Child Is Coming Home," where Coryell tries to transcend one genre too many.
© Jim Todd /TiVo

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Lady Coryell

Larry Coryell

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1
Herman Wright
00:03:25

LARRY CORYELL, Producer, MainArtist, ComposerLyricist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

2
Sunday Telephone
00:02:31

LARRY CORYELL, Producer, MainArtist, ComposerLyricist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

3
Two Minute Classical
00:02:12

LARRY CORYELL, Producer, MainArtist, ComposerLyricist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 1999 Vanguard Records, a Welk Music Group Company

4
Love Child Is Coming Home
00:02:35

LARRY CORYELL, Producer, MainArtist, ComposerLyricist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 2006 Vanguard Records, a Welk Music Group Company

5
Lady Coryell
00:06:36

LARRY CORYELL, Producer, MainArtist, ComposerLyricist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 1999 Vanguard Records, a Welk Music Group Company

6
The Dream Thing
00:02:27

LARRY CORYELL, Producer, MainArtist, ComposerLyricist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 1999 Vanguard Records, a Welk Music Group Company

7
Treats Style
00:05:46

Jimmy Garrison, ComposerLyricist - LARRY CORYELL, Producer, MainArtist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 1999 Vanguard Records, a Welk Music Group Company

8
You Don't Know What Love Is
00:02:38

Gene DePaul, ComposerLyricist - Don Raye, ComposerLyricist - LARRY CORYELL, Producer, MainArtist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 1999 Vanguard Records, a Welk Music Group Company

9
Stiff Neck
00:07:16

Elvin Jones, ComposerLyricist - LARRY CORYELL, Producer, MainArtist, ComposerLyricist - Danny Weiss, Producer

(C) 2006 Vanguard ℗ 1999 Vanguard Records, a Welk Music Group Company

10
Cleo's Mood
00:04:22

LARRY CORYELL, Producer, MainArtist - Danny Weiss, Producer - Junior Walker, ComposerLyricist

(C) 2006 Vanguard ℗ 1999 Vanguard Records, a Welk Music Group Company

Descriptif de l'album

This 1968 set is for anyone who felt let down when the early '70s promise for a truly creative, genre-busting fusion of jazz and rock swiftly disappeared in a wave of vapid, show biz values and disco frippery. On Lady Coryell, the 25-year-old Larry Coryell already possessed a virtuoso's technique and a rich harmonic and melodic imagination. He uses these gifts here to build swirling, multi-tracked, oftentimes intensely psychedelic performances that range seamlessly across the jazz and rock landscape. The most important tracks are "Treats Style" and "Stiff Neck." On the former, the guitarist is teamed with jazz masters Jimmy Garrison (bass) and Elvin Jones (drums) in a power trio of cool swagger and screaming blues. "Stiff Neck"is a furious duet between Jones and the guitarist. Coryell begins in a driving, post-bop vein, segues to a raw, acid blues and then out into a splintered, barrage of power chords and feedback.Jones navigates the way ahead, countering Coryell's audacity with controlled fury and an assured, muscular pulse. On the rest of the session, Bob Moses, a bandmate from the guitarist's first recordings, takes the drum chair, while Coryell overdubs the bass parts. Together they calmly probe the shifting sections and layers of the title track before transforming a Junior Walker R&B shuffle, "Cleo's Mood," into a mind-bending, rave-up. Even Coryell's hoarse-throated singing is effective. On "Sunday Telephone," -- over a maelstrom of phased, fuzzed, and wah-wahed guitars -- he yowls dementedly, "One more dime operator, can't you see it's Dr. Strange on the line." The album's only lapse is the country corn of "Love Child Is Coming Home," where Coryell tries to transcend one genre too many.
© Jim Todd /TiVo

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