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Los Angeles Philharmonic|John Adams: The Gospel According To The Other Mary

John Adams: The Gospel According To The Other Mary

O'Connor, Mumford, Thomas, Bubeck, Cummings, Medley - Gustavo Dudamel

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Dudamel - Adams, une relation encore prolifique ! Souvenez-vous : dès sa prise de fonction à la tête du Los Angeles Philharmonic, Gustavo Dudamel a tenu à intégrer John Adams au comité de création de l’orchestre. Occasion rêvée pour le compositeur de renouer avec Peter Sellars et de revenir au lyrique. Pour The Gospel According to the Other Mary, leur septième opus, Sellars et Adams renouvellent une expérience déjà entreprise avec bonheur dans El Niño : l’opéra-oratorio. Empruntant son imagerie aux rites funéraires traditionnels mexicains, The Gospel According to the Other Mary se veut une relecture de l’histoire de Lazare et de la Passion du Christ : le Nouveau Testament y est lu au travers du prisme d’écrivains et poètes américains et latino-américains. Un disque prodigieux où le Los Angeles Philharmonic étincelle sous la direction toujours inspirée de Gustavo Dudamel !

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John Adams: The Gospel According To The Other Mary

Los Angeles Philharmonic

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The Gospel According to the Other Mary / Act I / Scene 1 - Jail / House of Hospitality (John Adams)

1
"The Next Day in the City Jail"
Kelley O'Connor
00:04:09

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

TThe Gospel According to the Other Mary / Act I / Scene 1 - Jail / House of Hospitality (John Adams)

2
"Now a Certain Woman Named Martha"
Brian Cummings
00:02:44

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act I / Scene 2 - Mary (John Adams)

3
"And She Had a Sister Named Mary"
Brian Cummings
00:01:40

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

4
"I Am Surprised That I Am Beginning to Pray Daily"
Kelley O'Connor
00:03:25

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

5
"En un día de amor yo bajé hasta la tierra"
Los Angeles Master Chorale
00:04:16

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act I / Scene 3 - Lazarus (John Adams)

6
"Now a Certain Man Was Sick"
Brian Cummings
00:04:00

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

7
Lazarus Dies While the Sisters Await Jesus
Los Angeles Philharmonic
00:02:03

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

8
"Why Standest Thou Afar Off, O Lord?"
Tamara Mumford
00:02:26

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

9
"In My Own Quietly Explosive Here"
Kelley O'Connor
00:02:51

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act I / Scene 3 - Lazaruss (John Adams)

10
"Don’t Touch My Left Arm"
Kelley O'Connor
00:01:51

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act I / Scene 3 - Lazarus (John Adams)

11
"When Mary Was Come Where Jesus Was"
Brian Cummings
00:03:42

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

12
"Jesus Said, Take Ye Away the Stone"
Brian Cummings
00:01:52

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

13
"And When He Thus Had Spoken"
Brian Cummings
00:04:19

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

14
"Drop Down, Ye Heavens, From Above"
Los Angeles Master Chorale
00:03:07

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act I / Scene 4 - Supper at Bethany (John Adams)

15
"Then Jesus Six Days Before the Passover"
Brian Cummings
00:00:42

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

16
"For the Grave Cannot Praise Thee"
Russell Thomas
00:06:38

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Russell Thomas, Tenor, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

17
"Then Took Mary a Pound of Ointment"
Brian Cummings
00:04:46

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act I / Scene 5 - Passover (John Adams)

18
"And There Were Some That Had Indignation"
Russell Thomas
00:01:40

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Russell Thomas, Tenor, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

19
"We Know There Will Be No Utopias"
Tamara Mumford
00:05:19

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

20
"Tell Me: How Is This Night Different"
Russell Thomas
00:09:29

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Russell Thomas, Tenor, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act II (John Adams)

21
"Who Rips His Own Flesh Down the Seams"
Los Angeles Master Chorale
00:03:49

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act II / Scene 1 - Police Raid (John Adams)

22
"Martha and Mary, Not Knowing"
Daniel Bubeck
00:05:40

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Russell Thomas, Tenor, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act II / Scene 2 - Arrest of the Women (John Adams)

23
Instrumental Introduction
Los Angeles Philharmonic
00:02:25

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

24
"Up At Two A.M., Picketed All Day"
Tamara Mumford
00:01:29

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

25
"The Said Defendants"
Los Angeles Master Chorale
00:02:54

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

26
"Jesús, incomparable perdonador de injurias"
Los Angeles Master Chorale
00:03:01

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act II / Scene 3 - Golgotha (John Adams)

27
"And They Were Come Unto a Place Called Golgotha"
Brian Cummings
00:06:14

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

28
"Daughters of Jerusalem, Weep Not for Me"
Los Angeles Master Chorale
00:03:03

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

29
"Now There Stood by the Cross of Jesus"
Tamara Mumford
00:01:27

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

30
"When Jesus Saw His Mother"
Brian Cummings
00:02:12

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act II / Scene 4 - Night (John Adams)

31
"When the Rain Began to Fall"
Kelley O'Connor
00:07:35

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

32
"His Son Cried Out to Him"
Russell Thomas
00:01:32

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Russell Thomas, Tenor, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act II / Scene 5 - Burial / Spring (John Adams)

33
"Now in the Place Where He Was Crucified"
Brian Cummings
00:04:34

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

34
Mary Awakens on the Third Morning
Los Angeles Philharmonic
00:02:08

John Adams, ComposerLyricist - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Gustavo Dudamel, Conductor, MainArtist - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

35
"It Is Spring"
Los Angeles Master Chorale
00:04:01

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Wolfgang Schiefermair, Mixer, StudioPersonnel

℗ 2014 Deutsche Grammophon GmbH, Berlin

The Gospel According to the Other Mary / Act II / Scene 6 - Earthquake and Recognition (John Adams)

36
“And, Behold, There Was a Great Earthquake"
Kelley O'Connor
00:03:17

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Russell Thomas, Tenor, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

37
"Why Seek Ye the Living Among the Dead?"
Kelley O'Connor
00:06:25

John Adams, ComposerLyricist - Los Angeles Master Chorale, Chorus, MainArtist, AssociatedPerformer - Enno Mäemets, Engineer, StudioPersonnel - Friedemann Engelbrecht, Producer, Recording Producer - Brian Cummings, Counter-Tenor, MainArtist, AssociatedPerformer - Daniel Bubeck, Counter-Tenor, MainArtist, AssociatedPerformer - Los Angeles Philharmonic, Orchestra, MainArtist - Grant Gershon, Chorus Master, AssociatedPerformer - Gustavo Dudamel, Conductor, MainArtist - Kelley O'Connor, Mezzo-Soprano, MainArtist, AssociatedPerformer - Alexander Feucht, Editor, StudioPersonnel - Tamara Mumford, Mezzo-Soprano, MainArtist, AssociatedPerformer - Russell Thomas, Tenor, MainArtist, AssociatedPerformer - Wolfgang Schiefermair, Mixer, StudioPersonnel - Nathan Medley, Counter-Tenor, MainArtist, AssociatedPerformer

℗ 2014 Deutsche Grammophon GmbH, Berlin

Descriptif de l'album

Dudamel - Adams, une relation encore prolifique ! Souvenez-vous : dès sa prise de fonction à la tête du Los Angeles Philharmonic, Gustavo Dudamel a tenu à intégrer John Adams au comité de création de l’orchestre. Occasion rêvée pour le compositeur de renouer avec Peter Sellars et de revenir au lyrique. Pour The Gospel According to the Other Mary, leur septième opus, Sellars et Adams renouvellent une expérience déjà entreprise avec bonheur dans El Niño : l’opéra-oratorio. Empruntant son imagerie aux rites funéraires traditionnels mexicains, The Gospel According to the Other Mary se veut une relecture de l’histoire de Lazare et de la Passion du Christ : le Nouveau Testament y est lu au travers du prisme d’écrivains et poètes américains et latino-américains. Un disque prodigieux où le Los Angeles Philharmonic étincelle sous la direction toujours inspirée de Gustavo Dudamel !

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Old Friends New Friends

Nils Frahm

Nightscapes

Magdalena Hoffmann

Nightscapes Magdalena Hoffmann
Les Grands Angles...
Bruno Walter, souvenirs d’un esprit disparu

Écouter les enregistrements de Bruno Walter à la lumière des splendides remastérisations publiées par Sony Classical, c’est s’abreuver à une culture humaniste. Immense chef d’orchestre, la musique est pour lui un sacerdoce, un art de vivre et un art de penser. Ses enregistrements ont conservé son art du chant, intense mais jamais sentimental, grâce à une ligne claire animée d’un rythme souple, assurant clarté, cohérence et vitalité.

Le Chant de la Terre : Gustav Mahler et l’Ailleurs

Qu’est-ce qui a pu pousser Gustav Mahler, en 1907-1908, à composer une œuvre aussi inclassable que celle-ci ? Écrit à un moment charnière dans la vie de Mahler, Le Chant de la Terre occupe une place à part dans son œuvre et marie l’esprit « fin de siècle » à la fascination pour l’exotisme qui grandissait à l’époque chez ses contemporains. À Vienne, l’heure était alors aux turbulences, et cette pièce qui oscille entre adieu et nouveau départ mérite un examen plus attentif.

L’Oratorio de Noël de Bach

Encore lui ! Chaque fin d’année, c’est simple : l’Oratorio de Noël (BWV 248) de J. S. Bach est indétrônable. Au vu du nombre de concerts, mais aussi d’enregistrements, aucune autre œuvre sacrée n’a atteint un tel niveau de popularité et de diffusion. Trois cents ans après, Qobuz revient sur la genèse d’une des œuvres les plus connues du compositeur allemand.

Dans l'actualité...